| Morton Gould: Benny's Gig
Clarinet, Double bass (duet) [Score and Parts] Schirmer
Score and Parts. By Morton Gould. (Clarinet). Woodwind. Size 8.5x11 inches. 20 ...(+)
Score and Parts. By Morton Gould. (Clarinet). Woodwind. Size 8.5x11 inches. 20 pages. Published by G. Schirmer, Inc.
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| Double Sonata 2 Clarinets (duet) [Score] Theodore Presser Co.
For BB Clarinet and Bass Clarinet. By Stanley Walden. Wind duo. For Clarinet, Ba...(+)
For BB Clarinet and Bass Clarinet. By Stanley Walden. Wind duo. For Clarinet, Bass Clarinet. Classical. Performance score. 15 pages. Duration 13:30. Published by Theodore Presser Company.
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| Klar/obskur Oboe,bassoon And Piano Performance Score Oboe, Bassoon and Piano Schott
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin...(+)
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219). ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer. $40.00 - See more - Buy online | | |
| Duetti Amorosi Score And Parts (2vln/vla/vc/db/cl/bsn/hn) - Intermediate Schott
2 violins, viola, cello, double bass, clarinet, bassoon and horn (also alpenhorn...(+)
2 violins, viola, cello, double bass, clarinet, bassoon and horn (also alpenhorn) - intermediate SKU: HL.49043935 Based on Ovid's Metamorphoses. Composed by Wilfried Hiller. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 1999. 52 pages. Duration 20'. Schott Music #ED21574. Published by Schott Music (HL.49043935). ISBN 9790001191647. 9.25x12.0x0.158 inches. Two instruments - sometimes two violins, sometimes violin and double-bass or clarinet and bassoon - always take the lead as a duo in the ensemble which is arranged around the audience. In the love-song of Polyphem the One-Eyed, however, the alphorn does not find a partner. $68.00 - See more - Buy online | | |
| Movie Duets for All Flexible Instrumentation [Sheet music] Alfred Publishing
(B-Flat Clarinet, Bass Clarinet). Arranged by Michael Story and Michael Story. F...(+)
(B-Flat Clarinet, Bass Clarinet). Arranged by Michael Story and Michael Story. For B-Flat Clarinet, Bass Clarinet. Duet or Duo; Mixed Instruments - Flexible Instrumentation. Instrumental Ensembles for All. Movie. Book. 24 pages
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| Musikalisches Blumengartlein und Leyptziger Allerley Clarinet, Double bass (duet) [Score] Schott
Performance Score. By Paul Hindemith. Schott. Size 9x12 inches. 20 pages. Publis...(+)
Performance Score. By Paul Hindemith. Schott. Size 9x12 inches. 20 pages. Published by Schott.
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| Bass Clarinet Double Concerto Potenza Music
Composed by Jonathan Russell. For Bass Clarinet Duet and Piano. Chamber music, 2...(+)
Composed by Jonathan Russell. For Bass Clarinet Duet and Piano. Chamber music, 20th century. Published by Potenza Music
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| Christmas is coming Choral SATB SATB, Piano [Octavo] Oxford University Press
Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3...(+)
Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3rd doubles piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (suspended cymbal, sleigh bells, xylophone, glockenspiel) harp, piano, organ (opt.), strings). Mixed Voices. Christmas Carols. Level B (easy). Octavo. 20 pages. Duration 3'. Published by Oxford University Press
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| Klezmer Miniatures - Easy EMB (Editio Musica Budapest)
Chamber Ensemble - early intermediate SKU: BT.EMBZ14884 For Young Musi...(+)
Chamber Ensemble - early intermediate SKU: BT.EMBZ14884 For Young Musicians. Composed by Jávori Ferenc. Educational Tool. Set (Score & Parts). Composed 2014. 70 pages. Editio Musica Budapest #EMBZ14884. Published by Editio Musica Budapest (BT.EMBZ14884). English-Hungarian. Klezmer Miniatures has been compiled for young musicians who, by playing an instrument, would like to become acquainted with the musically-varied world of Klezmer. The series comprises two duos, four trios and two quartets, which can be performed with different combinations of instruments - violin, clarinet, flute, cello, double bass, bass guitar and trumpet. The composer, Ferenc Jávori, is a major figure of world music in Europe and is a prolific composer, orchestrator and performer. He is the founder and leader of the Budapest Klezmer Band. Jávori was born into a Hungarian-Jewish community in Munkács (Mukacheve, Ukraine), where the years before the Second World Warwitnessed a golden age of Klezmer, the traditional, instrumental folk music of Yiddish-speaking Jewish communities. He has collected and compiled numerous melodies and songs from the last representatives of this formerly vibrant musical culture. Each of the Klezmer Miniatures reflects a different traditional genre of Klezmer. In these pieces Jávori has used certain motifs from Moisei Beregosky's folk music collection.
Klezmer Miniatures has been compiled for young musicians who, by playing an instrument, would like to become acquainted with the musically varied world of Klezmer. The series comprises two duos, four trios and two quartets, which can beperformed with different combinations of instruments - violin, clarinet, flute, cello, double bass, bass guitar and trumpet. The composer, Ferenc Jávori, is a major figure of world music in Europe and is a prolific composer, orchestrator and performer. Each of the Klezmer Miniatures reflects a different traditional genre of Klezmer.
