| Three Scriabin Preludes Trumpet, Piano Emerson
By Alexander Scriabin. Arranged by Keith O. Snell. For trumpet, piano. Opus 16 N...(+)
By Alexander Scriabin. Arranged by Keith O. Snell. For trumpet, piano. Opus 16 N. 3; Opus 11 N. 3; Opus 8 N. 11. Published by Emerson Edition.
$22.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Scriabin: Album Leaf Op.45, No.1 (No.98) Piano solo Music Sales
Piano (Piano) SKU: HL.14029515 No. 98. Composed by Alexander Scria...(+)
Piano (Piano) SKU: HL.14029515 No. 98. Composed by Alexander Scriabin. Music Sales America. Classical. Book [Softcover]. Music Sales #PB41128. Published by Music Sales (HL.14029515). English. No.98 From the Promenade Series of Piano Music. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Six Early Scriabin Pieces Cello Boosey and Hawkes
Violoncello Part. By Alexander Scriabin. (Cello). Boosey and Hawkes Chamber Mus...(+)
Violoncello Part. By Alexander Scriabin. (Cello). Boosey and Hawkes Chamber Music. Book only. 8 pages. Published by Boosey & Hawkes.
$4.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Sonata No. 1 in F minor, Op. 6 Piano solo G. Henle
By Alexander Scriabin (1872-1915). Edited by Michael Schneidt and Valentina Rubc...(+)
By Alexander Scriabin (1872-1915). Edited by Michael Schneidt and Valentina Rubcova. For Piano. Henle Music Folios. Softcover. 36 pages. G. Henle #HN1107. Published by G. Henle
$25.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Islamey and Other Favorite Russian Piano Works Piano solo [Sheet music] - Intermediate/advanced Dover Publications
For Piano. Masterworks; Piano Collection. Dover Edition. Masterwork. Advanced; E...(+)
For Piano. Masterworks; Piano Collection. Dover Edition. Masterwork. Advanced; Early Advanced; Intermediate; Late Intermediate. Book. Published by Dover Publications
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anthology of Impressionistic Piano Music Piano solo [Sheet music] - Intermediate/advanced Alfred Publishing
Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition...(+)
Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Level: Intermediate / Early Advanced. Book. 208 pages. Published by Alfred Publishing.
$25.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| An Anthology Of Piano Music, Vol. 4 - The Twentieth Century Piano solo [Sheet music] Yorktown Music Press
Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, intro...(+)
Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. 20th century. 238 pages. 9x12 inches. Published by Yorktown Music Press.
(1)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Etudes for Euphonium and Piano Euphonium, Piano (duet) - Advanced Cherry Classics
Euphonium and Piano - advanced SKU: CY.CC2496 Composed by Alexander Scria...(+)
Euphonium and Piano - advanced SKU: CY.CC2496 Composed by Alexander Scriabin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2496). * Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. * He was a most innovative and controversial early modern Russian composer. * Scriabin's works were ignored for many years until recently and are now seen as sincere expression(s) of genius. * The Three Etudes for Euphonium and Piano are early works of Scriabin, originally written for solo Piano. * They show lyricism, passion, moodiness, chromatic harmonies and great expression. * Mr. Sauer has once again arranged three wonderful new works for advanced performers who wish to explore Scriabin's music, largely unknown to the Euphonium world. * Those who do will be richly rewarded with the great depth of musicianship found in these works. * The three movements are about 9-10 in length and suitable for advanced performers. $27.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Piano Treasury of Classical Music Piano solo [Sheet music + CD] - Intermediate Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great masterpieces from the Baroque, Classical, Romantic, and Modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Piano Bench Of Classical Music
Piano solo [Sheet music] Music Sales
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With fingerings. Renaissance, baroque, classical period, romantic period, impressionistic and 20th century. 400 pages. 9x12 inches. Published by Amsco.
