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Jan Van der Roost: Amazonia: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
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This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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Jan Van der Roost: Amazonia: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
(+)
This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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Beytelmann G. (arr.) - Solo Tango Solo Piano
Piano solo
[Sheet music]
-
Advanced
Universal Edition
Gustavo Beytelmann has taken some of the most beautiful tango music ever written...
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Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679
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Pyotr Ilyich Tchaikovsky: Melodie: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Melodie was originally written for Violin and Piano in 1878 as the third of the...
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Melodie was originally written for Violin and Piano in 1878 as the third of the three Memories that made up the composer’s opus 47. It was dedicated to Brailovo the Ukrainian Country estate where it was finished. Since then it has been re-arranged many times most famously for Violin with Orchestra. This arrangement for Viola and Piano by Alan Arnold is part of the popular Viola World series. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but enjoying acclaim across both Europe and America.
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Pyotr Ilyich Tchaikovsky: None But The Longing Heart: Voice: Instrumental Work
Piano, Voice
[Sheet music]
Edwin Ashdown
None But The Longing Heart (Often translated as None But The Lonely Heart) is a ...
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None But The Longing Heart (Often translated as None But The Lonely Heart) is a song for solo Voice with Piano accompaniment. Written in 1869 it is the last in a collection of six Romancesthat formed the composer's opus 6. The words were originally written in German by Goethe and translated into Russian by Lev Mey. The English words have been produced here by E. Teschemacher.Pyotr IlyichTchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but gathering acclaim across both Europe and America.
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Edward MacDowell: Lyrical Songs: Low Voice: Vocal Work
Low voice, Piano
[Sheet music + CD]
Schott
The American composer and pianist Edward MacDowell (1860 1908) is rather unknown...
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The American composer and pianist Edward MacDowell (1860 1908) is rather unknown in Europe although he had his artistic roots there for he was trained as a pianist in Paris Stuttgart Wiesbaden and Frankfurt. After returning to his home country he worked as a teacher while also being the director of the Boston Symphony Orchestra for eight years. During his studies in Germany the musician already began to compose songs (with German texts) still in the European tradition. From 1886 he used English lyricism as a basis and preferred a sparing yet expressive accompaniment of the piano. In his last songs he placed special emphasis on the declamatory aspect of the text and expandedthe harmonic range of his tonal language. Of his 42 solo songs the present volume contains six titles from three of his song collections: Composed or printed for the first time between 1890 and 1898 these songs are a representative selection from MacDowell's important middle creative period and without doubt a valuable addition to the song repertoire.
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Dieter Ammann: Cute For Flute and Clarinet In B-Flat: Flute & Clarinet:
Flute, Clarinet (duet)
[Sheet music]
Barenreiter
Dieter Ammann was born in Aarau Switzerland in 1962. He grew up in a very musi...
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Dieter Ammann was born in Aarau Switzerland in 1962. He grew up in a very musical family. After secondary school he began a course in school music at the Akademie für Schul- und Kirchenmusik in Lucerne. At the same time he studied for several semesters at the Swiss Jazz School in Bern. After this he worked for a period as a musician in improvised music and jazz. He has performed at international festivals including Cologne Willisau Antwerp and Lugano. Recordings and studio sessions brought him into contact with diverse artists such as Eddie Harris and Udo Lindenberg. He then took a degree in theory and composition at the Musikakademie Basel and attended master classeswith Wolfgang Rihm and Witold Lutoslawski.In the 1990s the main focus of Ammann?s work changed to composition. He has received numerous national and international prizes for his orchestral and chamber music works (including from the Aargauer Kuratorium the main prize in the International Composition Competition of the IBLA Foundation New York the Franz Liszt Scholarship awarded by the European Capital of Culture Weimar first prize in the Young Composers in Europe Competition Leipzig and Composers? Prize for Composition from the Ernst von Siemens Music Foundation Munich 2008). In 2010 he was composer-in-residence at the Lucerne Festival and in 2013 at the Wittener Tage für neue Kammermusik and the Sommerliche Musiktage Hitzacker as well as 2015 at the Festival reMusic in St. Petersburg. His orchestral works have been conducted by Pierre Boulez Valery Gergiev Jonathan Nott Peter Rundel Peter Hirsch and Jürg Henneberger. Ammann is Professor of Theory and Composition at the Lucerne School of Music and a lecturer at the Bern University of the Arts.
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John Duggan: Ave Verum (Novello New Choral Series): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
'Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of...
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'Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father John Rowntree director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple suitable for regular liturgical use. There are of course many wonderful settings of this text already not least those by William Byrd and Edward Elgar both of which I sang as a boy. In this instance I felt their presence as a fellowship and having their music in my head while writing I was encouraged rather than daunted. In fact if you listen with this in mind you may hear a phrase or two in homage to the great masters.' - JohnDugganAn inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy he dreamed of writing in the great European choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States and he composes regularly for film and dance. He has composed for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has written commissions for the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College Oxford.
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Kyrill (SCHWARZ OTTO M)
Marching band
[Score and Parts]
Symphonic Dimensions Publishing
Storm of the Century. Par SCHWARZ OTTO M.. Introduction De nombreuses personnes ...
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Storm of the Century. Par SCHWARZ OTTO M.. Introduction De nombreuses personnes se souviennent parfaitement du 18 janvier 2007. Ce jour-là , les services météorologiques avaient lancé plusieurs?bulletins d?alerte annonçant l?arrivée imminente de « la tempête du siècle ». Une dépression frontale venue de Terre-Neuve allait toucher?l?Europe sous la forme de vents tempétueux particulièrement violents. Kyrill, la pire des tempêtes depuis des décennies, devait toucher terre?en Allemagne dans l?après-midi. De nombreuses écoles furent fermées et les services d?urgence placés en état d?alerte maximale. Malgré ces?précautions, les événements qui suivirent dépassèrent de loin les plus sombres prévisions. Il y eut des morts, des blessés et des dégâts énormes?dans toute l?Europe. La région du Sauerland en Rhénanie-du-Nord-Westphalie (Allemagne) fut particulièrement touchée par la tempête. Kyrill sema la désolation?sur son passage, laissant des dizaines de foyers sans toit et des forêts éventrées. La filière bois a vu les fruits de plusieurs décennies de travail?anéantis en quelques heures. Des arbres vigoureux furent déracinés comme de vulgaires fétus de paille. Des forêts en ruines Si les vents tempétueux de Kyrill s?abattirent sur toute l?Europe, ils dévastèrent la région allemande du Schmallenberger Sauerland comme nulle autre. Ce jour-là , Otto M. Schwarz était chez lui, en Autriche. Il assista au passage de la tempête, mais ne prit véritablement conscience de ses conséquences dramatiques qu?à son arrivée à Bad Fredeburg (Sauerland) où il participait à une conférence organisée par le?Volksmusikerbundes NRW (Association pour la promotion des musiques traditionnelles en Rhénanie-du-Nord-Westphalie). Ernst Willi?Schulte, le directeur de l?association, lui montra alors l?étendue des dégâts sur le paysage de la région du Schmallenberger Sauerland. Force lui était de constater que la tempête qui avait balayé son Autriche natale était sans commune mesure avec la violence supportée par cette région allemande touchée de plein fouet par Kyrill. / Date parution : 2022-07-23/ Répertoire / Fanfare
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Easy Klezmer Tunes (STACY PHILLIPS)
Violin
[Sheet music + CD]
Mel Bay
Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifi...
