As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /Appendix (lower transpositions of the songs only in high ranges):Die Schatten, D 50 / Adelaide, D 95 / Voix Moyenne(s)

Ce recueil musical constitue un florilège d'études pour piano, à l?attention des pianistes débutants et confirmés, où se côtoient les grandes études des compositeurs célèbres et les ?uvres plus didactiques d'auteurs moins connus.
A travers 101 Études, le pianiste aborde les grandes pages de la littérature pour piano, voyageant ainsi à travers les époques et les styles.
L'ouvrage est complété par un double CD (tapez TP002CD dans notre moteur de recherche) : à son gré le musicien peut y trouver un guide et un supplément indissociable de la partition.

?uvres de : Chopin, Liszt, Thalberg, Moszkovski, Sibelius, Brahms, Nazareth, Scriabin, Debussy, Czerny, Bertini, Burgmüller, Cramer, Gurlitt, Heller, Kadosa, etc.
/ [101 Etudes Pour Piano] / Classique / Feraux, Pierre / Partitions / Carré Collé /

Version de Heribert Breuer de la Ricercare six parties de Bach The Musical offrant BWV 1079 apparue d'expérience pratique pour une utilisation pratique. C'était le souhait de créer un ajout au programme pour l'instrumentation de Dvorák Serenade dans D 44 opus mineur qui a initié cette entente qui se réfère à l'extraordinaire de l'instrumentation. / 10 Instruments A Vent, Violoncelle Et Contrebasse

arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players?in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom.This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: ?Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist?Biographical and performance notes regarding the selected composers and compositions.?Insightful suggestions for further reading, listening, and study. ?Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil?s early flute virtuoso, Patápio Silva.Includes access to online audio. / Date parution : 2022-04-26/ Recueil / Guitare Classique

In Ten Parts. Par SCARLATTI DOMENICO. / Répertoire / 10 Flûtes à Bec (SSSSAATTBB)

Pièce pour 10 percussionnistes [Glockenspiel, Xylophone I-II, Marimba I-II, Cymbale suspendue, Claves, Cymbales, Cloches de vache, Tambourin, Bongos, Batterie, 2 Timbales, 3 Temple-Blocks] / 10 Percussions / 16 pages / niveau : Facile - Elémentaire / Partition

Paradoxe d'une invitation à la liberté qui se heurte aussitôt à la rigueur de la notation, la précision des tempi et la complexité de la métrique. Paradoxe ? Et si tous ces éléments n'étaient rien d'autre qu'une cage dans laquelle est enfermé l'Oiseau-musique ? Alors, l'interprète peut libérer l'oiseau afin qu'il s'épanouisse. Mais la liberté n'étant pas sans dangers, il peut au contraire garantir sa survie en le maintenant captif. D'une écriture moderne, la pièce garde cependant une assise tonale plus ou moins affirmée selon les parties. Cette version pour guitare à dix cordes a été écrite à la demande du guitariste Andreas Hiller. Nota : la partition pour guitare à six cordes (DLT 1291) est accompagnée d'un enregistrement par Roger Buczek. / Guitare À 10 Cordes

Par SPITTAL ROBERT. Une réflexion contemporaine sur la musique de vent français du XVIe siècle, cette Consort commence par un mouvement de danse animée, puis continue à une Aubade sincère et un Sautureau arbitraire. A marqué pour les paires de flûtes, hautbois, clarinettes, cors et bassons./ Répertoire / 10 Instruments à vent

Par . What better way to celebrate the 100th anniversary of Disney than with 100 magical songs in a beautiful, collectible hardcover edition? Beginning with a foreword by composer and Disney legend, Alan Menken, and a preface by Walt Disney Records Supervising Producer and Music Historian, Randy Thornton, and featuring colorful art throughout, Disney 100 Songs will take you on a century-long musical journey through 60 feature films, theme park attractions, and television shows. Each song is presented with melody, lyrics, and chords so everyone will be able to sing and play these beloved favorites. / Date parution : 2023-10-31/ Recueil / Mélodie, Paroles et Accords