(6)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Etudes for Tuba or Bass Trombone and Piano - Advanced Cherry Classics
Tuba or Bass Trombone and Piano - Advanced SKU: CY.CC3092 Composed by Ale...(+)
Tuba or Bass Trombone and Piano - Advanced SKU: CY.CC3092 Composed by Alexander Scriabin. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3092. Published by Cherry Classics (CY.CC3092). ISBN 9790530110690. 8.5 x 11 in inches. Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius. The Three Etudes for Tuba or Bass Trombone and Piano are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression. Mr. Sauer has brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the low brass world. The three movements are about 9-10 in length and suitable for advanced performers. $27.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Etudes for Trombone and Piano Trombone and Piano - Advanced Cherry Classics
Tenor Trombone and Piano - advanced SKU: CY.CC2494 Composed by Alexander ...(+)
Tenor Trombone and Piano - advanced SKU: CY.CC2494 Composed by Alexander Scriabin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2494). Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius. The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression. Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works. $27.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hope Remains Within Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 2.5 SKU: CF.YPS217F Composed by Zachary Cairns. Sws. Yps. Full score. 24 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #YPS217F. Published by Carl Fischer Music (CF.YPS217F). ISBN 9781491156551. UPC: 680160915095. 9 x 12 inches. Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.). Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar” seems to be a more accurate translation for what we commonly call “Pandora’s box”) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.). $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hope Remains Within Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 2.5 SKU: CF.YPS217 Composed by Zachary Cairns. Folio. Yps. Set of Score and Parts. 8+8+4+8+8+4+2+6+4+4+4+8+8+8+8+6+6+6+4+6+4+2+2+4+6+10+24 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #YPS217. Published by Carl Fischer Music (CF.YPS217). ISBN 9781491156544. UPC: 680160915088. 9 x 12 inches. Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.). Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar” seems to be a more accurate translation for what we commonly call “Pandora’s box”) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.). $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Nocturne (Opus 9, No. 2) Concert band [Score] - Easy Alfred Publishing
By Alexander Scriabin. Arranged by Ralph Ford. By Alexander Scriabin / arr. Ralp...(+)
By Alexander Scriabin. Arranged by Ralph Ford. By Alexander Scriabin / arr. Ralph Ford. For Concert Band. Concert Band. Belwin Young Band. Level: 2 (Easy) (grade 2). Conductor Score. Published by Alfred Publishing.
$8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Music For The Church Service, Volume 3 Piano solo [Sheet music] - Intermediate Alfred Publishing
Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. Classical; M...(+)
Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. Classical; Masterwork; Sacred. Late Intermediate. Book. 64 pages. Published by Alfred Music Publishing
(1)$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| World's Greatest Piano Melodies Piano solo [Sheet music] - Intermediate/advanced Alfred Publishing
Keyboard (Masterworks Book). Level: Intermediate/Early Advanced (4/5/6/6 ). Publ...(+)
Keyboard (Masterworks Book). Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mysterium. Quintet for piano left hand and string quartet Fennica Gehrman
Piano Quintet SKU: FG.55011-674-0 Composed by Kalevi Aho. Score/piano & p...(+)
Piano Quintet SKU: FG.55011-674-0 Composed by Kalevi Aho. Score/piano & parts. Fennica Gehrman #55011-674-0. Published by Fennica Gehrman (FG.55011-674-0). ISBN 9790550116740. Scored for piano left hand and string quartet, Kalevi Aho's Mysterium (2019) consists of four movements performed without a break. Aho had earlier come across the sketches for what was to be the last, unfinished work, Mysterium, by Alexander Scriabin. These fragmentary sketches inspired him to write this piano quintet dedicated to its commissioner, pianist Izumi Tateno. It is founded throughout on six-part Scriabin-like harmonies that also served as a basis for the melodic material. The first movement (Misterioso) is, as its name suggests, shadowy, mysterious in mood. The dynamic, quick second movement (Vivace) proceeds in quintuple 10/16 and 15/16 rhythms. The third movement (Adagio, misterioso) is again slow and dreamy, before arriving at the finale (Moderato) beginning in 11/16 time. The finale draws all the quintet's musical material together, and the work finally fades on mysterious Scriabin harmonies. $68.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Impromptu A La Mazur 3 Op.2 Piano solo Simrock
