für verstärktes Ensemble bzw. Kammerorchester nach dem Scherzo aus der 2. Sinfonie von Beethoven. Par NEMTSOV SARAH. / Date parution : 2023-03-11/ Répertoire / Orchestre de Chambre

Play Alongs for Violin-Here is the chance to become a true classical soloist! Step into the spotlight and play-along with the superb backing tracks on the specially recorded CDs containing eleven of the world's best-loved classical melodies allarranged for Violin. From Handel's Water Music and Mozart's Musical Joke to Beethoven's Allegretto Theme and Schubert's Entr'acte these wonderful works are firm favourites with audiences of all ages and this playalong edition will give you an ideal chance to master some of those all-important performance skills by rehearsing with the accompaniments even during your personal practice time.The CDs contain fullperformance versions of the music with piano accompaniment on the first set of tracks. The Violin part is then omitted from the second set of tracks allowing you to play along with the recorded accompaniments. Features top linearrangements for each of the eleven massive songs with a practical playing guide.

64 graded pieces in their original form including works by Bach Bartok Beethoven Czerny Haydn Kabalevsky and others.

Tous les moments les plus marquants de l'histoire la plus exaltante de l'humanité -l'histoire de la musique - vous sont présentés dans ce livre gai, coloré et spirituel. Tout est là : la musique de l'âge de pierre, le chant grégorien si rigoureux, les mélodies enchanteresses des troubadours, la polyphonie de l'époque médiévale, la diversité musicale de la Renaissance, le génie de Bach, la fécondité de Haendel, la divine magie de Mozart, l'âme prométhéenne de Beethoven, le chant patriotique de Verdi, le lyrisme blessé de Puccini, les rythmes primitifs (ataviques de Stravinsky), les expériences peu orthodoxes de Cage...

Par WOLFF KONRAD. Charakteristische Stilelemente Bei Bach, Haydn, Mozart, Beethoven, Schubert, Chopin Und Brahms/ Recueil / Piano

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ RĂ©pertoire / Concert Band/Harmonie

â€�You were often on my mind when I was writing’ wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness however Joachim began to have his doubts about the value of the work. In his will Joachim prohibited the rst performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (â€�Ghost Variations’) the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version ofSchumann’s solo part saw in this piece â€�the bridge between Beethoven’s and Brahms’ concertos’.

Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.

The Best-loved Piano Music Book Three presents 10 well known pieces for solo Piano Grade 5-7. This beautiful edition includes Alla turca from Sonata K 331 (Mozart) Allegretto from MoonlightSonata (Beethoven) Andante con moto (Mendelssohn) Anitra's Dance (Grieg) Gymnopédie III (Satie) Le petit nègre (Debussy) Prelude in A (Chopin) Prelude in C (Bach) Silhouette (Dvorák) and Waltz in A (Schubert).

Ultimate Piano Solos presents over 50 best-selling piano solos collected together for the first time in one book. Suitable for the intermediate piano player it includes must-have Classical pieces such as Beethoven?s Moonlight Sonata Satie?s Gymnopédie No.1 and Fauré?s Pavane alongside modern classics from La La Land Twilight and Final Fantasy soundtracks and songs arranged for piano from the likes of The Piano Guys Ed Sheeran Joni Mitchell Birdy and Louis Armstrong.

? anthology of graded repertoire selected from 60 years of ABRSM violin examinations ? offers a wide variety of pieces, including editions of eighteenth and nineteenth century works, arrangements of classical pieces, and original compositions Contents March in D [C. P. E. Bach] Angela?s Tune [Lesley Bamford] Queen?s Masque [Lesley Bamford] The Wonder-Blossom [Beethoven] Romance [Percy C. Buck] A Snowy Day [Dorothy Howell] A Croon [Herbert Howells] The Bogey Man [Herbert Kinsey] Rest Time [Herbert Kinsey] Waltz [Perceval] Meditation [Perceval] Jollity [Richards] The Miller?s Flowers [Franz Schubert] Choral [Robert Schumann] Cradle Song [Felix Swinstead] A Reverie [Waddington]

The Lieder Anthology. 65 Songs by 13 Composers. This edition presents 65 diverse songs by major composers of German art song, or lieder, and is the perfect one-volume lieder source for voice students. All the songs are new Vocal Library editions. Historical notes about the relevant history and background of each song are included, as are line-by-line translations for study. A select committee of experienced voice teachers was consulted to choose the most essential and vocally instructive songs in compiling this collection. Composers represented: Beethoven, Brahms, Franz, Gustav Mahler, Alma Mahler, Fanny Hensel, Mendelssohn, Mozart, Schubert, Clara Schumann, Robert Schumann, Strauss, Wolf. Co-editor Dr. Virginia Saya, on the faculty of Loyola Marymount University, is a musicologist with a special interest in lieder. This collection includes the first American edition of Funf Ophelia Lieder by Brahms. 288 pages, sewn binding.

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The famous second movement of Mozart’s Piano Concerto No 21. (1785) is now arranged for solo Piano Grade 5-6.As the one of the most prolific and influential composers of the Classical era Mozartcomposed over 600 works many acknowledged as pinnacles of symphonic concertante chamber operatic and choral music. He is among the most enduringly popular of classical composers and his influence on subsequent Western artmusic is profound; Ludwig van Beethoven composed his own early works in the shadow of Mozart and Joseph Haydn wrote that 'posterity will not see such a talent again in 100 years”.