SKU: LO.9780834178120

ISBN 9780834178120.

Looking for an innovative way to incorporate your instrumentalists into your Christmas worship services? Our new Creative Carols Series is just for you! We've arranged ten of your favorite Christmas carols for eight different soloists (Flute, Clarinet, Alto Sax, Trumpet, French Horn, Trombone, Violin and Cello) and five carols for three different small ensembles (Woodwind Trio, Brass Quartet, and String Quartet.) These traditional carols are arranged in fresh popular styles, with rhythm section or piano accompaniment. You'll find quiet introspective treatments, energetic pop, swing tunes and Cuban grooves. All of these pieces can be accompanied by piano, rhythm section, or recorded rhythm tracks. Everything you need is provided in the Downloadable Resources! Make Creative Carols part of your Christmas repertoire this year, and for years to come.The printed book includes the solo parts. Access to the Downloadable Resources is included with the book and has printable PDF files with Solo / Piano scores.

SKU: CF.CM9634

ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.

Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part” henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio part”, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position” cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio” role and actually become a “Men’s Choral Ensemble”. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vamp”. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp” and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.

SKU: MA.EMR-61450

1. O Come, All Ye Faithful (Adeste fideles) / 2. Good King Wenceslas / 3. Kling, Glockchen, Kling / 4. Il est Ne le Divin Enfant / 5. The First Nowell / 6. Hark, The Herald Angels Sing / 7. Silent Night (Stille Nacht - Voici Noel) / 8. Les Anges dans nos Campagnes / 9. Jingle Bells / 10. In Dulci Jubilo / 11. We Wish You A Merry Christmas / 12 . Go, Tell It On The Mountain.

SKU: HL.14027037

ISBN 9780711969742. 8.0x10.0x0.175 inches. English.

A unique collection of trios for different combinations of recorders: 2 descants and treble, descant and 2 trebles, descant, treble and tenor. This selection features a wide range of well-known arrangements including spirituals, Latin American dances, classical favourites and a Christmas medley, plus original pieces by John Pitts. The Pupil's Book contains the recorder parts and chord symbols; the Teacher's Book provides optional piano accompaniment for all the pieces.

SKU: HL.44007603

UPC: 884088266233. 9x12 inches. English-German-French-Dutch.

A Christmas March was written to provide the young band something up-beat with which to open or close a Christmas or holiday concert. The main theme of the march is original, but many short references to well-known Christmas tunes appear in obvious and not-so-obvious places. These include Adeste Fidelis, Deck the Halls, Good King Wenceslas and Jingle Bells. God Rest Ye Merry, Gentlemen forms the march's trio section. A perfect piece for any Christmas concert. Duration: 2:00.

SKU: KN.19273

UPC: 822795192735.

This innovative collection of 10 Christmas favorites for any combination of three instruments includes a 4th and more advanced obbligato part that can be featured with the basic trio scoring to create a more exciting, sophisticated sound. This is the perfect opportunity for a group of varied ability levels. Published in score form for any combination of like or mixed instruments using the appropriate key-compatible books.

COLLECTION CONTENTS

Joy To The World; The First Noel; Good King Wenceslas and O Come, All Ye Faithful; Bring A Torch, Jeanette, Isabella and We Three Kings; It Came Upon A Midnight Clear and Away In A Manger; Up On The Housetop; Jolly Old St. Nicholas; Angels We Have Heard On High and O Little Town Of Bethlehem; Jingle Bells; Hark! The Herald Angels Sing and Deck The Halls.