Die Klezmer-Miniaturen entstanden für junge Musiker, die sich beim Spielen auf ihrem Instrument mit der vielfältigen Musikwelt des Klezmer vertraut machen wollen. Diese Ausgabe umfasst zwei Duos, vier Trios und zwei Quartette, die sich inunterschiedlichen Besetzungen sowohl auf der Violine als auch auf der Klarinette, der Flöte, dem Cello, dem Kontrabass, der Bassgitarre und der Posaune vortragen lassen.
Klezmer Miniatures a été réalisé pour les jeunes musiciens qui voudraient se familiariser avec le style de musique Klezmer. Ce recueil comprend des duos, trios et quatuors offrant de multiples combinaisons instrumentales (Violon I & II, Fl teI & II, Clarinette I & II, Violoncelle).
Klezmer Miniatures è pensato per tutti i giovani musicisti interessati a familiarizzare con lo stile della musica Klezmer. Questa raccolta include duetti, trii e quartetti che offrono molteplici combinazioni strumentali (Violino, Clarinetto,Flauto, Violoncello, Contrabbasso, Chitarra basso e Tromba). $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| 5 Lessons in a Frame Boosey and Hawkes
Chamber Ensemble (Score) SKU: HL.48024815 Ensemble Score. Composed...(+)
Chamber Ensemble (Score) SKU: HL.48024815 Ensemble Score. Composed by Harrison Birtwistle. Boosey & Hawkes Scores/Books. Classical. Softcover. 40 pages. Duration 1200 seconds. Boosey & Hawkes #M060136139. Published by Boosey & Hawkes (HL.48024815). ISBN 9781784545277. UPC: 888680984168. These five duets 'framed' within the 5 Lessons were developed from the five instrumental duets written for members of the London Sinfonietta between 2008 and 2014 - The Message (Duet 1), Bourdon (Duet 2) and Duets 3-5. These are available from the publisher. Instrumentation: Flute (doubling Alto Flute), Oboe (doubling Cor Anglais), Clarinet in Eb and Bb, Bassoon, Trumpet, Horn, Trombone, Side Drum (with snares), Violin I Violin II, Viola, Cello, Double Bass. $32.00 - See more - Buy online | | |
| I Thank You, Lord Hope Publishing Company
Vocal Duet, Key of C SKU: HP.8999 Composed by Joseph M. Martin. Piano Acc...(+)
Vocal Duet, Key of C SKU: HP.8999 Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #8999. Published by Hope Publishing Company (HP.8999). UPC: 763628189990. Joseph M. Martin. Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Double Concerto Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlig...(+)
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlight. Grade 3. Score and set of parts. Composed 2006. Duration 0:03:06
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| Double Concerto Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glov...(+)
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (items CL.WFR340 & CL.WFR354). Extra full score. Composed 2006. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-3551-01. Published by Opus III Wind Orchestra Publications (CL.012-3551-01). This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band! About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faithfulness (Great Is Thy Faithfulness) Hope Publishing Company
Vocal duet SKU: HP.8967 Composed by Joel Raney. Piano Accompaniment with ...(+)
Vocal duet SKU: HP.8967 Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #8967. Published by Hope Publishing Company (HP.8967). UPC: 763628189679. Original hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Grand Duo, Op. Post. 140 D 812 - Advanced Schott
For 9 Instruments Mixed Ensemble (Score & Parts) - advanced SKU: HL.49019418<...(+)
For 9 Instruments Mixed Ensemble (Score & Parts) - advanced SKU: HL.49019418 Score and Parts. Composed by Franz Schubert. Arranged by Gabriel Bü and rgin. This edition: Saddle stitching. Sheet music. Ensemble. Classical. Softcover. Op. post. 140. 350 pages. Duration 40'. Schott Music #ED21519. Published by Schott Music (HL.49019418). ISBN 9790001190374. 9.0x12.0x0.907 inches. It was through piano and chamber music that Schubert wanted to pave the way for himself toward 'the great symphony' after 1820. One of these works is the Sonata for piano duet D 812 in C major which has become known as 'Grand Duo' but is rarely performed. This sonata is now presented in a large-scale, virtually symphonic chamber music version. For flute, oboe, clarinet in B-flat, Bassoon, violin, viola, cello and double bass. $133.00 - See more - Buy online | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-FSC Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU: HH.HH005-FSC Composed by Lawrence Casserley. Chamber Orchestra. Full score. Duration 10 minutes, 30 seconds. Edition HH Music Publishers #HH005-FSC. Published by Edition HH Music Publishers (HH.HH005-FSC). ISBN 9790708024101. Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-MIN Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU: HH.HH005-MIN Composed by Lawrence Casserley. Chamber Orchestra. Miniature score. Duration 10 minutes, 30 seconds. Edition HH Music Publishers #HH005-MIN. Published by Edition HH Music Publishers (HH.HH005-MIN). ISBN 9790708024095. Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-IPT Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU: HH.HH005-IPT Composed by Lawrence Casserley. Chamber Orchestra. Set of parts. Duration 10 minutes, 30 seconds. Edition HH Music Publishers #HH005-IPT. Published by Edition HH Music Publishers (HH.HH005-IPT). ISBN 9790708024705. Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work. $68.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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