SKU: LP.765762008236

UPC: 765762008236.

Teeny Tykes & Tunes is a faith-based music educational activity program designed for infants and toddlers and their parents or caregivers. This 13 minute DVD presentation discusses how research on brain development tell us that exposure to, and participation in repetitious music activities such as Teeny Tykes & Tunes increases: * Language development * Math skills * Reading skills * Social development * Physical gross motor and cross lateral development * Musical ability and skills such as steady beat and melody memory * Spiritual awareness that God loves me and made me special

Find out how these essential elements of growth and development in every child's life are promoted through this outstanding music program designed to enrich the lives of little ones and their families.Teeny Tykes & Tunes...It's a No Brainer!
This DVD-ROM includes: * Printable outline of DVD presentation * Printable complete research information background for DVD presentation.

SKU: GI.G-114422

ISBN 9781574632200. UPC: 884088872298.

Lyrical Conducting: A New Dimension in Expressive Musicianship is the latest soon-to-be hit from master musician and music educator Ed Lisk. The concepts and instructional techniques discussed here prompt new and different considerations for what teachers and conductors of instrumental music must strive for. Lyrical Conducting expands one's awareness through the beauty of musical expression and its direction for greater musical meaning. Many attempts have been made to define artistry, expression, and the mysteries of music's finest detail. This publication will lead you to this discovery through: enhancing expressive approaches to conducting, building poise and finesse into one's conducting body language in order to visually express music's lyricism, searching beyond notation to develop a unique and personal rendering of a composition, developing a performance vocabulary or reservoir for artistic considerations that will stimulate your artistic vocabulary, and sensitizing one's emotional response to shape the beauty and expressive qualities of a personal conducting interpretation.

SKU: BR.OB-5562-15

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.

Have. Mass; Classical. Part. 20 pages. Duration 52'. Breitkopf and Haertel #OB 5562-15. Published by Breitkopf and Haertel (BR.OB-5562-15).

ISBN 9790004342282. 10 x 12.5 inches.

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)

This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).

SKU: BR.PB-5596-07

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.

Have. Mass; Classical. Study Score. 188 pages. Duration 52'. Breitkopf and Haertel #PB 5596-07. Published by Breitkopf and Haertel (BR.PB-5596-07).

ISBN 9790004214060. 6.5 x 9 inches.

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)

This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).

SKU: HL.35020195

UPC: 752478118021. 5.5x5.0x0.397 inches.

Featuring music from an all-star cast of composers: Michael Cox, Patti Drennan, David Friedman, Jill Gallina, Alice Gomez, W.T. Greer, Stefania de Kenessey, Rosephanye Powell, Joseph M. Martin, Robert Seeley Sing for the Cure is a 60-minute, 11-song, choral collection with full orchestration or piano accompaniment. Based on true stories of breast cancer survivors, the individual pieces are powerful enough to be used alone or grouped for a mini-program. October is Breast Cancer Awareness Month; plan now to honor the members of your community whose lives have been touched by this struggle. The work includes promotional ideas to support this life-changing work. Don't miss the opportunity to Sing for the Cure, and celebrate the lives of courageous women in your community! Benefitting Komen for the Cure.

SKU: AP.74-0399172084

ISBN 9780399172083. English.

Neil Young's first memoir, Waging Heavy Peace, was an international bestseller and critical sensation. The Wall Street Journal wrote that it was terrific: modest, honest, funny, and frequently moving, while The New York Times found it as charismatically off the wall as Mr. Young's records. Now, in Special Deluxe, Young has fashioned a second work of extraordinary reminiscences about his Canadian boyhood, his musical influences, his family, the rock 'n' roll life, and one of his deepest, most ebullient passions: cars. Through the framework of the many vehicles he's collected and driven, Young explores his love for the well-crafted vintage automobile, and examines his newfound awareness of his hobby's negative environmental impact. With his ferocious devotion to clean energy, he recounts the saga of Lincvolt, his specially modified electric car, and his efforts to demonstrate to lawmakers and consumers how viable non-gas-guzzling vehicles truly can be. Special Deluxe captures Young's singular lyrical, almost musical, voice. Witty, eclectic, and wonderfully candid, Special Deluxe is an unforgettable amalgam of memories, artwork, and political ponderings from one of the most genuine and enigmatic artists of our time.

SKU: BR.SON-501

Awarded the German Music Edition Prize 2003

ISBN 9790004802236. 10 x 12.5 inches.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

SKU: A2.S034

ISBN 978-0-89579-775-9. 8.5x11 inches.

This edition includes three piano works by the German-Jewish composer Hans Samuel (1901-76), who was active primarily as an organist and composer of organ music. The selected works - Hassidic Hanukkah Tune: Al hanissim we al hapurkan (1946), Sounds of Slichoth: Paraphrases on S'lichoth Tunes According to the Ashkenas-Western Mode (1957, dedicated to the composer's parents, who perished in Theresienstadt), and Variations on a Yemenite Tune (undated) - were composed after Samuel's emigration to Palestine in 1939. Besides exemplifying the heightened awareness of diverse Jewish musical traditions that characterizes Samuel's music after his emigration, these works are representative of Israeli immigrant composers' early struggles to attempt to define their new nation musically.