For Flute And Harp. Composed by Behzad Ranjbaran. Contemporary. Score and part(s). With Standard notation. Composed 2002. 12 pages. Duration 7 minutes. Theodore Presser Company #114-41800. Published by Theodore Presser Company (PR.114418000).

(Canaanite Fantasy No. 3). By Yinam Leef. Standard notation. Duration 8 minutes, 30 seconds. Published by Theodore Presser Company

Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS145

Composed by Doug Spata. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. 10+10+10+16+16+3+12 pages. Carl Fischer Music #CAS145. Published by Carl Fischer Music (CF.CAS145).

ISBN 9781491160589. UPC: 680160919178.

Named after the dark, twisting road that winds through the Hollywood hills, Mulholland Elegy is an imaginary film noir soundtrack. The music unfolds like a mystery, evoking images of art deco mansions and hard-boiled detectives in the shadowy, stylized world of 1940s Los Angeles. The sweeping and expressive style offers students experience with advanced musicianship skills as well as required shifting and increased part independence. An optional harp part adds to the melodramatic style and the slower tempo makes this an ideal contrasting piece in a contest program, or movie-themed concerts. Students and audiences are sure to enjoy to this exciting orchestral showpiece!

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Piano

SKU: BT.MUSM570366484

Composed by Anthony Gilbert. Classical. Book Only. 3 pages. University of York Music Press #MUSM570366484. Published by University of York Music Press (BT.MUSM570366484).

English.

Even more than Schoenberg’s or Webern’s, Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death, and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961, by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed, then a return to the spirit, if not the material, of the opening. Its public première, the first of any of mycompositions, was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30.

Clarinet quartet - Grade 4

SKU: CL.111-0141-08

Composed by Tustin. Ensemble. Composed 1963. C.L. Barnhouse #111-0141-08. Published by C.L. Barnhouse (CL.111-0141-08).

2 Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet or 3 Bb Clarinets, Bb Bass Clarinet or 4 Bb Clarinet.

Composed by Francois Glorieux. The Music of Francois Glorieux. Published by Metropolis Music (IS.CM6651EM).

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4

SKU: CF.SPS87

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2+2+2+3+3+3+4+4+4+4+3+3+3+6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87).

ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4

SKU: CF.SPS87F

Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F).

ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

Piano

SKU: BT.YK21376

By Denes Agay. Joy Of. Classical. Book Only. Composed 1992. 80 pages. Yorktown Music Press #YK21376. Published by Yorktown Music Press (BT.YK21376).

ISBN 9780711911017.

Nothing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and Keyboard miniatures by master composers, selected and edited by Dennis Agay. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for Piano solo.

(For Clarinet and Piano). Composed by Lowell Liebermann. For clarinet, piano. Contemporary. Solo part with piano reduction. Standard Notation. Op. 119. 14 pages. Duration 8 minutes. Theodore Presser Company #114-41605. Published by Theodore Presser Company

Concert Band - Grade 2.5

SKU: AP.49113

Composed by Robert Sheldon. Concert Band; Performance Music Ensemble. Young Symphonic. Form: Chorale. Score and Part(s). 75 pages. Duration 3:55. Alfred Music #00-49113. Published by Alfred Music (AP.49113).

ISBN 9781470646363. UPC: 038081561257. English.

This heartfelt elegy is dedicated to the life and memory of Dr. Gary Corcoran. His mentoring of so many music educators and students fortunate enough to have worked with him has been in inspiration to all who knew this talented and passionate musician. The title is drawn from one of his favorite places, the south shore of Massachusetts.

South Shore Soliloquy by Robert Sheldon was commissioned by the PSC/PSU Band Alumni, Plymouth State University, Plymouth, New Hampshire. (3:55).

Chamber Music Cello, Piano

SKU: PR.114422760

Composed by Ricky Ian Gordon. Set of Score and Parts. 8+4 pages. Duration 5 minutes. Theodore Presser Company #114-42276. Published by Theodore Presser Company (PR.114422760).

ISBN 9781491135785. UPC: 680160687855.

A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,” and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.

Solo Piano

SKU: SU.19010060

For solo Piano. Composed by Craig Urquhart. Keyboard, Piano/Harpsichord. Christmas. Score. Subito Music Corporation #19010060. Published by Subito Music Corporation (SU.19010060).

Twelve pieces for solo piano Contents: Fruhling, Old Trees, The Whale's Lament, Strolling, Blues, Evocation, Elegy, Wind Dance, Blues Too, Nocturne, Poem, Epilogue Composed: 2000 Published by Heart Earth Music Audio CD available (#19019110).