Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Organ (Harpsichord) with String instruments C major Hob. XVIII:10 (First Edition) écrite et composée pour Orgue vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Orgue / Partition

Wide range of stylesConceived by Martin Weyer, this edition ranges in style from 17th century Portuguese organ music to French and American works of the 19th century. It also contains a selection of German organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions, organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance.- Original pieces and attractive arrangements for organ- Easy to moderately difficult concert music for organ- Includes a broad range of styles / Orgue

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Organ (Harpsichord) with String instruments C major Hob. XVIII:10 (First Edition) écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée

L'énorme succès des concertos pour orgue et orchestre de Haendel a suscité à plusieurs reprises des initiatives de transcription. L'originalité de cette version réside principalement dans le fait que les nombreux passages notés ad libitum par Haendel (et destinés à être improvisés) y sont écrits par Luc Dupuis dans le style de la composition originale. Un autre atout de cette transcription est sa polyvalence. Elle est présentée sur deux portées et pourra se jouer indifféremment sur un instrument avec ou sans pédale, à un, deux, trois ou quatre claviers. Des solutions alternatives sont proposées en ossia pour les instruments à un seul clavier ainsi que pour les passages où la partition dépasse le mi aigu. En 187 pages, l'intégrale des 16 concertos est enfin à la portée de tous, dans un volume unique très pratique : reliure à spirale à l'italienne permettant une ouverture aisée. / Orgue

Une clinique de créatifs pour tous-organe technique sur les accords, enregistrement, effets spéciaux, en développement effectuant des compétences et organiser. Comprend une variété de pièces. / Orgue / Partition

This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required.Volume 4 contains: BACH JS - Adagio from Organ Concerto in A minor BWV593, BATTISHILL - Voluntary, DANDRIEU - Basse et Dessus de Trompette from Magnificat in A, FELTON - Variations on 'Farewell Manchester' from Organ Concerto in A Major, FRANCK - Air Béarnais, FRESCOBALDI - Toccato Chromatica from Messa della Domenica, LISZT - Agnus Dei from Requiem pro Organo, MARTINI - Allegro from Sonata II, PACHELBEL - Magnificat-Fugue, STANLEY - Voluntary in E Minor Op.6 #9, TOURNEMIRE - Petite Fugue, WALTHER - Adagio from Organ Concerto in Bb Major, CHARPENTIER - A Trumpet Voluntary (Te Deum Prelude) / Orgue / niveau : Elémentaire / Recueil

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

C'est une petite sensation que ' Deux Pieces ', pour l'instant une composition inconnue orgue de Hindemith, peuvent être publiées pour la première fois aujourd'hui. Il se compose d'un prélude avec arpèges rapides et souples, suivie d'un mouvement plus pacifique avec alternance de passages cordal homophoniques et polyphoniques, menant à une fin grandiose. L'orgue est un des rares instruments Hindemith jamais joué, ses trois sonates et les concertos pour deux orgue sont des pièces de répertoire important. / Orgue

This volume combines the forces of organ and multiple trumpets, for the enhancement and excitement of worship services, weddings, and recitals. This book features six pieces for trumpet duet or trio with organ. A separate part is printed for each trumpeter. Includes: Alleluia (Cantata 142) by J. S. Bach * Christ Doth End in Triumph (Christmas Oratorio) by J. S. Bach * Concerto: Duo Seraphim by Monteverdi * Concerto (Cantata 142) by J. S. Bach * Jesu, Joy of Man's Desiring (Cantata 147) by J. S. Bach * My Spirit Be Joyful (Cantata 146) by J. S. Bach.

The first in a series of five concertos, Concerto 1 sees several Marian songs arranged like a sonata in a traditional large-scale three-movement form. For example the hymn of praise Salve Regina is combined with surprising jazz-inspired episodes. / Orgue

Edition : Paris, l'Auteur, Boivin, Leclerc, Roussel, 1737.Présentation de Jean Saint-Arroman : La terminologie des concertos de Leclair. Edition originale en parties séparées : Violino di concertino - Violino primo - Violino secondo - Alto viola - Violoncello e organo.En deux volumes, les douze très célèbres concertos opus VII et Opus X de J.M. Leclair, pour violon et orchestre à cordes. Le troisième concerto de l'opus VII peut se jouer à la flûte ou au hautbois. Les deux préfaces divisent les éléments d'interprétation (terminologie, agrémentation, effectif). / Instrument(s) Et Orchestre A Cordes, (Violon Et Orchestre A Cordes, Flûte Et Orchestre A Cordes, Hautbois Et Orchestre A Cordes) / 124 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

for trumpet and organ. Par HENZE HANS WERNER. “Requiem, 9 sacred concertos for piano solo, trumpet and large chamber orchestra” is the title of the original work of which Henze said: “These nine instrumental pieces speak of the fears and needs of mankind today; of sickness and death, of love and loneliness.” Three movements of this extremely demanding and complex work - Rex tremendae, Lacrimosa and Sanctus - have here been skilfully arranged for the organ by the composer Moritz Eggert. This arrangement, which is now often played in churches, places great demands upon the musicians who perform it – but they can always be sure of producing a deep impact with these three Requiem movements. A version for trumpet and piano (ED 8548) is currently in production./ Recueil / Trompette en Do / C et Orgue