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Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifiée de sa très acclamée \' Klezmer Collection \', Stacy Phillips a compilé une sélection de pièces pour compter les instrumentistes de ce livre classique. Musique klezmer venait à l\'origine les ghettos juives d\'Europe de l\'est de la XIXe et au début du XXe siècle. Le style reflète son mélange de patrimoines d\'Europe, Near East et tzigane. Ces arrangements sont fondées sur certaines des premiers enregistrements classiques en Europe et en Amérique. À ce titre, ils sont une grande introduction à cette musique qui est maintenant un phénomène mondial. Chaque numéro est arrangé pour C, Bb, Eb et instruments de bass clef. Laiton, reed, piano, flute et acteurs de la chaîne peuvent recevoir la gratification instantanée de ces accords de niveau d\'entrée. Le CD accompagnant montre des versions de l\'ensemble de la musique, effectuée au rythme lent, par des artistes de Klezmer de classe mondiale sur la clarinette, violon, guitare et basse. / Niveau : Débutant à Intermédiaire / Jewish - Solos / Recueil / Violon
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Jan Pieterszoon-Sweelinck: Works For Organ & Keyboard: Piano: Instrumental Album
Organ, Piano (duet)
Dover Publications
Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth cen...
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Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth century Europe and an influential composer in the Dutch and North German tradition. Bridging both Renaissance and Baroque styles the Dutch composer is best remembered for the inventive sparkling music he wrote for organ and other keyboard instruments. This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works most of which have survived only in widely scattered seventeenth century manuscripts. In Sweelinck's day these were some of Europe's most popular pieces for organ and keyboard. Nowadays they retain every bit of their original intensity and vigour. Reproduced inthis authoritative complete-resource edition they will be welcomed by serious keyboard artists who will find them as praiseworthy today as they were when first known and played in Europe over three hundred years ago.
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Colors of Unity (DOSS THOMAS)
Concert band
[Score]
Oktavian Music
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Eu...
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Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Euroregion unites the three provinces of Tyrol, South Tyrol and Trentino into a prosperous and successful union. People, points of view, interests and opportunities are to be joined together here in a harmonious future. For this part of Europe, our fanfare will be a signal that can be heard from far and wide. / Date parution : 2023-06-01/ Répertoire / Concert Band/Harmonie
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Stacy Phillips: Easy Klezmer Tunes Book With Online Audio: Any Instrument: Mixed
[Sheet music + Audio access]
Mel Bay
Easy Klezmer Tunes was created in response to many requests for a simplified ver...
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Easy Klezmer Tunes was created in response to many requests for a simplified version of Stacy Phillips' highly acclaimed 'Klezmer Collection'. Phillips has compiled a selection of pieces forbeginning instrumentalists from that classic book. Klezmer music originally came from the Jewish ghettoes of Eastern Europe of the 19th and early 20th Centuries. The style reflects its mix of heritages from Europe NearEast and Gypsy. These arrangements are based on some of the earliest classic recordings in Europe and America. As such they are a great introduction to this music which is now a world-wide phenomenon. Each number isarranged for C Bb Eb and Bass Clef instruments. Brass Reed Piano Flute and String players can receive instant gratification from these entry level arrangements. The accompanying audio demonstrates ensemble versions ofall the music performed at slow tempos by world class Klezmer artists on Clarinet Violin Guitar and Bass. Includes access to online audio.
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PHILLIPS STACY - EASY KLEZMER TUNES + AUDIO ONLINE - VIOLIN
Violin
[Sheet music + Audio access]
-
Easy
Mel Bay
Easy Klezmer Tunes was created in response to many requests for a simplified ver...
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Easy Klezmer Tunes was created in response to many requests for a simplified version of Stacy Phillips' highly acclaimed "Klezmer Collection". Phillips has compiled a selection of pieces for beginning instrumentalists from that classic book. Klezmer music originally came from the Jewish ghettoes of Eastern Europe of the 19th and early 20th Centuries. The style reflects its mix of heritages from Europe, Near East and Gypsy. These arrangements are based on some of the earliest classic recordings in Europe and America. As such, they are a great introduction to this music which is now a world-wide phenomenon. Each number is arranged for C, Bb, Eb and Bass Clef instruments. Brass, Reed, Piano, Flute and String players can receive instant gratification from these entry level arrangements. The accompanying audio demonstrates ensemble versions of all the music, performed at slow tempos, by world class Klezmer artists on Clarinet, Violin, Guitar and Bass. Includes access to online audio.
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Kyrill (SCHWARZ OTTO M)
Marching band
[Score]
Symphonic Dimensions Publishing
Storm of the Century. Par SCHWARZ OTTO M.. Introduction De nombreuses personnes ...
