with Piano Accompaniment-A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne Borodin's Notturno and Mozart's Adagio K.58a.

Adapted and transcribed for English Horn by Robert Stanton these intermediate studies by Vaughn-Williams are interesting and melodic whilst introducing and honing the specifics of English Folk songs.Piano accompaniment: Cat. No. H47

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri’s Lyric Interlude: ‘A Study in Pastoral Style’. When in 2008 the composer received the commission for a piece with English Horn from Cecilia Benner patron of the Chamber Music Society of Detroit he immediately thought of the duo between this instrument and the Oboe that Berlioz in the Symphonie fantastique placed at the beginning of the ‘Scène aux champs’ making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 inits original version for English Horn Violin and Cello the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism illustrated by the music of Ralph Vaughan Williams (1872-1958) the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint the undulating lament of the beginning rhythmically supple evokes the waving wheat as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion briefly interrupted by a scherzo in 6/8 again pours out making the work evolve towards a slow ecstatic atmosphere close to the last of the English composer’s Three Preludes on Welsh Hymn Tunes. Far from bucolic postcard clichés and servile imitation this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute Clarinet or Viola) Violin and Cello Op.110a (AL 30 751)

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However

A comprehensive fingering chart for Tenor Horn written by Martin Goss and includes notes in English and German.

Studio Ghibli Songs for Horn/English. 10 arrangements for solo horn and piano from 7 Ghibli Cinemas.

Eight Bel Canto Songs for solo winds with Piano accompaniment. Compiled and edited by Harry I. Phillips. For French Horn or English Horn.

Wind Ensemble Score and Parts-Contents: Full Score Piccolo Flute 1-2 Oboe 1-2 (1 doubling on English Horn) Bassoon 1-2 Bb Clarinet 1-3 Bb Bass Clarinet Bb Contrabass Clarinet Eb Alto Sax 1-2 Bb Tenor Sax Eb Baritone Sax Bb Trumpets 1-3 (1 doubling on Flugelhorn) French Horns 1-4 Trombone 1-3 Bass Trombone Euphonium Tuba Double Bass Harp Timpani Percussion 1-5 Handbells/Handchimes (in back of hall).

Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C' FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 Eb Alto Clarinet Alto Saxophone HornPart 2 F English Horn HornPart 3 C Bassoon Trombone EuphoniumPart 3 Bb ClarinetPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 3 Eb Alto Clarinet HornPart 3 F HornPart 4 C' Bassoon Trombone Euphonium Double Bass Electric BassPart 4 C'' BassPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

This publication contains arrangements of Vom Himmel hoch o Englein kommt one of the oldest German carols and Lobt Gott ihr Christen alle gleich written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 Câ?? FlutePart 1 Câ? OboePart 1 Eb Clarinet CornetPart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 F English Horn HornPart 2 Eb Alto Saxophone HornPart 3 C Bassoon Trombone EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet HornPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 4 C Bassoon Trombone Bass Double Bass EuphoniumPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

Rossini's William Tell is arranged here by Lorenzo Bocci for wind quintet with variable instrumentation. The various parts are written in the keys of C Bb Eb and F and for the lower brass in treble and bass clef enabling any combination of Oboe Flute Clarinet Trumpet Soprano Sax Fugelhorn Cornet Alto Sax Alto Clarinet English Horn French Horn Tenor Sax Trombone Baritone Euphonium Bassoon Eb Bass Bb Bass and Bass Clarinet to play this exciting piece.

Ballade for Organ and English Horn-Written in 1949 for English hornist Louis Speyer the beauty of this piece is just as obvious today. With varying tempos and frequent modulations this piece takes on a life of its own. Optional parts for violin viola andclarinet are included adding to the richness of the setting. This is an excellent concert choice.

Commissioned by and dedicated to Ernestine Ruben Willow Run features Solo Alto Saxophone doubling on Baritone Saxophone with a mixed ensemble of English Horn Clarinet in Bb Flugelhorn 3 Percussionists Harp and 2 Double Basses (second part requires low C extension). Percussion 1: Vibraphone 1 (struck and bowed - shared with Percussion 2) Tam-tam Almglocken (2 octaves: C4-C6) 3 Crotales. Untuned metals station: Anvil Brake Drum Truck Spring Medium Steel Pipe Low Steel Pipe Percussion 2: Vibraphone 1 (struck and bowed - shared with Percussion 1) Timbre-rack (i.e. an array of unpitched percussion laid out in keyboard fashion) 2 Congas 2 Low Log Drums 3 Cowbells(Small Medium & Large) 2 Temple Block (Low & Medium) 2 Bongos Tambourine Small Woodblock Percussion 3: Vibraphone 2 1 Crotale Bass Drum Small Cuica Ratchet Sand Blocks Guiro Castanets

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale