| Lorie Line - Music from the Heart Piano solo - Intermediate Hal Leonard
(Greatest Cover Hits). By Lorie Line. By Lorie Line. For Piano/Keyboard. Piano S...(+)
(Greatest Cover Hits). By Lorie Line. By Lorie Line. For Piano/Keyboard. Piano Solo Personality. SMP Level 5 (Intermediate). Book only. 116 pages. Hal Leonard #1891195123. Published by Hal Leonard . Book only.
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| An Arizona Celebration - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Clav...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum and more. - Grade 3 SKU: CF.CPS229 Composed by Andrew Balent. Folio. Cps. Set of Score and Parts. 2+8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+4+6+6+6+6+4+8+4+2+8+6+36 pages. Duration 6 minutes, 50 seconds. Carl Fischer Music #CPS229. Published by Carl Fischer Music (CF.CPS229). ISBN 9781491156285. UPC: 680160914821. 9 x 12 inches. Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July. This piece includes: The bold opening fanfare that can be played alone, ending on beat one of m. 12. A polka section using the tune Westward Ho. A calm middle section Desert Twilight. A dynamic celebration bringing the piece to a resounding climax. Performance Time: 5:40. Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July.This piece includes:The bold opening fanfare that can be played alone, ending on beat one of m. 12.A polka section using the tune Westward Ho.A calm middle section “Desert Twilight.â€A dynamic celebration bringing the piece to a resounding climax.Performance Time: 5:40. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gimme Five! 4 Flutes And Percussion(intermediate) - Intermediate De Haske Publications
4 Flutes and Percussion - intermediate SKU: HL.44007105 For four flute...(+)
4 Flutes and Percussion - intermediate SKU: HL.44007105 For four flutes and percussion. Composed by Andrew Robertson. De Haske Ensemble. Set. Composed 2007. 8 pages. De Haske Publications #1074209. Published by De Haske Publications (HL.44007105). ISBN 9789043126342. UPC: 884088163020. 9x12 inches. English-German-French-Dutch. Dedicated to the first worldwide hit in 5/4 - Take Five, Gimme Five! uses a rhythm that is identical to the classic jazz hit. It also reflects the semi-modal approached used by saxophonist Paul Desmond when he performed one of the few jazz melodies that is instantly recognisable. This swinging piece will bring back memories of the Dave Brubeck Quartet and will be extremely popular with both players and audiences.
Dit is een ode aan de eerste wereldwijde hit in de 5/4 maatsoort - Take Five van saxofonist Paul Desmond. Het basisritme is identiek aan dat van Take Five, namelijk een groepje van drie gevolgd door een groepje van tweekwartnoten. Behalve het ritme weerspiegelt Gimme Five de semi-modale benadering van Desmonds klassieker. In de openingspassage komen frasen van steeds twee maten naar voren, die op elkaar worden gestapeld, waardoor hetmodale effect wordt gecreeerd. Een geslaagde compositie, die niet onderdoet voor Desmonds klassieker!
Gimme Five! ist dem ersten weltweiten Hit im 5/4-Takt gewidmet - Take Five vom Saxophonisten Paul Desmond. Ausser der rhythmischen Ahnlichkeit, spiegelt sich in Gimme Five! auch der semi-modale Ansatz von Desmonds Klassiker wider. In den Eroffnungstakten erzeugen zweitaktige ubereinander gelagerte Ostinato-Phrasen den modalen Effekt. Eine gelungene Komposition, die sich hinter Desmonds Klassiker nicht zu verstecken braucht!
