Cello and Piano. (Cello). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 68 pages. Published by Boosey and Hawkes.

(Edition for Violoncello and Harpsichord With marked and unmarked string parts). By Carl Philipp Emanuel Bach (1714-1788). Edited by Wolfram Enlin. For Cello, Harpsichord, Viola da gamba (Score and Parts). Henle Music Folios. Softcover. G. Henle #HN991. Published by G. Henle

By Jean-Baptiste-Joseph Masse. Edited by Maelle Trouve. Cello and continuo. For Cello. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 36 pages. Published by Anne Fuzeau Productions - France

By Willem De Fesch. Edited by Hugo Ruf. For Violoncello, Basso continuo. Violoncello. Playing Score; Single Part. Op. 13/4. Published by Baerenreiter-Ausgaben (German import).

By Jean-Baptiste Janson. Edited by Jean Saint-Arroman, Philippe Lescat. Cello and continuo. For Cello. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 38 pages

By Nicola Porpora (1686-1768). Edited by Alessandro Bares. For cello and string orchestra. This edition: Paperback. Minghen dal Viulunzel. Baroque, Galant. Score and set of parts. Published by Musedita Edizioni Musicali

Three Sonatas attributed to J.S. Bach - with a Violoncello Part - for Flute and Piano. By Johann Sebastian Bach. Edited by Hans Eppstein. Flute. Pages: Score = VII and 34 * Fl Part = 15 * Vc Part = 3. Urtext edition without fingering-paper bound. Published by G. Henle.

(for 3 Cellos - Score and Parts). Composed by Various. Edited by �?rp�?¡d Pejtsik. For Cello Trio (Score and Parts). EMB. Softcover. Editio Musica Budapest #Z14930. Published by Editio Musica Budapest

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.