Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue

Le présent arrangement est d'une utilité pratique pour les ensembles de petite chaîne en particulier à l'étude de la polyphonie de Bach. / Orchestre A Cordes

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Kantate Zum 7. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 107/ Répertoire / Solistes STB, Choeur SATB, (Cor Da Caccia), 2 Flût

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

BACH J.S. (A. WEBERN) - FUGA (2. RICERCATA) A 6 VOCI BWV 1079/5) / Format poche / Universal Edition

[Musikalisches Opfer c-Moll BWV 1079 - Heft 1 : Ricercari] / Classique / Editeur : Christoph Wolff / Partition / Agrafé / Edition Urtext

'aus dem ''Musikalischen Opfer'' BWV 1079'. Par BACH JOHANN SEBASTIAN. / Répertoire / Basson et Orgue

Aus: Ein Musikalisches Opfer. Par BACH JOHANN SEBASTIAN. Tonalité : c-Moll - BWV 1079 #8/ Répertoire / Flûte Traversière et Clavecin Obligatoire ou Violo