| Concerto 2fl G Major Score - Intermediate Schott
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum (Score) - intermed...(+)
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum (Score) - intermediate to advanced SKU: HL.49001755 Composed by Anton Stamitz. Edited by Walter Lebermann. This edition: Paperback/Soft Cover. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 78 pages. Duration 18'. Schott Music #CON 134. Published by Schott Music (HL.49001755). ISBN 9790001023696. 9.25x12.0x0.255 inches. The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty. $40.00 - See more - Buy online | | |
| Concerto 2 Fl G Major Set - Intermediate Schott
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum - intermediate to ...(+)
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum - intermediate to advanced SKU: HL.49001756 Composed by Anton Stamitz. Edited by Walter Lebermann. This edition: Folder. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 130 pages. Duration 18'. Schott Music #CON134-50. Published by Schott Music (HL.49001756). ISBN 9790001023702. 9.25x12.0x0.372 inches. The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty. $80.00 - See more - Buy online | | |
| Concerto 2 Fl G Major Suppl.set - Intermediate Schott
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum - intermediate to ...(+)
2 flutes and string orchestra; 2 oboes and 2 horns ad libitum - intermediate to advanced SKU: HL.49001757 Composed by Anton Stamitz. Edited by Walter Lebermann. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 58 pages. Duration 18'. Schott Music #CON 134-60. Published by Schott Music (HL.49001757). ISBN 9790001023719. 9.25x12.0x0.191 inches. The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty. $27.99 - See more - Buy online | | |
| Sechs Konzerte fur 5 Floten. Heft 2 - Six Concertos for 5 Flutes. Volume 2 [Score and Parts] Barenreiter
Konzert 3 D-dur, Konzert 4 h-moll - Concerto No. 3 in D major, Concerto No. 4 in...(+)
Konzert 3 D-dur, Konzert 4 h-moll - Concerto No. 3 in D major, Concerto No. 4 in h minor. By Joseph Bodin de Boismortier. Edited by Manfred Harras. For Flute (5). Flotenmusik. Score; Set of Parts. Op.15. Published by Baerenreiter-Ausgaben (German import).
$30.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Two Flutes and Orchestra Flute and Piano Theodore Presser Co.
(For 2 Flutes and Orchestra). By Steven Stucky (1949-). For Piano, Flute I, Flut...(+)
(For 2 Flutes and Orchestra). By Steven Stucky (1949-). For Piano, Flute I, Flute II. Premiered by Anne Diener Giles and Janet Ferguson, solo Flutes; Los ANgeles Philharmonic Orchestra, Easa Pekka Salonen, conductor; February 23,1995. Classical. Set of performance scores. Standard notation. 38 pages. Duration 17:00
$56.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto In G Major Flute Trio: 3 flutes Falls House Press
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by David Tickton. With...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by David Tickton. With Standard notation. Falls House Press #3F-T1. Published by Falls House Press (PR.FH0112).
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fantasia Mexicana Para Dos Flautas Y Orquesta 2 Flutes, Piano [Reduction] Theodore Presser Co.