Piano SKU: BT.SCHEE3114 Composed by Alexander Scriabin. Arranged by Marti...(+)
Piano SKU: BT.SCHEE3114 Composed by Alexander Scriabin. Arranged by Martin Frey. Book Only. Simrock #SCHEE3114. Published by Simrock (BT.SCHEE3114). Piano. Scriabine, A. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Five Preludes Orchestra SATB, Orchestra Edition HH
Orchestra SKU: HH.HH003-STR Composed by Alexander Scriabin. Arranged by P...(+)
Orchestra SKU: HH.HH003-STR Composed by Alexander Scriabin. Arranged by Per Hartmann. Orchestral. String set. Duration 8 minutes. Edition HH Music Publishers #HH003-STR. Published by Edition HH Music Publishers (HH.HH003-STR). Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894 95 lend themselves delightfully to the small orchestra. The original piano part is published at the bottom of the score. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Five Preludes Orchestra SATB, Orchestra Edition HH
Orchestra SKU: HH.HH003-FSC Composed by Alexander Scriabin. Arranged by P...(+)
Orchestra SKU: HH.HH003-FSC Composed by Alexander Scriabin. Arranged by Per Hartmann. Orchestral. Full score. Duration 8 minutes. Edition HH Music Publishers #HH003-FSC. Published by Edition HH Music Publishers (HH.HH003-FSC). ISBN 9790708024200. Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894 95 lend themselves delightfully to the small orchestra. The original piano part is published at the bottom of the score. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Das Pianobuch,Vol. 1 Piano solo Peters
By Various. Edited by Sibylle Cada, Thomas Peter-Horas. For piano. Piano Music f...(+)
By Various. Edited by Sibylle Cada, Thomas Peter-Horas. For piano. Piano Music for Discoverers - Contains 72 easy and intermediate original p iano compositions,from Couperin to Chick Cor ea.Das Pianobuch presents piano music from f our centuries in a novel mixture of standard literature and pieces in mint" condition. " It contains not only minor masterpieces by l ess well-known composers, but little known g ems by great masters." Some of the titles w" ere written specifically for our collection. Published by C.F. Peters.
(1)$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Five Preludes Orchestra SATB, Orchestra Edition HH
Orchestra SKU: HH.HH003-MIN Composed by Alexander Scriabin. Arranged by P...(+)
Orchestra SKU: HH.HH003-MIN Composed by Alexander Scriabin. Arranged by Per Hartmann. Orchestral. Miniature score. Duration 8 minutes. Edition HH Music Publishers #HH003-MIN. Published by Edition HH Music Publishers (HH.HH003-MIN). ISBN 9790708024194. Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894 95 lend themselves delightfully to the small orchestra. The original piano part is published at the bottom of the score. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Five Preludes Orchestra SATB, Orchestra Edition HH
Orchestra SKU: HH.HH003-IPT Composed by Alexander Scriabin. Arranged by P...(+)
Orchestra SKU: HH.HH003-IPT Composed by Alexander Scriabin. Arranged by Per Hartmann. Orchestral. Set of parts. Duration 8 minutes. Edition HH Music Publishers #HH003-IPT. Published by Edition HH Music Publishers (HH.HH003-IPT). ISBN 9790708024682. Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894 95 lend themselves delightfully to the small orchestra. The original piano part is published at the bottom of the score. $68.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Two Pieces, Opus 9 for Trombone & Piano Trombone and Piano - Advanced Cherry Classics
Trombone & Piano - advanced SKU: CY.CC2987 Composed by Alexander Scriabin...(+)
Trombone & Piano - advanced SKU: CY.CC2987 Composed by Alexander Scriabin. Arranged by Bob Burnham. 19th Century Romantic Russian. Solo part and Piano accompaniment. 11 pages. Cherry Classics #2987. Published by Cherry Classics (CY.CC2987). ISBN 9790530058060. In 1891 Scriabin hurt his right hand from over-practicing. He practiced only using his left hand and composed the Prelude et Nocturne opus 9 in 1894. It became a big hit and sold thousands of copies. Bob Burham has done a wonderful job in arranging this magical work of about 9 minutes in length for Trombone and Piano. For advanced performers. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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