Gimme Five! e un omaggio musicale al primo grande successo in 5/4, Take Five del sassofonista Paul Desmond. La pulsazione fondamentale e identica a quella del jazz classico. Oltre all'assomiglianza ritmica, i due brani condividono l'approccio semi-modale utilizzato da Paul Desmond. $18.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ensembles Sound Spectac #2 [Part] - Easy Carl Fischer
Flute/Oboe Grade 2. By E.E. Bigelow; Henry Clay Work; Hughie Cannon; Johann Seba...(+)
Flute/Oboe Grade 2. By E.E. Bigelow; Henry Clay Work; Hughie Cannon; Johann Sebastian Bach; Joseph Compello; Leon Jessel; Ludwig Van Beethoven. Arranged by Andrew Balent; Joseph Compello. For Flute I, Flute II, Flute III, Oboe I, Oboe II, Oboe III. Sounds Spectacular. Part. 24 pages. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles Sound Spectac #2 |trombone|tuba|bassoon| [Score] Carl Fischer
By E.E. Bigelow; Henry Clay Work; Hughie Cannon; Johann Sebastian Bach; Leon Jes...(+)
By E.E. Bigelow; Henry Clay Work; Hughie Cannon; Johann Sebastian Bach; Leon Jessel; Ludwig Van Beethoven. Arranged by Andrew Balent; Joseph Compello. For Trombone, Baritone B.C, Bassoon, Tuba. Sounds Spectacular. Classical. Performance score. 24 pages. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles Sound Spectac #2 Percussion Ensemble [Score] - Easy Carl Fischer
Percussion, Grade 2. By E.E. Bigelow; H.C. Work; Hughie Cannon; Johann Sebastian...(+)
Percussion, Grade 2. By E.E. Bigelow; H.C. Work; Hughie Cannon; Johann Sebastian Bach; Joseph Compello; Leon Jessel; Ludwig Van Beethoven. Arranged by Andrew Balent; Joseph Compello. Percussion ensemble. For Percussion I, Percussion II, Percussion III. Sounds Spectacular. Performance score. 24 pages. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| An Arizona Celebration - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Clav...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum and more. - Grade 3 SKU: CF.CPS229F Composed by Andrew Balent. Sws. Cps. Full score. 36 pages. Duration 6 minutes, 50 seconds. Carl Fischer Music #CPS229F. Published by Carl Fischer Music (CF.CPS229F). ISBN 9781491156292. UPC: 680160914838. 9 x 12 inches. Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July. This piece includes: The bold opening fanfare that can be played alone, ending on beat one of m. 12. A polka section using the tune Westward Ho. A calm middle section Desert Twilight. A dynamic celebration bringing the piece to a resounding climax. Performance Time: 5:40. Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July.This piece includes:The bold opening fanfare that can be played alone, ending on beat one of m. 12.A polka section using the tune Westward Ho.A calm middle section “Desert Twilight.â€A dynamic celebration bringing the piece to a resounding climax.Performance Time: 5:40. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles Sound Spectac #2 [Score] - Easy Carl Fischer
Trumpet/F Horn/Baritone T.C., Grade 2. By E.E. Bigelow; Henry Clay Work; Hughie ...(+)
Trumpet/F Horn/Baritone T.C., Grade 2. By E.E. Bigelow; Henry Clay Work; Hughie Cannon; Johann Sebastian Bach; Joseph Compello; Leon Jessel; Ludwig Van Beethoven. Arranged by Andrew Balent; Joseph Compello. Brass trio. For French Horn, Trumpet, Baritone/Euphonium. Sounds Spectacular. Performance score. 24 pages. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Processionals and Recessionals for Weddings and Other Occasions Organ - Beginner GIA Publications
Organ - Beginning SKU: GI.G-0717 Composed by Carroll Thomas Andrews. Edit...(+)
Organ - Beginning SKU: GI.G-0717 Composed by Carroll Thomas Andrews. Edited by Carroll Thomas Andrews. Sacred. 7 pages. GIA Publications #0717. Published by GIA Publications (GI.G-0717). Processionals and Recessionals for Weddings and Other Occasions Ed. ANDREWS Five short pieces for organ without pedal. (7-E)Â . $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fiddle Time Christmas (with CD) Violin [Sheet music + CD] - Easy Oxford University Press
(Easy violin pieces). By Kathy Blackwell; David Blackwell. For violin. Fiddle Ti...(+)
(Easy violin pieces). By Kathy Blackwell; David Blackwell. For violin. Fiddle Time. Easy. Method book and CD. 24 pages. Published by Oxford University Press
$16.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Abracadabra Flute Pupil's Book & CDs Flute [Sheet music + CD]
Flute SKU: BT.9781408105276 The Way to Learn Through Songs and Tunes(+)
Flute SKU: BT.9781408105276 The Way to Learn Through Songs and Tunes. Composed by Malcolm Pollock. Abracadabra. Method. Book with CD. 64 pages. Collins Music Publishing #9781408105276. Published by Collins Music Publishing (BT.9781408105276). ISBN 9781408105276. English. The perfect book for pupil and teacher. - Tunes you know and want to play.
- Technique carefully graded.
- Clear fingering diagrams.
- Concise theory explanations.
- Revised CD edition with new extra CD.