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Storm of the Century. Par SCHWARZ OTTO M.. Introduction De nombreuses personnes se souviennent parfaitement du 18 janvier 2007. Ce jour-là , les services météorologiques avaient lancé plusieurs?bulletins d?alerte annonçant l?arrivée imminente de « la tempête du siècle ». Une dépression frontale venue de Terre-Neuve allait toucher?l?Europe sous la forme de vents tempétueux particulièrement violents. Kyrill, la pire des tempêtes depuis des décennies, devait toucher terre?en Allemagne dans l?après-midi. De nombreuses écoles furent fermées et les services d?urgence placés en état d?alerte maximale. Malgré ces?précautions, les événements qui suivirent dépassèrent de loin les plus sombres prévisions. Il y eut des morts, des blessés et des dégâts énormes?dans toute l?Europe. La région du Sauerland en Rhénanie-du-Nord-Westphalie (Allemagne) fut particulièrement touchée par la tempête. Kyrill sema la désolation?sur son passage, laissant des dizaines de foyers sans toit et des forêts éventrées. La filière bois a vu les fruits de plusieurs décennies de travail?anéantis en quelques heures. Des arbres vigoureux furent déracinés comme de vulgaires fétus de paille. Des forêts en ruines Si les vents tempétueux de Kyrill s?abattirent sur toute l?Europe, ils dévastèrent la région allemande du Schmallenberger Sauerland comme nulle autre. Ce jour-là , Otto M. Schwarz était chez lui, en Autriche. Il assista au passage de la tempête, mais ne prit véritablement conscience de ses conséquences dramatiques qu?à son arrivée à Bad Fredeburg (Sauerland) où il participait à une conférence organisée par le?Volksmusikerbundes NRW (Association pour la promotion des musiques traditionnelles en Rhénanie-du-Nord-Westphalie). Ernst Willi?Schulte, le directeur de l?association, lui montra alors l?étendue des dégâts sur le paysage de la région du Schmallenberger Sauerland. Force lui était de constater que la tempête qui avait balayé son Autriche natale était sans commune mesure avec la violence supportée par cette région allemande touchée de plein fouet par Kyrill. / Date parution : 2022-07-23/ Répertoire / Fanfare
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Colors of Unity (DOSS THOMAS)
Concert band
[Score and Parts]
Oktavian Music
Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Eu...
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Europe Euregio Fanfare. Par DOSS THOMAS. Located in the heart of Europe, this Euroregion unites the three provinces of Tyrol, South Tyrol and Trentino into a prosperous and successful union. People, points of view, interests and opportunities are to be joined together here in a harmonious future. For this part of Europe, our fanfare will be a signal that can be heard from far and wide. / Date parution : 2023-06-01/ Répertoire / Concert Band/Harmonie
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Otto M. Schwarz: Kyrill: Concert Band: Score & Parts
Concert band
[Score and Parts]
Mitropa Music
Storm of the Century-De nombreuses personnes se souviennent parfaitement du 18 j...
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Storm of the Century-De nombreuses personnes se souviennent parfaitement du 18 janvier 2007. Ce jour-là les services météorologiques avaient lancé plusieurs bulletins d?alerte annonçant l?arrivée imminente de « la tempête du siècle ». Une dépression frontale venue de Terre-Neuve allait toucher l?Europe sous la forme de vents tempétueux particulièrement violents. Kyrill la pire des tempêtes depuis des décennies devait toucher terre en Allemagne dans l?après-midi. De nombreuses écoles furent fermées et les services d?urgence placés en état d?alerte maximale. Malgré ces précautions les événements qui suivirent dépassèrent de loin les plus sombres prévisions. Il y eut des morts des blessés etdes dégâts énormes dans toute l?Europe.La région du Sauerland en Rhénanie-du-Nord-Westphalie (Allemagne) fut particulièrement touchée par la tempête. Kyrill sema la désolation sur son passage laissant des dizaines de foyers sans toit et des forêts éventrées. La filière bois a vu les fruits de plusieurs décennies de travail anéantis en quelques heures. Des arbres vigoureux furent déracinés comme de vulgaires fétus de paille.Des forêts en ruinesSi les vents tempétueux de Kyrill s?abattirent sur toute l?Europe ils dévastèrent la région allemande du Schmallenberger Sauerland comme nulle autre. Ce jour-là Otto M. Schwarz était chez lui en Autriche. Il assista au passage de la tempête mais ne prit véritablement conscience de ses conséquences dramatiques qu?à son arrivée à Bad Fredeburg (Sauerland) où il participait à une conférence organisée par le Volksmusikerbundes NRW (Association pour la promotion des musiques traditionnelles en Rhénanie-du-Nord-Westphalie). Ernst Willi Schulte le directeur de l?association lui montra alors l?étendue des dégâts sur le paysage de la région du Schmallenberger Sauerland. Force lui était de constater que la tempête qui avait balayé son Autriche natale était sans commune mesure avec la violence supportée par cette région allemande touchée de plein fouet par Kyrill.