(Mexican Fantasy For Two Flutes And Orchestra). By Samuel Zyman. For 2 flutes, p...(+)
(Mexican Fantasy For Two Flutes And Orchestra). By Samuel Zyman. For 2 flutes, piano. Contemporary. Soli parts with piano reduction. 20 pages. Published by Theodore Presser Company
$18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jacques Casterede - Flutes En Vacances Pour 3 Ou 4 Flutes Flute Leduc, Alphonse
Flute SKU: HL.48182237 Composed by Jacques Casterede. Leduc. Classical. S...(+)
Flute SKU: HL.48182237 Composed by Jacques Casterede. Leduc. Classical. Softcover. 13 pages. Alphonse Leduc #AL23296. Published by Alphonse Leduc (HL.48182237). UPC: 888680837259. 9.0x12.0x0.228 inches. “Flutes on holiday by Jacques Castérède was written in 1962 for three or four Flutes. Each Flute part is quite difficult on this quartet and would be for advanced-intermediate / advanced flautists. This piece features four sections, each one expressing a different mood: Flûtes Pastorales is quite calm with some enthusiastic highlights, Flûtes Joyeuses reflects a very joyful part with a small dance in the middle, Flûtes rêveuses sounds timeless and reminiscent of a theme of Castérède?s 'Twelve Studies' and Flûtes Légères has a fast and light melody. Jacques Castérède (1926-2014) is a renowned composer and pianist. He has won the Grand Prix de Rome in 1953 and has composed numerous melodic pieces including ballets, concertos, symphonies, ensemble and chamber music.â€. $35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 100 Classics Arranged for Piano Piano solo - Intermediate Alfred Publishing
(pending). For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. ...(+)
(pending). For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. 356 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Double Concerto Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glov...(+)
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (items CL.WFR340 & CL.WFR354). Extra full score. Composed 2006. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-3551-01. Published by Opus III Wind Orchestra Publications (CL.012-3551-01). This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band! About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Double Concerto Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlig...(+)
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlight. Grade 3. Score and set of parts. Composed 2006. Duration 0:03:06
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto in G Major Flute ensemble Little Piper
Composed by Georg Philipp Telemann (1681-1767). Arranged by Ervin Monroe. For fl...(+)
Composed by Georg Philipp Telemann (1681-1767). Arranged by Ervin Monroe. For flute choir. Classical, Chamber Music. Published by Little Piper
$14.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music for Two Flutes, Volume 2 Flute [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute Duet. Duets. Music for Two. Classical. Leve...(+)
Arranged by Daniel Kelley. For Flute Duet. Duets. Music for Two. Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Pour Flute Et Orchestre Reduction Pour Deux Flutes De R. Muller-dombo 2 Flutes (duet) Heugel
2 Flutes SKU: HL.48188892 Flute Et Orchestre A Strings. Composed b...(+)
2 Flutes SKU: HL.48188892 Flute Et Orchestre A Strings. Composed by Andre Jolivet. Leduc. Classical. Softcover. 96 pages. Heugel & Cie #HE33734. Published by Heugel & Cie (HL.48188892). UPC: 888680873462. 9x12 inches. Originally for flute and string orchestra. $44.70 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flute En Suite Flute And Piano Reducation Schott
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flu...(+)
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flute and orchestral groups. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Woodwind Solo. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface,. Softcover. Composed 2011. 80 pages. Duration 22'. Schott Music #FTR225. Published by Schott Music (HL.49044665). ISBN 9790001200103. UPC: 841886022928. 9.0x12.0x0.213 inches. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) * 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) * 0 * 3 (3. auch Kfg.) - 4 * 4 * 3 * 1 - S. (Glsp. * Vibr. * 3 hg. Beck. [h./m./t.] * chin. Beck. * 4 Gongs * 4 Buckelgongs * 2 Tamt. [m./t.] * Wassertamt. * gr. Tr. * Metal Chimes * Peitsche) (2 Spieler) - Hfe. * Cel. (auch Cemb.) - Str. (10 * 8 * 6 * 4 * 3). $74.00 - See more - Buy online | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part) Flute and Piano Chester
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (F...(+)
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (Flute Part). Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 60 pages. Chester Music #CH61024. Published by Chester Music (HL.14008426). ISBN 9780711942042. The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes, but also of violins and oboes; in addition, the trumpets are used sparingly (they do not, for instance, play in the slow movement), so that for much of the time the flute is playing against a mellow ensemble of clarinets, horns, bassoons and low strings. If this is, nevertheless, one of Davies's most open-spirited pieces, that comes partly from the ready flights of the soloist, partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio), partly from the dancing character of so much of the music, and partly from the harmonic clarity, in a light region not far from C minor. Flute part with piano reduction of the orchestral score. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto in G Major (1772) (score) [Score] ClarNan Editions
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. F...(+)
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. For Piano and 2 violins, viola, cello/bass, 2 oboes, 2 flutes 2 horns. Piano concerto. Concerto for piano and orchestra. Classic. Difficult. Score. Sheet music. 166 pages. Publ. Score. Classic.
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| Piano Concerto in A Major (probably middle to late 1760s) (score) [Score] ClarNan Editions
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. F...(+)
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. For Piano and 2 violins, viola, cello/bass, 2 oboes, 2 flutes, 2 horns. Piano concerto. Concerto for piano and orchestra. Classic. Difficult. Score. Sheet music. 130 pages. Pub. Score. Classic.
$45.00 - See more - Buy online | | |
| Piano Concerto in C Major (probably middle to late 1760s) (score) [Score] ClarNan Editions
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. F...(+)
By Marianna Martines (1744-1812). Edited by Shirley Bean. Piano and orchestra. For Piano and 2 violins, viola, cello/bass, 2 oboes, 2 flutes, 2 horns. Piano concerto. Concerto for piano and orchestra. Classic. Difficult. Score. Sheet music. 115 pages. Pub. Score. Classic.
$45.00 - See more - Buy online | | |
| Concerto for harp and orchestra Kunzelmann
2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani SKU: KU.GM-571_HS...(+)
2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani SKU: KU.GM-571_HST Composed by Franz Lachner. Edited by Franz Beyer. Bach format (230 x 302). In A Strap. Wind set. 30 pages. Edition Kunzelmann #GM-571_HST. Published by Edition Kunzelmann (KU.GM-571_HST). Key: D minor. $20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for oboe in B-flat major Kunzelmann
2 flutes, 2 horns SKU: KU.OCT-10250_HST Composed by Joseph Reicha. Edited...(+)
2 flutes, 2 horns SKU: KU.OCT-10250_HST Composed by Joseph Reicha. Edited by Jan Adamus. Bach format (230 x 302). In A Strap. Wind set. 16 pages. Edition Kunzelmann #OCT-10250_HST. Published by Edition Kunzelmann (KU.OCT-10250_HST). Key: Bb major. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for oboe (or flute) in F major Kunzelmann
2 flutes, 2 horns SKU: KU.OCT-10196_HST Composed by Antonio Rosetti. Edit...(+)
2 flutes, 2 horns SKU: KU.OCT-10196_HST Composed by Antonio Rosetti. Edited by Róbert Ãrpád Murányi. Bach format (230 x 302). In A Strap. Wind set. 8 pages. Edition Kunzelmann #OCT-10196_HST. Published by Edition Kunzelmann (KU.OCT-10196_HST). ISBN 9790206207976. Key: F major. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Violoncello and Orchestra in D minor Cello, Orchestra Barenreiter
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second flute, first oboe, second oboe, first clarinet, second clarinet, first bassoon, second bassoon, first horn-4, first trumpet, second trumpet, first trombone, second trombone, third trombone, timpani (Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Horns (4), Trumpets (2), Trombones (3), Timpani) SKU: BA.BA06999-65 Composed by Edouard Lalo. Edited by Hugh MacDonald. This edition: Urtext edition. Stapled. Barenreiter Urtext. Wind Parts. Baerenreiter Verlag #BA06999_65. Published by Baerenreiter Verlag (BA.BA06999-65). ISBN 9790006531844. 32.5 x 25.5 cm inches. Key: D minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from B�¤renreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composerâ��s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$94.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for oboe in F major Kunzelmann
2 flutes, 2 horns SKU: KU.OCT-10160_HST Composed by Georg Druschetzky. Ed...(+)
2 flutes, 2 horns SKU: KU.OCT-10160_HST Composed by Georg Druschetzky. Edited by Alexander Weinmann. Bach format (230 x 302). In A Strap. Wind set. 8 pages. Edition Kunzelmann #OCT-10160_HST. Published by Edition Kunzelmann (KU.OCT-10160_HST). Key: F major. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for oboe Kunzelmann
2 flutes, 2 horns SKU: KU.OCT-10078_HST Composed by Joseph Reicha. Edited...(+)
2 flutes, 2 horns SKU: KU.OCT-10078_HST Composed by Joseph Reicha. Edited by Hans-Georg Renner. Bach format (230 x 302). In A Strap. Wind set. 16 pages. Edition Kunzelmann #OCT-10078_HST. Published by Edition Kunzelmann (KU.OCT-10078_HST). Key: F major. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Antonio Vivaldi : Winter Flute Quartet: 4 flutes [Score and Parts] - Advanced Wonderful Winds
(from The Four Seasons). By Antonio Vivaldi (1678-1741). Arranged by Mel Orriss....(+)
(from The Four Seasons). By Antonio Vivaldi (1678-1741). Arranged by Mel Orriss. For flute quartet: flute piccolo, 2 flutes, alto flute. Flutets series. Grade 5 to 9. Score and parts. Duration 8'00. Published by Wonderful Winds
$25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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