- Orchestral as well as Piano backings.
- New duets.
- Fresh new look.
$14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Music of the Night String Quartet: 2 violins, viola, cello - Intermediate De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1185855-070 From The Phantom...(+)
String Quartet - intermediate SKU: BT.DHP-1185855-070 From The Phantom of the Opera. Composed by Andrew Lloyd Webber. Arranged by Nico Dezaire. De Haske Pops for String Quartet. TV-Film-Musical-Show. Set (Score & Parts). Composed 2018. 8 pages. De Haske Publications #DHP 1185855-070. Published by De Haske Publications (BT.DHP-1185855-070). ISBN 9789043153911. English-German-French-Dutch. The Phantom of the Opera is, without doubt, one of the great classics of our time. The stage production of this tale, exciting and mysterious in equal measure, has now captivated over a million theatre-goers. The phantom sings the song The Music of the Night to the beautiful Christine, who he has just kidnapped into his realm, as if entrancing her. This enchanting mood is so authentically recreated in Nico Dezaire’s sensitive arrangement for string quartet that it feels like listening to the singer perform the original version from the musical.
De musical The Phantom of the Opera is zonder twijfel een van de grote klassiekers van onze tijd. De theaterversie van dit spannende en tegelijk mysterieuze verhaal heeft in de loop der tijd al een miljoenenpubliek getrokken. Met het lied The Music of the Night brengt het spook de mooie Christine, die hij zojuist naar zijn rijk heeft ontvoerd, als het ware in trance. De betoverende sfeer wordt in dit gevoelige strijkkwartetarrangement van de hand van Nico Dezaire zo authentiek overgebracht, dat het voelt alsof je luistert naar de zanger in de originele versie uit de musical.
Das Phantom der Oper gehört zweifellos zu den ganz großen Musical-Klassikern unserer Zeit. Die Bühnenversion dieser ebenso spannenden wie mystischen Geschichte hat schon ein Millionenpublikum in seinen Bann gezogen. Mit dem Lied The Music of the Night singt das Phantom die schöne Christine, die er soeben in sein Reich entführt hat, gleichsam in Trance. Eben diese Stimmung lässt Nico Dezaire in seiner einfühlsamen Bearbeitung für Streichquartett so glaubwürdig wieder aufleben, dass es sich so anfühlt, als höre man dem Sänger der originalen Musical-Fassung zu.
Le Fantôme de l’Opéra est, sans aucun doute, l’un des grands classiques de notre époque. La représentation sur scène de cette histoire, la fois exaltante et mystérieuse, a déj captivé plus d’un million de spectateurs. Interprétée par le fantôme, la chanson « La Musique de la nuit » s’adresse la belle Christine, qu’il vient d’emprisonner dans son repaire, comme pour la subjuguer. Ce climat enchanteur est tellement bien recréé dans l’arrangement habile pour quatuor cordes de Nico Dezaire qu’on a l’impression d’entendre le chanteur de la version originale de cette comédie musicale. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spark of Light Carl Fischer
Choral SAB choir, piano SKU: CF.CM9730 Composed by Andrew Steffen. 16 pag...(+)
Choral SAB choir, piano SKU: CF.CM9730 Composed by Andrew Steffen. 16 pages. Duration 2 minutes, 48 seconds. Carl Fischer Music #CM9730. Published by Carl Fischer Music (CF.CM9730). ISBN 9781491161098. UPC: 680160919697. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845). About Jonas Halgrimsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him. The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven.... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward. https://digicoll.library.wisc.edu/Jonas/Alheim/Alheim.html A good friend asked if I would write a song for her ensemble. The parameters were that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson's writings. There is such a need for three-part music that is both exciting, accessible, and challenging. Director's Note Truly consider how the work can come to 'life' off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page! Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles Accompaniment Note The accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. AboutJónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven....  The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.   https://digicoll.library.wisc.edu/Jonas/Alheim/Alheim.htmlA good friend asked if I would write a song for her ensemble. The parameters were that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings.  There is such a need for three-part music that is both exciting, accessible, and challenging. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensemblesAccompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solos Sound Spectacular Carl Fischer
Chamber Music Tenor Saxophone SKU: CF.O5302 70 Repertoire Favorites fo...(+)
Chamber Music Tenor Saxophone SKU: CF.O5302 70 Repertoire Favorites for Young Players. Composed by Alfred Lee, Charles Lawlor, E. Kaillmark, Emile Waldteufel, Franz Joseph Haydn, George Poulton, Henri Hemy, Henry Work, Ion Ivanovici, Jacques Offenbach, James Blake, James Walton, John Philip Sousa, John Stafford Smith, Samuel Ward, Thomas Bayly, and etc. Arranged by Andrew Balent. Concert Band Method. Sounds Spectacular - Solo Ensemble Series. Classical. Textbook - Student. With Standard notation. 24 pages. Carl Fischer Music #O5302. Published by Carl Fischer Music (CF.O5302). ISBN 9780825820816. UPC: 798408020811. 9 X 12 inches. $6.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Our Director Marching band [Score] - Easy Carl Fischer
By F.E. Bigelow; W.T Purdy. Arranged by Andrew Balent. Marching band. For Flute,...(+)
By F.E. Bigelow; W.T Purdy. Arranged by Andrew Balent. Marching band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Alto Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor I, Bassoon, Baritone (Bass Clef), Tuba, Percussion I, Percussion II. Sounds Spectacular. Classical. Level: Grade 2. Full Score - Large. 28 pages. Published by Carl Fischer.