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Otto M. Schwarz: Kyrill: Concert Band: Score
Concert band
Mitropa Music
Storm of the Century-De nombreuses personnes se souviennent parfaitement du 18 j...
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Storm of the Century-De nombreuses personnes se souviennent parfaitement du 18 janvier 2007. Ce jour-là les services météorologiques avaient lancé plusieurs bulletins d?alerte annonçant l?arrivée imminente de « la tempête du siècle ». Une dépression frontale venue de Terre-Neuve allait toucher l?Europe sous la forme de vents tempétueux particulièrement violents. Kyrill la pire des tempêtes depuis des décennies devait toucher terre en Allemagne dans l?après-midi. De nombreuses écoles furent fermées et les services d?urgence placés en état d?alerte maximale. Malgré ces précautions les événements qui suivirent dépassèrent de loin les plus sombres prévisions. Il y eut des morts des blessés etdes dégâts énormes dans toute l?Europe.La région du Sauerland en Rhénanie-du-Nord-Westphalie (Allemagne) fut particulièrement touchée par la tempête. Kyrill sema la désolation sur son passage laissant des dizaines de foyers sans toit et des forêts éventrées. La filière bois a vu les fruits de plusieurs décennies de travail anéantis en quelques heures. Des arbres vigoureux furent déracinés comme de vulgaires fétus de paille.Des forêts en ruinesSi les vents tempétueux de Kyrill s?abattirent sur toute l?Europe ils dévastèrent la région allemande du Schmallenberger Sauerland comme nulle autre. Ce jour-là Otto M. Schwarz était chez lui en Autriche. Il assista au passage de la tempête mais ne prit véritablement conscience de ses conséquences dramatiques qu?à son arrivée à Bad Fredeburg (Sauerland) où il participait à une conférence organisée par le Volksmusikerbundes NRW (Association pour la promotion des musiques traditionnelles en Rhénanie-du-Nord-Westphalie). Ernst Willi Schulte le directeur de l?association lui montra alors l?étendue des dégâts sur le paysage de la région du Schmallenberger Sauerland. Force lui était de constater que la tempête qui avait balayé son Autriche natale était sans commune mesure avec la violence supportée par cette région allemande touchée de plein fouet par Kyrill.
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Gajdos M. - Concerto N°2 Haydn - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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Outi Tarkiainen: The Earth Spring's Daughter: Mezzo-Soprano: Score
Wilhelm Hansen
Outi Tarkiainen's The Earth Spring's Daughter - A Song Cycle for Mezzosoprano a...
