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Cello and Continuo
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Georg Friedrich Händel: Ode For Saint Cecilia's Day: Continuo: Part
[Part]
Novello & Co Ltd.
Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass ...
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Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass and Continuo parts only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.
6.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Four Flute Sonatas: Flute: Instrumental Album
Flute, Basso continuo
[Score and Parts]
Barenreiter
Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 103...
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Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.
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Carl Philipp Emanuel Bach: Gambensonaten Wq 88 136 137: Cello: Instrumental
Violoncello, Basso continuo
G. Henle
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three s...
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Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.
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Benedetto Marcello: Sonata No. 1 F Major: Cello and Accomp.: Instrumental Work
Cello, Piano
G. Henle
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Mar...
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The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello?s name are to the present day firmly established in the cello repertoire. Although Marcello?s authorship is not undisputed ? by this time, the composer had already specialised in sacred works ? the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist ? and thus the optimal provisions for a class recital!
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Chamber Music For/ Kammermusik Für Violoncelli 16
String Trio: 3 cellos
EMB (Editio Musica Budapest)
The latest volume of the popular series extends the repertoire of beginner and i...
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The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Benedetto Marcello: 12 Sonate: Flute: Instrumental Work
Flute
EMB (Editio Musica Budapest)
for Flute and Basso continuo nos. 1 - 6-Urtext edition of Marcello: 12 Sonatas ...
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for Flute and Basso continuo nos. 1 - 6-Urtext edition of Marcello: 12 Sonatas for Treble Recorder and Continuo - Volume 1 (Sonatas 1-6)Sonata I in F MajorSonata II in D MinorSonata III in G MinorSonata IV in E MinorSonata V in G MajorSonata VI in C Major
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Jean-Baptiste Bréval: Sonate C-dur Opus 40 Nr. 1: Cello: Instrumental Work
Violoncello, Basso continuo
G. Henle
fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellis...
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fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.
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Boismortier Joseph Bodin De - Sonata Op. 16 - Cello And Basso Continuo
Cello
Schott
No. 5 G Minor Instrumentation : cello (bassoon, viola da gamba) and basso conti...
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No. 5 G Minor Instrumentation : cello (bassoon, viola da gamba) and basso continuo Date de parution : 14/06/1985 Nombre de pages : 24 Collection : Cello Library Format : New Edition portrait
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Suzuki Cello School Cd, Vol.1 And 2
Cello
Alfred Publishing
Accompagnement de CD pour Suzuki Cello School Volume 1 and 2. / Violoncelle
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Benedetto Marcello: Duetti - Duets: Vocal Duet
Vocal duet, Piano
Ricordi
Per Soprano Contralto E Basso Continuo - For Soprano Alto And Continuo-A Venet...
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Per Soprano Contralto E Basso Continuo - For Soprano Alto And Continuo-A Venetian nobleman member of various judiciary boards of the Serenissima Repubblica an intellectual of vast erudite learning Benedett o Marcello was a prolifi c and eclectic composer.Duets hold a special place in Marcello?s output a musical genre attended by famous composers such as Händel and Steffani. Marcello wrote at least fifty such works as the many manuscripts kept in libraries across Europe bear witness.This edition by Antonio Frigé contains a selection of his most significant duets for soprano and alto accompanied by continuo.
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Dietrich Buxtehude: O Gott Wir Danken Deiner Guet: SATB: Score
[Sheet music]
Wilhelm Hansen
Scored for Solo Voices SSATB Choir 2 Violins Cello and Basso Continuo.
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Carl Philipp Emanuel Bach: Triosonate a-Moll Wq 148: Flute & Violin:
Flute, Violin, Keyboard (basso continuo)
[Sheet music]
-
Intermediate
Zimmermann
Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor W...
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Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute Violin (or Oboe) and Continuo - Piano (or Cembalo) with Cello (or Bassoon) - this work is ideal for recital or concert performance.Available here is the score with Flute Violin (or Oboe) and Cello (or Bassoon) parts.
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Sonate C-Dur: Cello: Instrumental Work
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Domenico Della Bella was active as a chorus master and most likely as a cellist...
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Domenico Della Bella was active as a chorus master and most likely as a cellist as well in Treviso toward 1700. Besides music for church use his compositions also include some instrumental pieces. This sonata is an example of early authentic Cello literature. With its charming melodies this concise work is guaranteed to delight cellists and their audiences today as much as in the composer's own time.
