Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz 's studies in Italy. Our full score contains a comprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text. - Full score and performance material available for sale (BA4334)/ Répertoire / SATBasse (2 Grands Choeurs Mixtes à 4 Voix Ad Libi

für Altblockflöte (Querflöte Violine) und Basso Continuo-Volume 1 of Benedetto Marcello's Sonatas For Treble Recorder And Basso Continuo Op.2.Contains Sonatas No. 1 in F major and No. 2 in D minor.

Instrumentation: HMC2339a _x000D_Includes: Strings (2 Violins Cello Bass Continuo) Two Trumpets and Full Score_x000D_With a text taken from Psalm 92 this work by Michael Haydn for mixed chorus with keyboard or chamber orchestra is particularly appropriate for All Saints Day or a memorial observance. This is another authentic historical edition in the Martin Banner Series.

Par GRAUN JOHANN GOTTLIEB. Egalement dans ce alto solo prouve la connexion du style italien instrumental avec conjointe allemande et technique imitation pour déterminer le style de la 'Ecole de Berlin'. Magnifiquement mise en scène./ Répertoire / Violoncelle et Contrebasse

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20) / Orchestre A Cordes

The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle

Instrumental Accompaniment Set-Includes: 2 Violins Viola Cello Bass Continuo and Full Score

Par RANDS BERNARD. This string quartet is in one continuous movement of fifteen sections, with each section being a ’transcription’ of the music in a previous section. In these transcriptions the changes can be somewhat minimal – a slight altering of register, dynamics, rhythms, or more radical resulting in new harmonic and contrapuntal relationships. With this compositional method Rands aims to create a continuous self-referential musical discourse that allows for recall and even repetition. String Quartet No. 3 was commissioned for the Ying Quartet by the Institute for American Music at the Eastman School of Music./ Répertoire / Quatuor à Cordes

For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Basson ou

For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune.

Instrumental Accompaniment Set-Instrumentation: 2 Horns in G Violin 1 Violin 2 Cello Bass and Continuo