This concerto is one continuous movement that is clearly divided into 3 main sections. The first movement is moderately fast and rhapsodic in charachter followed by a second section with an accompanied cadenza in the middle thefinal movement is a fast-paced energetic crescendo that leads to the climax of the work at the end.The solo part is a long and endlessly varied narrative that embraces the whole technical vocabulary of the cello available toboth composer and soloist with the harmonic aura being established by the orchestra from the beginning. The orchestra provides a platform of chords based on major and minor thirds which are the building blocks for the entireconcerto both for soloist and orchestra.The harmonic scenery created by the orchestra is very much at the service of the soloist always seeking to support and highlight the poetic and dramatic content of the solo part as wellas providing a transparent and clear harmonic framework. The accompaniment for the piece is dense at times polyphonic and sometimes multi-layered but only towards the very end is the orchestra allowed to dominate in the finalclimax of the work. Commissioned by William Conway. First performed with the Scottish Chamber Orchestra in 1995.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as book and CD kit. / Alto

Series : Hortus Musicus Edition : Playing Score; Set of Parts Editor : Ruf, Hugo Binding : stapled Instrumentation : Flute/ Violin/ Oboe, Viola da gamba/ Violoncello/ Bassoon, Basso continuo

Daniel Purcell's Trio Sonata In D Minor for 2 Treble Recorders (Violins Flutes) and Basso Continuo; Cello (Viola Da Gamba) ad libitum (2 Tr-Rec (Vn Fl) & bc; Vc (Vla-da-g) ad lib.).

Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Présentation de Maëlle Trouvé : Biographie de Jean-Baptiste-Joseph Masse - Lecture de la partition (notation, ornementation, phrasé, terminologie, basse-continue, forme)Ces sonates, dites 'à deux violoncelles', sont en fait écrites pour violoncelle et basse-continue.Ce recueil de très jolies sonates a l'avantage d'être techniquement très abordable. Il sera donc un élément intéressant d'initiation au style de cette époque. - / Violoncelle Et Basse Continue / 36 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Hilary Tann's Seven Poems Of Stillness for Cello with optional narration. This continuous cycle (c.16 minutes without narrator c.24 with narrator) intersperses seven poems by R.S. Thomas with seven movements for solo Cello exploring the poet's relationship to God. The music is evocative moving and thoughtfully sets the mood for the poem that it precedes. A recording of this work performed by the cellist Guy Johnson is available from Ty Cerrd (TCR011).

For Recorder And Fig. Bass. Cello Ad Lib.. Par VERACINI FRANCESCO MARIA. A- Flûte à Bec - Piano / Kolneder / Répertoire / Flûte à Bec ou Alto et Clavier

Composer : Vivaldi, Antonio Edition : Score Editor : Raphael, Günter Separate Parts available on demand

As notated in 1724 by Marcello. For unison choir or solo voice with continuo in Hebrew and Italian.

Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation.Présentation de :Philippe Lescat : Biographie de Jean-Baptiste JansonJean Saint-Arroman : Lecture de la partition / Violoncelle Et Basse Continue / 38 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5