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Complete Organ Works - Volume 4 Toccatas and Fugues (BACH JOHANN SEBASTIAN)
Organ
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well...
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Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707, this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments, fingerings and a closing cadenza - this version is printed in the Appendix. Similarly, the print of the early version of the Passacaglia BWV 582 is likely to meet with great interest. Online you will find early versions, further ornamented versions, and pieces that can no longer be attributed to Bach as the Kleines harmonisches Labyrinth BWV 591 and the Prelude in G BWV 568./ Recueil / Orgue
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD]
Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Allein Zu Dir, Herr Jesu Christ. Kantate Zum 13. Sonntag Nach Trinitatis Bwv 33, Komponiert Zum 3. September 1724. Faksimile Der Autographen Partitur, Scheide Library, Princeton, Nj, Der Originalstimm (BACH JOHANN SEBASTIAN)
Choeur Mixte et Orchestre
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Archiv Leipzig, Thomana-Sammlung, des originalen Text...
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Par BACH JOHANN SEBASTIAN. Archiv Leipzig, Thomana-Sammlung, des originalen Textdruckes, Russische Nationalbibliothek St. Petersburg. Hrsg Christoph Wolff et Peter Wollny. (Faksimile-Reihe Bachscher Werke et Schriftstücke, neue Folge, Band 5)/ Répertoire / Choeur Mixte et Orchestre
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Johann Sebastian Bach - Messe In H-Moll (WOLFF CHRISTOPH)
Divers
[Sheet music]
Barenreiter
Par WOLFF CHRISTOPH. / Livre / Divers
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Joy Of Bach
Piano solo
[Sheet music]
Yorktown Music Press
46 compositions des membres de la famille de Bach. / Piano / niveau : Intermédi...
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46 compositions des membres de la famille de Bach. / Piano / niveau : Intermédiaire / Partition
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Ach, Daß Ich Wassers Gnug Hätte (BACH JOHANN CHRISTOPH / BACH HEINRICH)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/...
(+)
Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol
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Sämtliche Orgelchoräle (BACH JOHANN CHRISTOPH / BACH JOHANN MICHAEL / ERIC)
Organ
[Sheet music]
Carus Verlag
Par BACH JOHANN CHRISTOPH / BACH JOHANN MICHAEL / ERIC. choralgebundene Orgelmus...
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Par BACH JOHANN CHRISTOPH / BACH JOHANN MICHAEL / ERIC. choralgebundene Orgelmusik - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Orgue
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
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f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, ou Basse Continue
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, ou Basse Continue
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, (Basse Continue)
[Sheet music]
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)
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Ich Lasse Dich Nicht, Du Segnest Mich Denn (BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN)
Choeur SATB/SATB, ou Basse Continue
Carus Verlag
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - ...
(+)
f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, ou Basse Continue
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At The Piano With The Sons of Bach (AASS LARS / HINSON MAURICE)
Piano solo
[Sheet music]
Alfred Publishing
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque t...
(+)
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player. **ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano
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Parkening Plays Bach (PARKENING C)
Guitar
[Sheet music]
Hal Leonard
Arrangeur: Christopher Parkening. Par PARKENING C.. Nine transcriptions edited a...
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Arrangeur: Christopher Parkening. Par PARKENING C.. Nine transcriptions edited and fingered by Parkening./ Recueil / Guitare
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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