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Outi Tarkiainen's The Earth Spring's Daughter - A Song Cycle for Mezzosoprano and Chamber Orchestra (2015). Texts (in English and Sami) by Rose-Marie Huuva Rauni Magga Lukkari Timo Malmi Aila Meriluoto Leena Morottaja and Nils-Aslak Valkeapää. Transl. by Veikko Holmberg. Compiled by Outi Tarkiainen. Programme note Eanan gi a nieida (in Engl. The Earth Spring's Daughter) is a mythical epos illustrating the core experiences of the North from the history to our times. The text is a vast collage of Sami poetry - the Sami people being the only indigenous people in the Europe. The strongmutual bond between the generations and the Sami culture's cyclical perception of time are present also in the structure of the work: the music unfolds in layers and cycles to be born again and again. The work was commissioned by three northernmost professional orchestras in Europe: Lapland Chamber Orchestra (FIN) Norrbotten Chamber Orchestra (SWE) and Arctic Philharmonic (NOR). Dedicated to John Storgårds and Ulla-Maija Kanerva. First performance: Lapland Chamber Orchestra 1.9.2016 cond. John Storgårds Virpi Räisänen mezzosoprano. Parts are available on hire: hire@ewh.dk
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A Touch of Klez! (DE HAAN JANN)
De Haske Publications
for Alto Saxophone and Band. Par DE HAAN JANN. A Touch of Klez! est écrite pour...
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for Alto Saxophone and Band. Par DE HAAN JANN. A Touch of Klez! est écrite pour saxophone alto et fanfare. L??uvre est fondée sur trois mélodies klezmer : « Ani Purim », « Shlof Mayn Kind » et « Freilachs Fun L.A. ». Né en Europe de l?Est durant le haut Moyen Âge, le klezmer est une forme de musique yiddish destinée, à l?origine, aux fêtes de mariage. Au XXe siècle, en Europe, les mélodies klezmer ont absorbé d?autres styles ; en Amérique, le jazz a eu une influence notable sur cette musique fascinante./ Répertoire / Flûte ou Saxophone Alto et Orchestre d'Harmonie
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Feten-Hits (DE HAAN JANN)
[Score]
De Haske Publications
for Flute or Alto Saxophone and Band. Par DE HAAN JANN. A Touch of Klez! est éc...
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for Flute or Alto Saxophone and Band. Par DE HAAN JANN. A Touch of Klez! est écrite pour flûte ou saxophone alto et orchestre d’harmonie. L’œuvre est fondée sur trois mélodies klezmer : « Ani Purim », « Shlof Mayn Kind » et « Freilachs Fun L.A. ». Né en Europe de l’Est durant le haut Moyen Âge, le klezmer est une forme de musique yiddish destinée, à l’origine, aux fêtes de mariage. Au XXe siècle, en Europe, les mélodies klezmer ont absorbé d’autres styles ; en Amérique, le jazz a eu une influence notable sur cette musique fascinante./ Répertoire / Flûte ou Saxophone Alto et Orchestre d'Harmonie
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20 Duos (BARTOK BELA)
2 Saxophones (duet)
Universal Edition
fur 2 Saxophone aus 44 Duos fur Violinen. Par BARTOK BELA. Gives the aspiring sa...
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fur 2 Saxophone aus 44 Duos fur Violinen. Par BARTOK BELA. Gives the aspiring saxophonists practice in the kind of musical partnership required by chamber music Béla Bartók (1881-1945) composed his 44 Duos for Two Violins in 1931. These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century in an exciting blend of tradition and modernity. For the present sheet music twenty of these duos for saxophones (of the same pitch) were arranged. The pieces allow players to share the pleasure of chamber music while exploring this fascinating sound world. On alto saxophones, most of the duets sound in the original keys (Nos. 1, 5, 6, 7, 8, 12, 13, 16, 17). For the other duets Marcin Langer selected a key based on the sound of the piece and its suitability for the saxophone. • These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century/ Répertoire / 2 Saxophones
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Accordion Music From Around The World (ZUCCO FRANK)
Accordion
Mel Bay
Par ZUCCO FRANK. Cette collection solo accordéon enlevante contient 58 favoris ...
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Par ZUCCO FRANK. Cette collection solo accordéon enlevante contient 58 favoris de l'Europe, en Amérique du Sud, la Scandinavie, l'Europe et les pays baltes. Titres sont indiqués dans les deux langues indigènes leurs respectifs et en anglais. Toutes les sélections sont écrits sur le grand personnel et accompagnement suggéré chords sont fournis. / Niveau : Débutant à Intermédiaire / All Styles - Solos / Recueil / Accordéon ou Clavier
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Klezmer Studies - Vol.1 Pour Débutant
Clarinet
Berthod
Apprendre la clarinette par le klezmerChaque instrumentiste peut découvrir par ...
