Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna

Uses: General Heaven Scripture: Revelation 21:4 No sitting still on this one! Rollo Dilworth has created a winner with his arrangement of this perennial favorite. Your choir and congregation will be captivated by the insistent and building rhythm ofthis rousing anthem. Were pleased to offer this top seller here for womens voices! Parts for bass and drums available as a digital download.

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This enables the flutist to maintain a natural flow during his performance. Since there is very little original literature for the flute ensemble, a pedagogue is often required to draw on arrangements in which the lowest voices are frequently comprised of non-flute accompanying motifs. In chorale music, all voices are equally employed in a voice-leading manner. The phrasing slurs depend upon the text. The breathing signs in some cases only serve to clarify the musical line in general and are not to be used for strong breathing. The arrangements are created for flute ensembles with four voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for four flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 4 Flûtes Traversières

Joy to the World! is a delightful collection of 21 Christmas carols and songs, arranged by master choral director and composer Gwyn Arch. This collection of two-part arrangements is aimed to bridge the gap between simple unison settings and those for three-part SSA choirs. The parts are carefully designed to be easily singable by younger voices, and to encourage singers to grow in confidence as they learn these engaging pieces.

Par VILLETTE PIERRE. With music composed by Pierre Villette, O Salutaris, Op. 21 is a an Eucharistic hyhmn written for the Feast of the Corpus Christi, for SATB choral a cappella. Dedicated to Jules Lambert, director of 'La cantate' in Rouen, this religious piece is very lyrical and melodious. Written in Latin, this piece necessitates being sung at a slow tempo (58), including three principal verses and finishing with the voices in harmony. It is mainly used for the Adoration and the Blessed sacrament. Pierre Villette (1926-1998) was a French composer of choral and instrumental music. Strongly influenced by Catholicism, his musicalheritage ran from Faure to Messiaen. / Musique religieuse / Répertoire / 4 Voix Mixtes a Cappella

There are so many great things to exalt with Burchard's new Missa Brevis. Set consistently for 4 part voices we are blessed with Richard's signature harmonies but accessible to small choirs _ including church choirs! The 4-movement Mass (Kyrie Gloria Sanctus Agnus Dei) was written for a touring choir when a cappella singing is an advantage (no uncertain keyboards to worry about) the individual movements are not long and easily stand alone but the full work is wonderfully satisfying as a concert work or worship anthem. Medium difficulty. NOTE: The demo recording does not include the GLORIA movement.

Sing in the Barbershop Quartet Volume 4-Popular Songs is part of the Sing In The Barbershop Quartet series - a great collection that allows men to sing four-part a cappella harmony with a professionally recorded barbershop quartet. This book contains TTBB parts and the CD features full performances. Volume 4 songs include: Ain't Misbehavin' Basin Street Blues Bring Him Home Hallelujah It's Only a Paper Moon Seventy Six Trombones Stand by Me and When She Loved Me.

No. 4 from The Same Flame-Commissioned by the Somerset England based charity Churchill Music! The Same Flame was inspired by Pierre de Coubertin’s ideals of Olympism which gave rise to the modern Olympic and Paralympic values: Respect Excellence Friendship Courage Equality Determination and Inspiration. These seven values are celebrated in five movements so four of them had to double up – Friendship with Equality and Courage with Determination. Each movement is scored for slightly different choral forces so the work is varied. Also individual movements may suit different choirs giving the opportunity for individual performance or collaboration between choirs. All fivemovements of The Same Flame are published as individual octavos. A complete vocal score is available on request from the publishers.Ideal for younger choirs due to its approachability voicing and focus on friendship All-weather friends is mostly in unison with some optional and approachable divisi. This heart-warming movement also introduces words from other countries and cultures that mean ‘friend’: Japanese Georgian Turkish Swahili and others.

Selected for the Georgia Music Educator's Association High School All State Men's Chorus in 2016 Richard Burchard has composed a sensitive and touching melody to this famous 19th century text. The harmonies match not only the text but Richard's style of warmth. There is no divisi in this piece it is consistently 4 part men - great for high school. Medium difficulty.

A wonderful selection this octavo offers two settings of the same melody: SSA voices for processional use with three soloists; and the more developed SSAA arrangement for concert purposes with soprano and alto solos. Duration (SSAA arrangement): ca. 4:00.

No. 4 Little David play on your harp-Little David Play On Your Harp for two-part treble voice choir with Piano accompaniment arranged by Robert A. Harris.

Par VILLETTE PIERRE. Composed by Pierre Villette, Ave Verum, Op. 3 is a Eucharistic hymn for SATB choral a cappella. Dedicated to the Chapel Master at Rouen Cathedral, Sir Canon Delestre, this piece is highly lyrical and melodious. Written in Latin, its tempo is quite slow (52) and it includes numerous harmonies as well as some short exchanges between the voices. The polytonal aspects are probably the most difficult part of the singing and the actual title means 'Hail, True Body', the main lyrics glorify Jesus. Another music setting of this hymn was composed by Mozart. Pierre Villette (1926-1998) was a French composer ofchoral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Faure to Messiaen. / Musique religieuse / Répertoire / Choeur Mixte a Cappella

POD-Judith Weir's National Anthem With Leicester Fanfare is a work commissioned by Leicester Cathedral and first performed there at the Service of Reinterment of the Remains of King Richard III on 26th March2015. Scored for 4 Horns in F Unison Chorus and Organ Accompaniment a full performance lasts around 2 minutes. This is the Full Score. Note: this work was originally scored for Organ and four Horns in F.However the set of parts on sale includes alternatives for each of the Horn parts as follows: Horn 1 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble ClefHorn 2 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Horn 3 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn4 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef

This touching anthem for Mother's Day or any family service recognizes that families are all different but it is love that defines who is family. A bright 3/4 meter carries the piece at a steady pace as a rippling piano accompaniment provides strong support to the unison voices. Available separately: Unison CelebrationTrax CD. Duration: ca. 2:30 ScorePlay - click to view score with recording.