By Wolfgang Amadeus Mozart. Edited by B.A. Wallner. Piano (Harpsichord), 2-hands. Pages: 163. Urtext edition-cloth bound. Published by G. Henle.

By Wolfgang Amadeus Mozart. Edited by Berta Antonie Wallner. Piano (Harpsichord), 2-hands. Pages: XXXIV and 254. Urtext edition-paper bound. Published by G. Henle.

By Wolfgang Amadeus Mozart. Edited by Soldan, Weinreich(Urtext). For piano. Fantasy and Fugue(K.394)(C); Fantasies(K.396/7)(c,d); Rondos(K.485,494,511)(D,F,a); Andante(KC616)(F); Suite(K.399)(C); Adagio(K.540)(b); Minuet(K.355)(d); Gigue(K.574)(G). Published by C.F. Peters.

By Wolfgang Amadeus Mozart. Edited by Berta Antonie Wallner. Piano (Harpsichord), 2-hands. Pages: 69. Urtext edition-paper bound. Published by G. Henle.

SKU: HL.48189609

Composed by Wolfgang Amadeus Mozart. Leduc. Softcover. Alphonse Leduc #NT18531Y. Published by Alphonse Leduc (HL.48189609).

UPC: 840126902082. 8.5x11.75 inches.

Mozart Adagio In B Minor Kv540 (Walter) Wind Quintet Score/Parts.

Ensemble

SKU: HL.48189607

Composed by Wolfgang Amadeus Mozart. Leduc. Softcover. Alphonse Leduc #NT18511Y. Published by Alphonse Leduc (HL.48189607).

UPC: 888680884987. 8.25x12.0x0.82 inches.

Mozart Adagio In B Minor Kv 540 Oboe Violin Viola & Cello Score/Parts.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500919

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 12 minutes. Carus Verlag #CV 35.009/19. Published by Carus Verlag (CA.3500919).

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500903

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Vocal score. Duration 12 minutes. Carus Verlag #CV 35.009/03. Published by Carus Verlag (CA.3500903).

ISBN M-007-24549-8. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500949

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Organ. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/49. Published by Carus Verlag (CA.3500949).

ISBN M-007-24550-4. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500915

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. Duration 12 minutes. Carus Verlag #CV 35.009/15. Published by Carus Verlag (CA.3500915).

ISBN M-007-25283-0. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Cello; Harpsichord; Orchestra; Strings; Violin (Study Score)

SKU: HL.49010225

Concerto grosso G minor. Composed by Antonio Vivaldi. Edited by Samuel Baud-Bovy. Arranged by Sam Baud-Bory. This edition: Saddle stitching. Sheet music. Edition Schott. Baroque, Classical. Study Score. Op. 3/2. 24 pages. Duration 10'. Eulenburg Edition #ETP772. Published by Eulenburg Edition (HL.49010225).

ISBN 9783795772017. UPC: 841886015210. 5.25x7.5x0.107 inches.

2 violins, obligato, strings and b.c.

(From the Baroque to the 20th Century). Arranged by William Ryden. For Trombone, Baritone B.C., Bassoon, Tuba. Mixed Instruments - Flexible Instrumentation. Classical Instrumental Ensembles for All. Masterwork. 24 pages. Published by Alfred Publishing.