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Apprendre la clarinette par le klezmerChaque instrumentiste peut découvrir par étape les principes typiques de la musique Klezmer, comme par exemple : mélodies and rythmes simples, alternance des tonalités majeures and mineures, ornementations et petites notes, glissandi, quarts de ton, accélération vers une danse, effets de rire, improvisation? Les Etudes Klezmer en 4 parties [ Débutant, Moyen, Fin... d'Etude, Supérieur and Virtuosité ] se jouent avec accompagnement CD, un outil permettant une immersion directe dans cette magnifique musique d'Europe de l'Est, et procurant une nouvelle ouverture sur le parcours des clarinettistes.ETUDES KLEZMER, volume 1 pour débutantSamuel Berthod'' Un des meilleurs clarinettistes Français ' : France 3' Surdoué de la musique ' : Europe 1' Concertiste-né' : DiapasonEn voyageur infatigable et insasiable au travers de divers mondes musicaux, Samuel BERTHOD s'est forgé un profil unique au sein des clarinettistes concertistes, en abordant avec un égal bonheur des domaines aussi divers que ceux de la musique classique, de la musique contemporaine, du jazz, des musiques klezmer and tzigane, de l'électro, de l'arrangement et de la composition.De très nombreux concerts à succès en France et à travers le monde en résultent.Il se produit en Klezmer au Grand Théâtre d'Angers ( ouverture de la saison 2010 / 2011 ), au Jazznica Festival en Slovaquie (terre du klezmer), à l'Institut Français de Prague, au Festival Mondial de Montmagny au Canada, etc.Professeur de Klezmer au Conservatoire Russe de Paris Serge Rachmaninoff de 2003 à 2006, il enseigne actuellement au conservatoire du Xème arrondissement de Paris.Masterclass Klezmer à l'Australian National University, Canberra / Australie.Son album Djoïka a été récompensé par 2 ' Coups de Coeur ' Virgin et MCM. / Clarinette
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Jan Bosveld: The Golden City: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Prague also named ‘The Golden City’ has been the cultural and admin...
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Prague also named ‘The Golden City’ has been the cultural and administrative capital city of the Czech Republic for thousands of years. The city is beautifully situated on the river Moldau. Every year millions of tourists visit Prague. It is one of the most popular cities of Eastern Europe. With it's mysterious little squares dark alley ways and cobblestone streets the ‘City of the 100 Towers’ is a unique mixture of architecture dominated by monumental buildings numerous churches and the oldest castle of Europe. The Bohemian capital city remains timeless. Visit the fort and be amazed at the lovely views over the Charles Bridge. Spend your time carefully browsing through the little stalls filled with paintings photos jewelery and hand-decorated products accompanied by the sounds of the street musicians in the background. Notice the famous 15 th century astronomical clock that indicates the time every hour with a parade of the twelve apostles. When composing this piece it was Jan Bosveld’s intention to depict the atmosphere of this metropolitan city with over one million inhabitants rather than to create a fairly literal musical portrait. One of the many other names of Prague is ‘The City of the Clocks’. This can be heard throughout the piece depicted by the tubular bells. The piece consists of three movements (slow-fast-slow) and was written in a rhapsodic format. Jan Bosveld was commissioned to write ‘The Golden City’ by the Dutch Music Lend and Information Centre (MUI) a department of the library for the province of Gelderland in Arnhem the Netherlands.
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Jan Van der Roost: Hymnus Antverpiae: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
This hymn was commissioned by ?Antwerpen 93?. And this city on the banks of the...
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This hymn was commissioned by ?Antwerpen 93?. And this city on the banks of the river Schelde has been nominated ?Cultural Capital of Europe? for 1993. The work-group ?animatie? took the initiative and commissioned a hymn which -as the finale to a grand open-air event on 27th March- was premièred by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential so that the hymn can also be performed without percussion.
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