This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.

Coventry Carol. for SA or TB and optional piano/organ/melody instruments Intricate counterpoint and a continuo-style bassline bring a medieval flavour to Williams' arrangement of this much-loved carol.

Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

A delightful collection of French romantic gems including settings of 'Ave Maria' 'Ave Verum' and 'Tantum Ergo' by both composers. This book also includes a detailed and informative introduction. Arranged for SA Choir with Organ or Piano accompaniment.

Par RUTTER JOHN. for sopranos, altos, and unison men with piano or organ or orchestra This collection includes nine of John Rutter\'s most popular Christmas carols, re-scored by the composer into three parts: for sopranos, altos, and unison men. These festive favourites continue to delight choirs and audiences across the world. / Date parution : 2022-11-10/ Recueil / SA, Hommes à l\'Unisson et Piano

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. This piece lasts around 3 and a half minutes. 'Judith Weir has composed a setting of ChristinaRossetti's poem Holy Innocents in which a continuous and flowing Organ part underpins two Soprano lines heard either in dialogue or unison. Composed for the 20th anniversary of the St. Albans Abbey Girls Choir it would besuitable for any type of children's choir.' - Geoffrey Webber Choir & Organ Magazine 

2 Part-The Fox TV smash show continued in Season 2 as an incredibly powerful force in the world of choral music! Opening with a reflective snippet of Pure Imagination the 7-minute medley bursts into a colourful fast-paced parade of pop hits both classic and current. Songs include Pure Imagination (Willy Wonka and the Chocolate Factory) Time Warp (The Rocky Horror Picture Show) Rolling in the Deep (Adele) Loser Like Me (Glee original) Dog Days Are Over (Florence and the Machine) Raise Your Glass (Pink) River Deep - Mountain High (Tina Turner).Available separately: SATB SAB 2-Part ShowTrax CD.

In just one season Glee has become an incredibly powerful force in the world of choral music. This 9-minute medley captures the highlights and spirit of that first season in a quick-hitting fast-paced style of arrangement and includes songs from the most memorable episodes: Don't Stop Believin'; Jump; Shout It Out Loud; Physical; Like a Prayer; To Sir With Love; Keep Holding On; Lean on Me; Somebody to Love; Any Way You Want It/Lovin' Touchin' Squeezin'.

Work for 2 Part Choir with Organ Accompaniment. Danish text which has been taken from Psalm 8:1-5 John 1:14 and Joel 3:1 for each piece respectively.

This is a collection of seven beautiful motets by French composers of the 19th century. The beauty of text and music in this repertory transcends liturgical constraint widening the context in which the music can be used to enhance worship and meditation. This collection showing a diversity of style and texture is ideal for church or concert use it includes evocative settings by the lesser-known Massenet and Caplet as well as motets by Franck Faure Saint-Saens and a new two-part version of Gounod's Ave Maria. Scored for SA chorus with Organ or Piano accompaniment.

John Tavener's Awed By The Beauty from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment by Barry Rose. The work lasts approximately 2minutes. The all-night vigil 'The Veil Of The Temple' was commissioned by the Temple Music Trust with the world premiere taking place on 27th June 2003.  This arrangement receiveda positive review from Geoffrey Webber in the January/February 2016 edition of Choir

Hear My Voice O Lord is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment. A setting of words from Psalm 27 the piece lasts around 2 minutes.

Weigh My Heart is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment that sets words from Psalm 17.

This anthem was specially written for a Sunday-School act of worship which took place in St Alban's Abbey Refectory on Good Friday 1989. It can be accompanied with an organ or a piano.