Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.

Easy Pieces for Descant Recorder and Basso continuo (Piano)-Die erfahrene Blockflötenpädagogin Gudrun Heyens legt mit 'Concerto' eine Auswahl an Blockflötenstücken vor die schon ab dem zweiten Unterrichtsjahr den Einstieg in die Vortragsliteratur erlauben. Einzelstücke wie Dornels 'Chaconne' oder Corellis 'Follia-Variationen' finden sich ebenso wie kleinere Stücke von Playford oder Susato die auch als kurze Suiten gespielt werden können. Die Sammlung wurde gerade auch im Hinblick auf 'Jugend musiziert' oder andere Wettbewerbe zusammengestellt. Inhalt     John Playford (1623-1686): 3 Pieces from 'The EnglishDancing Master':Gathering PeascodsThe Kettle DrumRufty TuftyTilman Susato (ca. 1500-1562): 3 Pieces from 'Danserye': - German Dance - Shepherd’s songRondeAnonymus (1551): Pavane 'Le forze d’Hercole'Giorgio Mainerio (1545-1582): TedescaPièrre Phalèse (ca. 1510-1573): Passamezzo d’AngleterreJean Hotteterre (ca. 1680-1761): 3 Menuets from 'The rural wedding':Menuett IMenuett IIMenuett IIIJohann Fischer (1646-1721): Little SuiteJ. J. van Eyck (1589-1657): Wat zal men op den avon doenEngels NachtigaeltjeJohn Dowland (1562-1626): The Earl of Essex Galliard ('Can she excuse my wrongs')Anonymus (1706): The Division Flute: Greens Sleeves to a GroundArcangelo Corelli (1653-1713): La FolliaAntoine Dornel (ca. 1685-1765): Chaconne  

Arranged by Harry Gee for 3 alto saxophones or 2 altos and 1 tenor. The material covers the Baroque, Classic, Romantic, and Contemporary eras. Titles are: Greensleeves (Old English Air) * Shadows of the Night (Old French Carol) * Country Dance (Old Russian) * Rigadoon (Henry Purcell) * Adagio (James Hook) * Canon (W.A. Mozart) * Adagio (Arcangelo Corelli) * Sarabande (G.F. Handel) * Bagatelle (Ludwig Van Beethoven) * Doll's Slumber Song (Robert Schumann) * Meditation (Harry Gee) * Recreation (Harry Gee).

The Italian oratorio 'La Resurrezione' (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli. In its dramatic structure and characterisation of the protagonists the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera'Agrippina'. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme. The edition is based on the complete edition volume of the 'Halle Handel Edition' (BA 4096) making the complete music text of the oratorio available for the first time. Scholarly-critical edition based on the Urtext of the 'Halle Handel Edition'Straight forward clear piano reductionForeword (Ger/Eng)

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

The music in this pack has been chosen from the very best solo literature for trombone and is performed by the foremost vituoso of our time. The CD includes the complete performance the piano accompaniment and an alternate (slower) tempo for pieces taht present a more complex technical challenge. A printed copy of the solo part with cues and rhythmic notation is enclosed with each CD. This pack includes works by Arcangelo Corelli P.V. de la Nux and Samuel Rousseau.

Arcangelo Corelli Antonio Vivaldi Jean-Sébastien Bach et bien d?autres encore ont exercé une influence majeure et durable dans le développement de la musique baroque. Leurs œuvres sont toujours plébiscitées par le public. Bald Wyntin a rassemblé quelques œuvres majeures du répertoire baroque pour en faire une œuvre originale et surprenante. Let?s rock-baroque !

Recorder Quartets - Volume 4 - Famous Pieces from the Baroque. Contents: Pastorale from Christmas Concerto - Arcangelo Corelli (SATB)   Pieces from 'Abdelazar' - Henry Purcell (SATB)   Kanon und Gigue - Johann Pachelbel (AAAB and SATB)   Piece from the Water Music - G. F. Handel (AATB/SATB/SSAB)   La Paix - G. F. Handel (SATB)   Kanon BWV 1073 - J. S. Bach (SATB)   Pieces from Ouverture in G Minor - J. S. Bach (SSAT/SATB)   Pieces from Ouverture in C Major - J. S. Bach (SATB)   Fugue on a Theme by Legrenzi - J. S. Bach(SATB)   Marsch in C - Johann Fischer (SSAB)

Les sonates en solo composées en Italie à partir des premières décennies du 17e siècle se distinguent par leur virtuosité instrumentale et l?originalité de la pensée baroque dont elles sont traversées. Ces deux aspects ont été pris en compte dans le choix des morceaux figurant dans cette série fascinante de recueils de musique italienne pour violon de la période baroque. Outre des sonates pour violon des maîtres italiens Arcangelo Corelli Antonio Vivaldi et Tomaso Albinoni le second volume de cette collection propose également la possibilité de découvrir des compositeurs encore méconnus notamment Carlo Farina et Michel Mascitti qui ont été les émissaires de la musiqueitalienne pour violon en Allemagne et en France. L?édition urtext permet une vision claire de quelques-uns des bijoux de la période baroque.

For Viola And Piano-Corelli 'Sonata No.12 Follia con Variazioni' for Viola and Piano transcribed by Alan Arnold.

Composer : Corelli, Arcangelo Instrumentation : 2Bfl-A,Bc Edition : Urtext Editor : Kubitschek, Ernst

50 fantastic guitar solos in notes and tab from 18 Baroque composers including Bach Corelli Couperin Handel Purcell Rameau Scarlatti Telemann and others.