(As performed by Trans-Siberian Orchestra). By Peter Ilyich Tchaikovsky, Paul O'Neill and Robert Kinkel [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Christmas; Light Concert; Pop/Rock; Secular; Winter. Grade 3.5. 148 pages. Published by Alfred Music Publishing

By Trans-Siberian Orchestra. Guitar Recorded Version. Softcover. With guitar tablature. 120 pages. Published by Hal Leonard

(73 Heart-Warming Holiday Favorites (Piano/Vocal/Guitar)). Edited by Carolcuellar / Richard Martin. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; CD; P/V/C Mixed Folio; Piano/Vocal/Chords. Christmas; Family/Group; Winter. 288 pages. Published by Alfred Music Publishing

(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. 40 Sheet Music Bestsellers. Christmas; Winter. 168 pages. Published by Alfred Music Publishing

Performed by Trans-Siberian Orchestra. Songbook for voice, piano and guitar chords. 124 pages. Published by Alfred Publishing.

Violin Play-Along Volume 40. By Trans-Siberian Orchestra. Violin Play-Along. Softcover with CD. 24 pages. Published by Hal Leonard

(As Performed by Trans-Siberian Orchestra). Composed by Paul O'Neill, Robert Kinkel, and Peter Ilych Tchaikovsky [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Full Orchestra; Score. Pop Concert Full Orchestra. Christmas; Rock; Winter. Grade 3.5. 28 pages. Published by Alfred Music

SKU: CA.4074600

Composed by Robert Schumann. Edited by Gunter Graulich. Stuttgart Urtext edition. German title: Madchenlieder Op.103. Lieder for choir, Secular choral music. Full score. 8 pages. Carus Verlag #CV 40.746/00. Published by Carus Verlag (CA.4074600).

ISBN 9790007111250.

Very intimate in their musical character are the Madchenlieder op. 103 (in which the piano accompaniment is necessary), to poems by a German-Russian girl, Elisabeth Kulmann, who died at the age of 17, and whose fate moved Schumann deeply.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1012708-010

Composed by Nikolay Andreyevich Rimsky-Korsakov. The Great Classics. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012708-010. Published by De Haske Publications (BT.DHP-1012708-010).

Rimsky-Korsakov composed his three greatest orchestral works over a short period: he completed Capriccio Espagnol in 1887, and he composed Russian Easter Overture in 1888, simultaneously with the symphonic suite Scheherazade. Russian Easter Overture is a magnificent overture in a single movement that was dedicated to the composers Borodin and Moussorgsky. Several hymns of the Russian Orthodox Church create a characteristic atmosphere. Arranger Tohru Takahashi has made the sound even more colourful by using several mallet percussion instruments.

In zijn transcriptie van de Russian Easter Overture van Nikolai Rimsky-Korsakov is Takahahsi erin geslaagd de klank extra kleurrijk te maken door de toepassing van diverse mallet-instrumenten.

Rimski-Korsakow komponierte seine drei größten Orchesterwerke alle während der Jahre 1887 und 1888. Eines davon, die Russian Easter Overture ist eine strahlende Ouvertüre in einem Satz, die den Komponisten Borodin und Mussorgsky gewidmet wurde. Mehrere Hymnen aus der russisch-orthodoxen Kirche schaffen eine charakteristische Atmosphäre. Dem Arrangeur Tohru Takahashi gelang es, den Klang durch die Verwendung einiger Mallet-Instrumente noch farbenreicher zu gestalten.

Russian Easter Overture (Ouverture de La Grande P que russe) de Nikola Rimski-Korsakov est une œuvre solennelle qui développe des chants religieux de l’Église orthodoxe russe. Tohru Takahashi en a réalisé une transcription aux sonorités très colorées, soulignées par l’adjonction de plusieurs instruments de percussion clavier.

Piano

SKU: HL.49002680

Composed by Knight. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 112 pages. Schott Music #ED 11151. Published by Schott Music (HL.49002680).

ISBN 9780901938039. English.

Ballet an its Music traces the influence of the outstanding personalities in the world of ballet from the seventeenth century to the present day. The development of dance-technique and ballet music is followed from the courtly and peasant dances of the High Renaissance through to contemporary productions. The author deals in detail not only with the great choreographers, past and present, but also with the composers whose names are especially linked with ballet and who have made a significant contribution to music for the dance. She combines a historical narrative with a perceptive treatment of world-famous Schools and Companies. Ballet and its Music is copiously illustrated with photographs and engravings. A special feature of the book is the collection of music extracts from many famous ballets, arranged for piano solo, which will make it particularly attractive to the student an amateur musician. Althrough primarily intended for young people embarking on a study of ballet, the wealth of information contained in this book will make it a stimulating and invaluable guide for readers of all ages.

Piano - Grade 4

SKU: FA.MFRO001P

Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical : Impressionistic. Score. Musik Fabrik #MFRO001P. Published by Musik Fabrik (FA.MFRO001P).

8.27 x 11.69 inches.

Over the years 1908-16, Debussy had produced a viable scenario for Usher on his third attempt. Butwhen he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher's long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself. In the process of completing the missing half of the score, I discovered that by reusing Debussy's material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Melisande's theme in his opera Pelleas et Melisande), the only things I really needed to add were linking material and any passages where fast music was required. So the 'nightmare scherzo', and Lady Madeline's escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of 'changing backgrounds', both harmonic and textural, proved extremely useful, as it did to Debussy in his Prelude a l'apres-midi d'un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy's score as A Night in the House of Usher for organ, and subsequently piano--with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.