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles Sound Spectacular Alto Saxophone [Sheet music] - Easy Carl Fischer
Saxophones, Grade 2. By F.E. Bigelow; H.C. Work; Hughie Cannon; Johann Sebastian...(+)
Saxophones, Grade 2. By F.E. Bigelow; H.C. Work; Hughie Cannon; Johann Sebastian Bach; Joseph Compello; Leon Jessel; Ludwig Van Beethoven. Arranged by Andrew Balent; Joseph Compello. For Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Tenor Saxophone. Soft Cover. 24 pages. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lights Out Concert band [Score and Parts] C.L. Barnhouse
March. Composed by Earl E. McCoy. Arranged by Andrew Glover. March. Herit...(+)
March. Composed by Earl E. McCoy. Arranged by Andrew Glover. March. Heritage of the March. March. Score and parts. Duration 0:03:48. Published by C.L. Barnhouse (CL.012-4601-00).
$68.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Morning Star Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074329-140 Composed by Jam...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074329-140 Composed by James Proctor Harding. Arranged by Henk Hogestein. Christmas Collection. Festive and Solemn Music. Score Only. Composed 2007. 8 pages. De Haske Publications #DHP 1074329-140. Published by De Haske Publications (BT.DHP-1074329-140). 9x12 inches. English-German-French-Dutch. The Englishman, Bishop Reginald Heber (1783?1826), wrote Brightestand Best of the Sons of the Morning for Epiphany. These lyrics werepublished in 1811, in the Christian Observer, but were set to music andissued in hymnal books only after Heber?s death, by English composerand organist James Proctor Harding. This attractive arrangement byHenk Hogestein will give every Christmas concert a certain elan.
De Engelsman Bishop Reginald Heber (1783-1826) schreef Brightest and Best of the Sons of the Morning voor het feest van Driekoningen. Deze tekst werd in 1811 gepubliceerd in de Christian Observer, maar pas na Hebers dood opmuziek gezet door James Proctor Harding (1850-1911) - onder de titel Morning Star. Het sfeervolle arrangement van Henk Hogestein geeft elk kerstconcert een zeker elan.
Morning Star ist die Vertonung eines Gedichts zum Dreikönigsfest aus der Feder des englischen Bischofs Reginald Heber aus dem 18. Jahrhundert. Das Lied des Organisten und Kirchenmusikkomponisten Harding wurde in mehrere englische Gesangbücher aufgenommen und wird heute noch oft gesungen. Dieses reizvolle Arrangement von Henk Hogestein verleiht jedem Weihnachtskonzert einen gewissen Schwung!
En 1811, le journal chrétien The Christian Observer publie le texte du cantique de l’Épiphanie, Brightest and Best of the Sons of the Morning, de l’évêque anglican Reginald Heber (1783-1826). Ce texte ne sera mis en musique et intégré dans des recueils de cantiques que plusieurs années après la mort de son auteur. James Proctor Harding (1850-1911) fut organiste l’église St. Andrew d’Islington (Londres) pendant plus de trente-cinq ans. Il composa également des œuvres de musique sacrée. En 1892, il met en musique le texte de Reginald Heber. Le cantique sera publié sous le nom de Morning Star (“Étoile du matinâ€).Ce charmant arrangement d’Henk Hogesteinapporte une touche de brillance tout concert de Noël. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. This edition: urtext edition. Stapled. Barenreiter Urtext. Classical. Choral score. KV 427. 44 pages. Baerenreiter Verlag #BA09188_91. Published by Baerenreiter Verlag (BA.BA09188-91). ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.
Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.
High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself: - TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards. - The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound. - TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.
Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).
The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.
The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata For Trumpet And Piano Trumpet, Piano Theodore Presser Co.
Chamber Music Piano, Trumpet SKU: PR.114419070 Composed by Martin Amlin. ...(+)
Chamber Music Piano, Trumpet SKU: PR.114419070 Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070). ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches. Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. . $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Czardas Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4403-75 Composed by Vittorio Monti. Ar...(+)
Concert band - Grade 3 SKU: CL.012-4403-75 Composed by Vittorio Monti. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-4403-75. Published by Opus III Wind Orchestra Publications (CL.012-4403-75). This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse Spotlight series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience! About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Guitar School, Volume 4 Guitar Alfred Publishing
Guitar SKU: AP.42161 Volume 4. Guitar Part. By Andrew LaFre...(+)
Guitar SKU: AP.42161 Volume 4. Guitar Part. By Andrew LaFreniere and Seth Himmelhoch. This edition: International. Guitar (Suzuki); Method/Instruction; Suzuki. Suzuki Guitar School. Book and CD. 20 pages. Alfred Music #00-42161. Published by Alfred Music (AP.42161). ISBN 9781470635084. UPC: 038081521565. English. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as Book & CD kit. Titles: Siciliana (Carcassi) * Allegro (Giuliani) * Lesson (Sor) * Etude (Sor) * Waltz (Meissionnier) * Waltz Allegro (Carcassi) * Lesson for Two Lutes * Bourée (Mozart) * Variations on La Folia (Vidali / arr. Longay). About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Our Hope for Years to Come Organ Sacred Music Press
Organ: 3-staff - Moderately Advanced SKU: LO.70-2219S Sacred. Sacred Musi...(+)
Organ: 3-staff - Moderately Advanced SKU: LO.70-2219S Sacred. Sacred Music Press #70/2219S. Published by Sacred Music Press (LO.70-2219S). ISBN 9780787767686. This useful anthology of hymn partitas and variations is the work of six composers: David Lasky, Douglas E. Wagner, David P. Dahl, Edward Landin, Robert F. Swift, and Andrew Senn. Each composer writes in a distinct style and has chosen a familiar hymn tune as the basis for their work. In their entirety, each partita is suitable for use in recital or as an extended service prelude. For shorter service voluntaries, individual variations may be excerpted or combined. $42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solos Sound Spectacular Carl Fischer
Chamber Music Bells, Marimba, Oboe, Xylophone SKU: CF.O5301 70 Reperto...(+)
Chamber Music Bells, Marimba, Oboe, Xylophone SKU: CF.O5301 70 Repertoire Favorites for Young Players. Composed by Alfred Lee, Charles Lawlor, E. Kaillmark, Emile Waldteufel, Franz Joseph Haydn, George Poulton, H. Work, Henri Hemy, Ion Ivanovici, Jacques Offenbach, James Blake, James Walton, John Philip Sousa, John Stafford Smith, Juventino Rosas, Thomas Bayly, and etc. Arranged by Andrew Balent. Concert Band Method. Sounds Spectacular - Solo Ensemble Series. Textbook - Student. With Standard notation. 24 pages. Carl Fischer Music #O5301. Published by Carl Fischer Music (CF.O5301). ISBN 9780825820809. UPC: 798408020804. 9 X 12 inches. $8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spark of Light Carl Fischer
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9751. Published by Carl Fischer Music (CF.CM9751). ISBN 9781491162392. UPC: 680160921140. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845). About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Director’s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa in C minor K. 427 Great Mass in C minor Choral SATB Barenreiter
2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg- B-solo,2MixedCh-SATB,Orch ) SKU: BA.B...(+)
2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg-B-solo,2MixedCh-SATB,Orch) SKU: BA.BA09188-90 Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Classical. Vocal Score. KV 427. Baerenreiter Verlag #BA09188_90. Published by Baerenreiter Verlag (BA.BA09188-90). ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger. Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.
Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.
High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself: - TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards. - The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound. - TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.
Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).
The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.
The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spark of Light Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747). ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845). About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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