SKU: CL.CTS-7706-75
SKU: CL.CTS-7718-01
Translated Sound of The Winds, Sonus Ventorum begins with a dramatic opening for full band. This gives way to an exciting Allegro with trombones and saxophones playing the ostinato. The secondary theme is fragmented and foreshadowed prior to the second announcement of the first theme. The piece ends with both themes being played together. Great teaching elements in Sonus Ventorum include the 7/8 measure, and several rhythmic challenges as well. One of Smithâ??s signature works.
SKU: CL.CTS-7716-75
SKU: CL.CTS-7747-01
This classic continues to be one of the Master composer’s most performed works. The dazzling opening theme full of harmonic devices and rhythmic zeal is classic Smith. A lush and delicate Andante section follows before returning to the sparkling main theme. This remarkable work is not to be missed!
SKU: CL.CTS-7704-00
A slow, solemn chorale opens in b-flat minor, which contains all of the material for the piece. The second statement with a countermelody played by first trumpet and trombone. A flute cadenza brings the opening to a close, and an Allegro is followed with fragments from the opening theme. The slow chorale is brought back one last time; the tune is then played Allegro Vivo, with the original countermelody played by Smith’s own instrument – the French horn. A piece easily playable for concert and contest.
SKU: CL.CTS-7709-75
SKU: CL.CTS-7735-75
SKU: CL.CTS-8031-75
SKU: CL.CTS-7701-01
Here is a work that was ahead of its time. If you are looking for a work filled with excitement and adventure, then Acclamation is your piece! Smith gets right into it with an energetic ostinato and a fragment of his original theme. The snare drumâ??s ruff is highlighted as a transition into a slow section in 6/4, with one of Smithâ??s most luscious melodies. English Horn is featured with flute in the slow section as well, but with optional cues for alto saxophone. Acclamation makes its way back to Allegro with the usual percussion section getting us to the original material. Several solos are highlighted. Well constructed and a piece to be used for contest; also one which will be enjoyed by audiences alike.
SKU: CL.CTS-8010-75
SKU: CL.CTS-7716-02
SKU: CL.CTS-7717-00
The second solo work with band accompaniment was written for Doc Severinsen.. A rousing tarantella-type ostinato in 6/8 with plenty of Latin percussion opens the piece, which then gives way to a beautiful Adagio showing the lyricism of the soloist. A Da Capo brings us to the beginning, and then Smith challenges the soloist with a very difficult cadenza. The band accompaniment is straightforward, however the solo part is very advanced.
SKU: CL.CTS-7746-00
This spectacular Christmas medley is one of the composer’s most remarkable works. Commissioned by the United States Marine Band, with solo opportunities in each section of the ensemble, popular carols are combined in a style that is uniquely Smith. It has become standard repertoire for mature bands.
SKU: CL.CTS-8032-00
Rondo from Incidental Suite is the third movement of this suite originally scored for concert band. This work is rhythmically engaging from beginning to end as the percussion establish the rhythmic motives that move and transform throughout. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-7743-01
Smith’s inspirational setting of this popular carol is a shining rhapsody. A necessity for Christmas programing.
SKU: CL.CTS-8002-01
Declaration Overture has a five-note motive in an opening slow section, followed by a driving Allegro where the original five-note motive is put through a series of variations. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8059-75
SKU: CL.CTS-8032-75
SKU: CL.CTS-7717-01
SKU: CL.CTS-7700-75
SKU: CL.CTS-8029-75
SKU: CL.CTS-8056-00
Finale from A Rhapsody on Christmas Carols centers around a lively rendition of the widely known Christmas carol, Angels We Have Heard on High. This arrangement is a perfect opener, closer, or encore piece for a winter concert. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.
SKU: CL.CTS-7741-00
Commissioned by the National Honorary Band Fraternity, Kappa Kappa Psi and the National Honorary Band Sorority of Tau Beta Sigma, this sparkling masterwork contains four distinctive movements highlighting Smith’s use of unique harmonic language, lavish melodies and imaginative rhythms. A virtuosic work for advanced wind ensembles.
SKU: CL.CTS-7707-01
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. Dramatic Prelude also offers an optional harp if you have one available. Building a pyramid chord, polychords and teaching balance are some of the teaching concepts in Dramatic Prelude. A Smith classic! Also available in Flexible Ensemble and Fanfare in brass ensembles.
SKU: CL.CTS-7705-01
An exciting and energetic snare drum solo begins this composition with the woodwinds foreshadowing material soon to come and a brass introduction, which is concluded by a beautiful bassoon cadenza. Credence prominently features the percussion section, especially the snare drum and timpani. With plenty of time signature changes, Credence gives the educator an opportunity to explain non-functional major chords, polychords and chromaticism. A concert and contest favorite.
SKU: CL.CTS-7707-75
SKU: CL.CTS-8003-75
SKU: CL.CTS-8009-00
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-7739-75
SKU: CL.CTS-7941-00
Reflections is a musical portrayal of the people and moments in our lives which shape and change us. Musical elements from various sources are woven into a rich tapestry of sounds and colors that show the full expressive range of the band. Perfect for contest and festivals! Reflections by Robert Langenfeld, was commissioned by a consortium (alumni/friends/family/UCM Bands/ CTS Pubs) for Dr. Russell Coleman in celebration of his 90th birthday and his service as director of bands at the University of Central Missouri (CMSU) for 32 years. Langenfeld was given guidelines for the composition which included a clarinet soli (Coleman is a clarinetist), excerpts from Dance Prelude (commissioned by Dr. Coleman and the UCM Phi Mu Alpha chapter, written by Claude T. Smith for the CMSU (UCM) Band in 1978), the UCM Alma Mater and the UCM fight song, Go Mules. This work was premiered on June 17, 2018 by the Warrensburg Community Band, under guest conductor, Dr. Anthony Pursell, at the 2018 Missouri Bandmasters Association Summer Convention at Tan-Tar-A in Osage Beach, MO. Dr. Russell Coleman has been the conductor for the Warrensburg Community Band since 1985.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version