| Facade Entertainments (Walton Edition) Orchestra [Score] Oxford University Press
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jon...(+)
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jones. Narrator, flute ( piccolo), clarinet ( bass clarinet), alto saxophone, trumpet in C, percussion, cello (1-2 players); Percussion: snare drum, cymbal, triangle, Chinese block, castanets, tambourine, jingles). Scores. William Walton Edition. Walton Edition. Full score. 272 pages. Duration 50'. Published by Oxford University Press
$312.25 - See more - Buy online | | |
| Facade Entertainments Oxford University Press
Ensemble (Flute and piccolo, Clarinet, Alto Saxophone in E flat, Trumpet in C, P...(+)
Ensemble (Flute and piccolo, Clarinet, Alto Saxophone in E flat, Trumpet in C, Percussion, Cello, and Cello A and B for Facade 1.) SKU: OU.9780193593879 Composed by William Walton. William Walton Edition. Reciter's part. 72 pages. Duration 50''. Oxford University Press #9780193593879. Published by Oxford University Press (OU.9780193593879). ISBN 9780193593879. 12 x 9 inches. The William Walton Edition score of Facade Entertainments brought together for the first time all thirty-three extant Walton settings of the Edith Sitwell poems that were written and performed under this title. About William Walton Edition In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes. $56.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Facade Marching band Cherry Lane
From Jekyll and Hyde. By Leslie Bricusse, Frank Wildhorn. Arranged by Will Rapp,...(+)
From Jekyll and Hyde. By Leslie Bricusse, Frank Wildhorn. Arranged by Will Rapp, Jay Bocook. Performance/Easy Limited Edition. Published by Cherry Lane Music.
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| Colonnade Theodore Presser Co.
Orchestra Bassoon, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe, Vibra...(+)
Orchestra Bassoon, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe, Vibraphone, Viola, Violin 1, Violin 2, Violoncello SKU: PR.41641423L For Chamber Orchestra. Composed by James Matheson. This edition: Version 6/10/10. Contemporary. Large Score. With Standard notation. Composed February 13 2003. 84 pages. Duration 18 minutes. Theodore Presser Company #416-41423L. Published by Theodore Presser Company (PR.41641423L). UPC: 680160602094. 11 x 14 inches. Colonnade is inspired by Albanys majestic New York State Board of Education Building, and written on a commission from the Albany Symphony Orchestra. It was an intriguing task, in part because in order to accept the commission I had to agree to write a work inspired by a building I had not yet seen. This problem was compounded by the fact that, for me, the very notion of extra-musical inspiration is a complex one, particularly with respect to literary or visual sources. I generally find ideas and abstracted notions more generative of musical ideas than specific ones (a poem, an experience, a painting). So when I went to see and tour the building, I sought to identify fundamental formal aspects of the building which I could process into musical ideas, and would then be linked to the building through a sense of formal relationship. In the end, two characteristics of the building stood out as noteworthy and undiminished by time (compared with, for instance, the buildings rotunda, which contains a series of quaintly outdated allegorical paintings): the exterior colonnade and a beautiful interior vaulted ceiling, designed by Rafael Guastavino. For me, a colonnade acts as a metaphor for the tension between knowledge and perception. We all know, for instance, that the columns are of the same height and are equidistant from each other. Nevertheless, while the mind understands this fully, it is also the case that there exists no place no standpoint or viewpoint anywhere in the universe from which one can perceive this; the columns always appear to be of uneven height and spacing. If one then adds motion to perspective a walk along the colonnade, for instance the fixed, even, rigidly identical columns acquire elasticity, and begin to change kaleidoscopically they shrink, grow, become closer, and then further apart. Further, the detail of the buildings facade behind the colonnade shifts into and out of visibility, with different portions obscured by the columns from each vantage point. These considerations underlie the outer sections of Colonnade, in which a continuously repeated, continuously varied rising figure suggestive of a column dominates. The iterations of this elastic, evolving figure are interspersed with other music suggestive of the buildings facade. The second feature of the building that caught my attention was the vaulted ceiling, designed by Guastavino, of one of the buildings largest rooms. The ceiling enhances the spaciousness of the room, giving it an openness and lightness that is quite captivating. The middle section of Colonnade has this openness at its core, and is dominated by long, arching lines that, to me, suggest the refined beauty of this ceiling. World premiere March 8, 2003; Albany Symphony Orchestra conducted by David Alan Miller. $110.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Facades Chester | | |
| Johan De Meij : Big Apple, The (A New York Symphony)(Symphony No. 2) Concert band - Intermediate/advanced Amstel Music
The Big Apple (A New York Symphony)(Symphony No. 2) (Part II Gotham - Parts Only...(+)
The Big Apple (A New York Symphony)(Symphony No. 2) (Part II Gotham - Parts Only). By Johan De Meij. For Concert Band. Amstel Music. Grade 5-6. Amstel Music #AM17. Published by Amstel Music
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| Big Apple, The (A New York Symphony)(Symphony No. 2) Concert band - Intermediate/advanced Amstel Music
The Big Apple (A New York Symphony)(Symphony No. 2) (Complete Edition - Parts On...(+)
The Big Apple (A New York Symphony)(Symphony No. 2) (Complete Edition - Parts Only). By Johan De Meij. For Concert Band. Amstel Music. Grade 5-6. Amstel Music #AM19. Published by Amstel Music
$462.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Instrumental Music Oxford University Press
Piano, organ, guitar (Solo; 2-5) SKU: OU.9780193683181 William Walton ...(+)
Piano, organ, guitar (Solo; 2-5) SKU: OU.9780193683181 William Walton Edition vol. 20. Composed by William Walton. Edited by Michael Aston. Piano (Solo). William Walton Edition. Full score. 184 pages. Oxford University Press #9780193683181. Published by Oxford University Press (OU.9780193683181). ISBN 9780193683181. 13 x 10 inches. The volume contains all the works for piano (solo, piano duet, two pianos), and works for organ and guitar. It includes an introduction, textual notes, and facsimiles. About William Walton Edition In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes. $312.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Facade Suite 2 1 Piano, 4 hands Oxford University Press
Composed by William Walton (1902-1983). Arranged by Constant Lambert. For piano ...(+)
Composed by William Walton (1902-1983). Arranged by Constant Lambert. For piano duet. Piano duet. 40 pages. Published by Oxford University Press
$21.99 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-15132 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132). ISBN 9790004214688. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $70.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violin 1 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-15 ...(+)
Violin 1 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-15 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-15. Published by Breitkopf and Haertel (BR.OB-15132-15). ISBN 9790004341940. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Jekyll & Hyde: The Musical Piano, Vocal and Guitar Hal Leonard
(2013 Revival). By Frank Wildhorn and Leslie Bricusse. For Piano/Keyboard, Vocal...(+)
(2013 Revival). By Frank Wildhorn and Leslie Bricusse. For Piano/Keyboard, Vocal, Piano/Vocal/Guitar. Vocal Selections. Softcover. 104 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jekyll and Hyde (Medley) [Instrumental Pack] Cherry Lane
By Frank Wildhorn and Leslie Bricusse. Arranged by Ed Lojeski. Combo Parts. Broa...(+)
By Frank Wildhorn and Leslie Bricusse. Arranged by Ed Lojeski. Combo Parts. