| Funf Miniaturen aus dem Zyklus "Geschichten fur Tasten" Piano solo [Score] Carus Verlag
Piano SKU: CA.1850000 Composed by Filip Pavlov. This edition: Paperbound....(+)
Piano SKU: CA.1850000 Composed by Filip Pavlov. This edition: Paperbound. Editions for the new German Catholic songbook Gotteslob. German title: Funf Miniaturen Fur Klavier Solo. Full score. 12 pages. Carus Verlag #CV 18.500/00. Published by Carus Verlag (CA.1850000). ISBN 9790007086756. Language: all languages. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sieben Miniaturen W 37 C Music Distribution Services
Flute, viola and piano (organ) SKU: M7.AST-7347 Composed by Gunther Wiese...(+)
Flute, viola and piano (organ) SKU: M7.AST-7347 Composed by Gunther Wiesemann. Sheet music. Composed 1988 (1995). Duration 12'. MDS (Music Distribution Services) #AST 7347. Published by MDS (Music Distribution Services) (M7.AST-7347). ISBN 9790203873471. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Schoenberg Complete Works Ser B3/6 Erwartung Op. 17 Monodram Voc/pno Score Schott
SKU: HL.49019883 Composed by Arnold Schoenberg. Edited by Ullrich Scheide...(+)
SKU: HL.49019883 Composed by Arnold Schoenberg. Edited by Ullrich Scheideler. This edition: Full-cloth binding. Sheet music. Edition Schott. Hardcover. Op. 17. Schott Music #AS1006-30. Published by Schott Music (HL.49019883). ISBN 9790001131308. This volume contains for the first time the piano score of the monodrama Erwartung drawn up in the autumn of 1909 by Arnold Schoenberg himself.The composer began this stage work at the end of the summer of 1909, stopping work on the first draft on 12 September 1909 and completing the fair copy of the score on 4 October 1909. Two autograph manuscripts have survived of the piano score: a first draft and a fair copy. Only the first draft is dated, bearing the date of completion 22 October 1909. $70.00 - See more - Buy online | | |
| Vier Miniaturen fur Klavier Piano solo [Score] Carus Verlag
Piano SKU: CA.1851500 Composed by Friedhelm Rentzsch. German title: Vier ...(+)
Piano SKU: CA.1851500 Composed by Friedhelm Rentzsch. German title: Vier Miniaturen Fur Klavier (1980). Full score. Composed 1980. 12 pages. Duration 8 minutes. Carus Verlag #CV 18.515/00. Published by Carus Verlag (CA.1851500). ISBN 9790007100353. Language: all languages. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Miniaturen fur Klavier Piano solo Bote and Bock
Piano SKU: HL.48024385 Composed by Johannes Boris Borowski. BH Piano. Cla...(+)
Piano SKU: HL.48024385 Composed by Johannes Boris Borowski. BH Piano. Classical. Softcover. 36 pages. Bote & Bock #M202534908. Published by Bote & Bock (HL.48024385). 9.0x12.0 inches. Miniaturen fur Klavier is a collection of small piano pieces, each one to three minutes long and of varying difficulty. They can be played as a complete cycle, as individual pieces or as a selection in any combination. The titles of the pieces indicate content and techniques used, in part based on structural principles of the film. But the music is not reducible to it - far too often a wrong track is missing. Johannes Boris Borowski (* 1979) is an outstanding voice of new music. His interpreters include the ensemble intercontemporain, the WDR Symphony Orchestra Cologne, the Chicago Symphony Orchestra and the Staatskapelle Berlin. His works were conducted by Daniel Barenboim, Zubin Mehta, Peter Eotvos, Pierre Boulez and Susanna Malkki. $39.00 - See more - Buy online | | |
| Der beleidigte Papagei Piano solo [Sheet music + CD] Breitkopf & Härtel
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short piano
pieces, the composer follows
the cue of such modern-day
masters as Olivier Messiaen,
Karlheinz Stockhausen, Helmut
Lachenmann and Nicolaus A.
Huber.
Pedagogical. Breitkopf and
Haertel #EB-9175. Published
by Breitkopf and Haertel
$28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tief-schürfende Poesie GEMCH - a capella -Fünf Miniaturen für gem. Chor a cappella auf Texte frei nach Heinrich Heine- Verlag Dohr
4-part mixed chorus, a cappella SKU: VD.ED25242 Tief-schurfende poesie...(+)
4-part mixed chorus, a cappella SKU: VD.ED25242 Tief-schurfende poesie gemch - a capella -funf miniaturen fur gem. chor a cappella auf texte frei nach heinrich heine-. Composed by Franz Surges. Classical. Score, choral score. With Text Language: German. 10 S. pages. Verlag Dohr #ED25242. Published by Verlag Dohr (VD.ED25242). ISBN 9790202012420. 11.69 x 8.26 inches. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Miniaturen für vier Fagotte op. 120 Verlag Dohr
Fagotte (4) SKU: VD.ED16464 Composed by Hans-Gunther Allers. Classical. S...(+)
Fagotte (4) SKU: VD.ED16464 Composed by Hans-Gunther Allers. Classical. Score, parts. 18 S. Part. + 28 S. Stimmen pages. Verlag Dohr #ED16464. Published by Verlag Dohr (VD.ED16464). ISBN 9790202034644. 12 x 9 inches. $33.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nursery-Jazz [Score] - Beginner Lemoine, Henry
Jazz piano - Level 1 SKU: LM.23337 Composed by Charles-Henry. Classical. ...(+)
Jazz piano - Level 1 SKU: LM.23337 Composed by Charles-Henry. Classical. Score. Editions Henry Lemoine #23337. Published by Editions Henry Lemoine (LM.23337). ISBN 9790230933377. Baby song - B.A. BA Rythme - Baby Boogie - Mandarin Swing - Dodo Swing - Baby Blues. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Original Piano Duets - Volume 1 1 Piano, 4 hands - Beginner Schott
1 Piano, 4 Hands; Piano Duet - very easy to easy SKU: HL.49004006 Pian...(+)
1 Piano, 4 Hands; Piano Duet - very easy to easy SKU: HL.49004006 Piano, 4 Hands. Edited by Heinz Schuengeler. Arranged by Heinz Schü and ngeler. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 56 pages. Schott Music #ED 2892. Published by Schott Music (HL.49004006). ISBN 9790001040204. UPC: 073999762341. 9.0x12.0x0.192 inches. The edition is part of the Trinity syllabus 2007 (grade intermediate recital). $22.99 - See more - Buy online | | |
| Methode Voor Diat. Mondharm. Harmonica Digital Music Print
Harmonica SKU: BT.DMP112104 Composed by Julien Keymolen. Method. Book Onl...(+)
Harmonica SKU: BT.DMP112104 Composed by Julien Keymolen. Method. Book Only. Digital Music Print #DMP112104. Published by Digital Music Print (BT.DMP112104). Dutch. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Miniaturen für Orgel (2004-2014) Organ [Score] Verlag Dohr
Organ SKU: VD.ED12681 Composed by Walter Gleissner. Classical. Score. 16 ...(+)
Organ SKU: VD.ED12681 Composed by Walter Gleissner. Classical. Score. 16 S. pages. Verlag Dohr #ED12681. Published by Verlag Dohr (VD.ED12681). ISBN 9790202026816. 12 x 9 inches. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 3 Miniaturen Flute and Piano EMB (Editio Musica Budapest)
Flute and Piano SKU: BT.EMBZ12356 Für Flöte und Klavier. Com...(+)
Flute and Piano SKU: BT.EMBZ12356 Für Flöte und Klavier. Composed by László Király. Contemporary Music. Book Only. Composed 1983. 12 pages. Editio Musica Budapest #EMBZ12356. Published by Editio Musica Budapest (BT.EMBZ12356). English-Hungarian. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Seven Divine Properties [Score] - Easy Gobelin Music Publications
Fanfare Band and Euphonium Solo - Grade 3 SKU: BT.GOB-001197-120 Composed...(+)
Fanfare Band and Euphonium Solo - Grade 3 SKU: BT.GOB-001197-120 Composed by Rob Goorhuis. Solo & Concerto. Score Only. Composed 2013. Gobelin Music Publications #GOB 001197-120. Published by Gobelin Music Publications (BT.GOB-001197-120). 9x12 inches. English-German-French-Dutch. The concept of divine properties features heavily in various ancient religions: these are properties to which man can aspire—through striving towards divine properties one can evolve spiritually and become a better person. This composition is primarily written from an Old Testament perspective. The chosen qualities are as follows: Simplicity, Strength, Truth, Perseverance and Passion.
Op verzoek van Danny Oosterman en naar een idee van Anteun Hoesen schreef Rob Goorhuis een uitdagend werk voor solo-euphonium en blaasorkest, dat de verheven titel The Seven Divine Properties kreeg. Aanleiding voor het ontstaan van deze compositie was het feit dat Andels Fanfare Corps begin 2012 een cd met uitsluitend werken van Rob Goorhuis zou gaan opnemen. In de uitvoering op de betreffende cd speelt Anteun Hoesen de solopartij.In diverse vanuit in de oudheid ontstane religies is het concept ‘goddelijke eigenschappen’ een rol gaan spelen. Deze eigenschappen hebben in feite betrekking op de mens zelf. De mens zou moeten streven naar het verwerven van goddelijkeeigenschappen om een beter mens te worden. In verschillende godsdiensten worden verschillende eigenschappen nagestreefd. In het christelijk geloof spelen de begrippen geloof, hoop en liefde bijvoorbeeld een belangrijke rol.Deze compositie is geschreven vanuit meer oudtestamentische benadering. De gekozen eigenschappen zijn: eenvoud, blijdschap, vrede, kracht, waarheid, overwinning en passie. Na een korte introductie van het thematisch materiaal worden de diverse kenmerken in muzikale miniaturen verklankt.
Auf Wunsch von Danny Oosterman und nach einer Idee von Anteun Hoesen schrieb Rob Goorhuis ein herausforderndes Werk für Solo-Euphonium und Blasorchester, das den erhabenen Titel The Seven Divine Properties erhielt. Anlass für die Entstehung dieser Komposition war die Tatsache, dass das Andels Fanfare Corps Anfang des Jahres 2012 eine CD ausschließlich mit Werken von Rob Goorhuis aufnehmen sollte. Auf dieser CD spielt Anteun Hoesen die Solostimme in diesem Stück.Die Idee der göttlichen Eigenschaften“ (divine properties) spielt in diversen Religionen des Altertums eine Rolle. Diese Eigenschaften beziehen sich tatsächlich auf den Menschen selbst. Dieser sollte nach demErlangen der göttlichen Eigenschaften streben, um so ein besserer Mensch zu werden. In verschiedenen Gottesdiensten wird den unterschiedlichen Eigenschaften nachgestrebt. Im christlichen Glauben spielen dabei die Begriffe Glaube, Hoffnung und Liebe eine wichtige Rolle.Diese Komposition wurde eher von einem alttestamentarischen Standpunkt aus geschrieben. Die gewählten Eigenschaften sind folgende: Einfachheit, Kraft, Wahrheit, Überwindung und Passion. Nach einer kurzen Einführung des thematischen Materials werden die verschiedenen Eigenschaften in musikalischen Miniaturen vertont.
La notion de propriétés divines occupe une place importante dans plusieurs religions anciennes : des propriétés auxquelles l’homme peut ambitionner en aspirant aux propriétés divines on peut évoluer en spiritualité et devenir une personne meilleure. Cette composition est écrite surtout d’une perspective de l’Ancien Testament. Les qualités choisies sont la simplicité, la puissance, la vérité, la persévérance et la passion.
Rob Goorhuis wrote this challenging work for solo euphonium with its marvellous title The Seven Divine Properties at the request of Danny Oosterman and after an idea of Anteun Hoesen. In fact, this piece came about because the Andels Fanfare Corps was going to record a CD in early 2012 exclusively with pieces by Rob Goorhuis. Anteun Hoesen plays the solo part in this piece on the CD.The concept of divine properties features heavily in various ancient religions: these are properties to which man can aspire—through striving towards divine properties one can evolve spiritually and become a better person. Different divine properties feature in various religions. Inthe Christian church, the terms Faith, Hope and Love play an important role.This composition is primarily written from an Old Testament point of view. The chosen qualities are as follows: Simplicity, Strength, Truth, Perseverance and Passion. After a short introduction of the thematic material, the various properties are depicted in musical miniatures. $53.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Miniaturen II (1982/1983) Guitar Barenreiter
Guitar SKU: BA.BA07116 Fingersätze und Einrichtungen von Reinbert E...(+)
Guitar SKU: BA.BA07116 Fingersätze und Einrichtungen von Reinbert Evers. Composed by Peter Michael Hamel. Stapled. Performance score. Composed 1982/1983. Duration 12 minutes. Baerenreiter Verlag #BA07116_00. Published by Baerenreiter Verlag (BA.BA07116). ISBN 9790006485512. 30.5 x 23 cm inches. Print on demand (POD). $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Modern Music Book - Easy Schott
Alto Recorder; Piano - very easy to advanced SKU: HL.49011238 For Alto...(+)
Alto Recorder; Piano - very easy to advanced SKU: HL.49011238 For Alto Recorder and Piano. Composed by Various. Edited by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. 52 pages. Schott Music #OFB137. Published by Schott Music (HL.49011238). ISBN 9790001100274. UPC: 884088055257. 9.0x12.0x0.188 inches. The edition is part of the ABRSM syllabus (grade 2,3,8). $24.99 - See more - Buy online | | |
| Sieben Miniaturen für drei Trompeten und Orgel (1994) Verlag Dohr
Trompeten (3), Orgel SKU: VD.ED95198 Composed by Norbert Laufer. Classica...(+)
Trompeten (3), Orgel SKU: VD.ED95198 Composed by Norbert Laufer. Classical. Score, parts. Composed 1994. 25 S. Part. + 12 S. Stimmen pages. Duration 13:00. Verlag Dohr #ED95198. Published by Verlag Dohr (VD.ED95198). ISBN 9790202001981. 12 x 9 inches. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Spring in Dresden [Score] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 3 musikalische Miniaturen Accordion ensemble [Score] Holzschuh Musikverlag
Accordion orchestra SKU: M7.VHR-2691 Composed by Hans Felix Husadel. Shee...(+)
Accordion orchestra SKU: M7.VHR-2691 Composed by Hans Felix Husadel. Sheet music. Score. 12 pages. Holzschuh Musikverlag #VHR 2691. Published by Holzschuh Musikverlag (M7.VHR-2691). ISBN 9790201315492. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Miniaturen Bassoon Hofmeister Musikverlag
Bassoon SKU: HF.FH-3529 Fur Fagott. Composed by Moritz Lassmann. S...(+)
Bassoon SKU: HF.FH-3529 Fur Fagott. Composed by Moritz Lassmann. Sheet music. Friedrich Hofmeister Musikverlag #FH 3529. Published by Friedrich Hofmeister Musikverlag (HF.FH-3529). ISBN 9790203435297. 9 x 12 inches. 1. Praeludium; 2. Moloch I; 3. Interludium; 4. Moloch II; 5. Trifle. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Miniaturen Hofmeister Musikverlag
Bass clarinet SKU: HF.FH-3513 Composed by Moritz Lassmann. Sheet music. F...(+)
