By David Lovrien. For concert band. A rollicking, swingy German waltz. Waltz. Full score and set of parts. Duration 3:15. Published by Lovebird Music. (113) Level: Grade 3 (Intermediate).

Orchestra String Orchestra - Grade 3

SKU: CF.CAS18

Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).

ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.

A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

By Alan Lee Silva. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

String Orchestra - Grade 1.5

SKU: KN.KBS2302

Composed by Eric B. Davis. Breakthrough String Orchestra Series 1.5. Score and Parts. Kendor Music Inc #KBS2302. Published by Kendor Music Inc (KN.KBS2302).

12 x 9 inches.

Your students will have a great time with this rollicking new composition from Eric Davis. It is also a fantastic way to reinforce eighth-quarter-eighth syncopation. Your whole ensemble will be all stars with this fun-filled piece.

Clarinet, piano

SKU: FG.55011-708-2

Composed by Kimmo Hakola. Solo part and piano reduction. Fennica Gehrman #55011-708-2. Published by Fennica Gehrman (FG.55011-708-2).

ISBN 9790550117082.

Kimmo Hakola's Clarinet Concerto (2001) is finally available as a piano reduction and a solo part! The concerto created world-wide buzz after the premiere, which was augmented after the CD release. The Clarinet Concerto is a rich and original work lasting some 40 minutes. It has four movements: the opening movement is dominated by the aggressive toccata-like pounding typical of Hakola. The slow movement, Hidden Songs, is a soaring, melodic and captivating piece of music. The third movement, Allegro farara, is a wild and whirling Oriental dance in a quirky 7/8 rhythm. The finale, which follows without a break, begins with crowd noises that slowly fade. The movement title, Khasene, is the Yiddish for 'wedding'. The nuptials turn out to be quite raucous as Hakola rolls out poignant pathos and rollicking klezmer look-alikes in turn. The soloist is given scope for improvisation.

Composed by Stephen Foster (1826-1864). Arranged by C. Scott Hagler. For SATB choir, piano accompaniment. Octavo. Heritage Music Press #15/3241H. Published by Heritage Music Press

By Randall Johnson. For SA choir and piano. Randy and Rachel Stenson Choral Series. Concert. Octavo. Published by Santa Barbara Music Publishing

Band concert band - Grade 3.5

SKU: CF.CPS95

Composed by Brant Karrick. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+4+6+8+2+1+4+10+36 pages. Carl Fischer Music #CPS95. Published by Carl Fischer Music (CF.CPS95).

ISBN 9780825870569. UPC: 798408070564. Key: F major.

The Journey attempts to musically portray the experience of traveling on an early ship, crossing the vast and tumultuous ocean to an uncertain destination. Cast in a rollicking 6/8 meter, the first theme in D minor signifies determination and perseverance, while the second theme signifies hope and faith. The music tosses and turns as the theme is passed to each section and continues to press on to a triumphant landing! We are excited to welcome the music of Brant Karrick to the Carl Fischer Music catalog.

SATB choir divisi and organ - Intermediate

SKU: MN.50-6132

Composed by Peter Niedmann. Music, Praise/Thanksgiving. Duration 3 minutes, 45 seconds. MorningStar Music Publishers #50-6132. Published by MorningStar Music Publishers (MN.50-6132).

UPC: 688670561320. English. Psalms 150.

This setting of Psalm 150 was the winner of the 2019 Fyfe Prize sponsored by the Sewanee Church Music Conference. Big and joyful with a rollicking organ accompaniment, the music bounces motives back and forth energetically, between the sections of the choir and between the choir and the organ. A wonderful piece for a festival or celebration. Duration: 3:45.

By Todd Stalter. Concert Band. Concert Band; Part(s); Score. Challenger Band Series. Form: Overture. Grade 1.5. 120 pages. Published by Alfred Music Publishing

Commissioned by American Composers Forum. Composed by Libby Larsen (1950-). Score and full set of parts. BandQuest. Concert. Published by American Composers Forum

Concert band - Grade 2

SKU: CL.011-4170-01

Celtic Air And Dance. Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR379). Extra full score. Composed 2013. Duration 3 minutes, 1 second. C.L. Barnhouse #011-4170-01. Published by C.L. Barnhouse (CL.011-4170-01).

This unique work combines two ancient Celtic folk tunes, and blends them into a high-quality musical composition. Opening with the lyrical 3/4 melody Over the Stone, the piece transitions to the rollicking 6/8 jig Road to Lisdoonvarna. An excellent work for mid-level bands, Over the Stone is a solid choice for concert or contest.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.