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2 Sonatas
Violoncello, Basso continuo
Schott
Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbre...
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Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbres compositions baroques pour violoncelle et basse continue, deuxièmement, qu'à ceux de Antonio Vivaldi. Marcello est un compositeur célèbre de son vivant, et par conséquent sa collection pourrait se trouver dans les éditions imprimées dans les grandes métropoles de la musique européenne de Londres, Paris et Amsterdam. Même s'il y a certains doigtés mal à l'aise dans ces sonates - qui pourrait être due à Marcello de travail avec un violoncelle de cinq cordes avec un ajout E' chaîne - ils sont de difficulté modérée seulement et appartiennent aux oeuvres standards du violoncelle, enseignement de la littérature. / Violoncelle Et Basse Continue
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Felice Maria Picinetti: Sonata for Violoncello and B.c. in C major: Cello:
Cello, Piano
[Sheet music]
Barenreiter
Felice Maria Picinetti is one of those composers who did not make a lasting mark...
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Felice Maria Picinetti is one of those composers who did not make a lasting mark on the history of music. He is believed to have been active as a cellist in Dresden around 1733. His cello sonata hints at a lively temperament and a solid training in the Baroque sonata da chiesa style. It affords cellists a welcome opportunity of performing Baroque music as a soloist instead of as a continuo player.
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Antonio Vivaldi: 9 Sonatas For Cello And Piano: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions...
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per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions for violin his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.
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Schott Cello Library
Violoncello, Basso continuo
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Basse Continue
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Alessandro Scarlatti: Follia di Spagna -19 Vaiations for Treble Recorder: Treble
Flûte à Bec Alto ou Flûte Traversière et Clavier a
[Score and Parts]
Ut Orpheus
and Keyboard (Cello ad libitum)-19 Variations on La Follia by Scarlatti for Treb...
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and Keyboard (Cello ad libitum)-19 Variations on La Follia by Scarlatti for Treble Recorder (Flute) and Continuo.
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Henry Purcell: Sonata For Trumpet And Strings: Ensemble: Score and Parts
Français
Trumpet, Orchestra
[Score and Parts]
Leduc, Alphonse
For trumpet 2 violins viola cello and double bass continuo.
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Loeillet J.b. - Six Sonatas Op.5 Vol.1 - Sonatas 1-3
Flute, Oboe, and Cello
For Flute, Oboe (or Violin) and Continuo Op. 5 (Livre Premier) nos. 1-3. Sonat...
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For Flute, Oboe (or Violin) and Continuo Op. 5 (Livre Premier) nos. 1-3. Sonata in B minor, Op.5 no.2 Sonata in D minor, Op.5 no.3 Sonata in E minor, Op.5 no.1
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Dietrich Buxtehude: Sonata in G: Chamber Ensemble: Score and Parts
Schirmer
Score and Parts-For Flute Cello (Bassoon or Viola) and Continuo.
25.99 GBP - Sold by Musicroom UK
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Passacaglia And Rondeau (STANDFORD PATRIC)
Violin, Basso continuo
[Sheet music]
Peters
Par STANDFORD PATRIC. Violon. Violoncelle -/ Répertoire / Violon et Instruments...
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Par STANDFORD PATRIC. Violon. Violoncelle -/ Répertoire / Violon et Instruments Divers
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Brandenburgisches Konzert Nr. 6
2 Violen, 2 Violen da gamba, Violoncello, Basso continuo
[Sheet music]
Barenreiter
/ Orchestre / Partition
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Cirri G. - Sonata No. 3 F Major - Violoncelle
Cello
Schott
Arrangeur : Birtel, Wolfgang / Mohrs, Rainer / cello and basso continuo
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Bryars G. - Cello Concerto - Conducteur
Schott
Farewell to philosophy I have a great fondness for the lower string instrument...
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Farewell to philosophy I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
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Johann Georg Albrechtsberger: Te Deum in D - Full Score and Parts: Mixed Choir:
Hinshaw Music Inc.
Instrumental Accompaniment Set-Includes: 2 Tpt In D Timp 2 Vln Cello Bass C...
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Instrumental Accompaniment Set-Includes: 2 Tpt In D Timp 2 Vln Cello Bass Continuo and Full Score.
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