Bass clarinet SKU: HF.FH-3513 Composed by Moritz Lassmann. Sheet music. Friedrich Hofmeister Musikverlag #FH 3513. Published by Friedrich Hofmeister Musikverlag (HF.FH-3513). ISBN 9790203435136. 9 x 12 inches. 1. Praeludium; 2. Moloch I; 3. Interludium; 4. Moloch II; 5. Trifle. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ebing H Slaw Miniaturen Orchestra [Score] Schott
Accordion orchestra SKU: HL.49020105 (1970). Composed by Hans Ebin...(+)
Accordion orchestra SKU: HL.49020105 (1970). Composed by Hans Ebing. Sheet music. Edition Schott. Score. 12 pages. Schott Music #AM-B1-30. Published by Schott Music (HL.49020105). ISBN 9790001000918. $9.99 - See more - Buy online | | |
| 12 Miniaturen Recorder Quartet Moseler Verlag
4 recorders (SATB) SKU: M2.MOS-40164-61 Aus La!!Organiste. Compose...(+)
4 recorders (SATB) SKU: M2.MOS-40164-61 Aus La!!Organiste. Composed by Cesar Auguste Franck. Corona - Werkreihe fur Kammerorchester. Set of parts. Möseler Verlag #MOS 40164-61. Published by Möseler Verlag (M2.MOS-40164-61). ISBN 9790203744641. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Schöneicher Miniaturen (2020) -Fünf Duos für zwei Altblockflöten- Verlag Dohr
Alt-Blockflöten (2) SKU: VD.ED20265 Composed by Lothar Graap. Classica...(+)
Alt-Blockflöten (2) SKU: VD.ED20265 Composed by Lothar Graap. Classical. Score, playing score. 9 + 7 S. pages. Verlag Dohr #ED20265. Published by Verlag Dohr (VD.ED20265). ISBN 9790202042656. 12 x 9 inches. $14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Vier Miniaturen (für Saxophonquintett/Saxophonorchester) (aus den Stücken für Harfen- und Flötenuhren Wq 193) Saxophone Quintet: 5 Saxophones Verlag Dohr
Saxophone quintet SKU: VD.ED16310 Composed by Carl Philipp Emanuel Bach. ...(+)
Saxophone quintet SKU: VD.ED16310 Composed by Carl Philipp Emanuel Bach. Arranged by Albert Loritz. Sax culture 20. Classical. Score, parts. 10 S. Part. + 15 S. Stimmen pages. Verlag Dohr #ED16310. Published by Verlag Dohr (VD.ED16310). ISBN 9790202033104. 12 x 9 inches. $25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Miniaturen fur Harfe Harp - Intermediate Barenreiter
By Peter Michael Hamel (1947-). For harp. This edition: Stapled. Level 4. Perfor...(+)
By Peter Michael Hamel (1947-). For harp. This edition: Stapled. Level 4. Performance score. Composed 1978. 12 pages. Duration 19'. Published by Baerenreiter Verlag
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hessenberg K Weihnachtsgeschichte Op54 - Intermediate Schott
1-3 horns - intermediate SKU: HL.49032449 30 Play pieces. Composed...(+)
1-3 horns - intermediate SKU: HL.49032449 30 Play pieces. Composed by Kurt Hessenberg. This edition: Saddle stitching. Sheet music. Edition Schott. Choral Score. 12 pages. Schott Music #ED 7701. Published by Schott Music (HL.49032449). ISBN 9790001080231. Dieses Heft ist als Erganzung zum 2. Band der Hornschule (ED 7320) gedacht, wobei die bisher erarbeitete Technik in mannigfacher Weise musikalisch zum Ausdruck gebracht werden kann. Daruber hinaus soll diese hoffentlich vergnugliche Sammlung stilistisch verschiedenartiger Stucke nicht nur zum eigenen Arbeiten, sondern auch zum anspruchsvollen Zusammenspielen anregen. $4.99 - See more - Buy online | | |
| 12 Miniaturen Recorder Quartet Moseler Verlag
4 recorders (SATB) SKU: M2.MOS-40164-60 Aus La!!Organiste. Compose...(+)
4 recorders (SATB) SKU: M2.MOS-40164-60 Aus La!!Organiste. Composed by Cesar Auguste Franck. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40164-60. Published by Möseler Verlag (M2.MOS-40164-60). ISBN 9790203743644. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
Next page 1 31 61 61 91 |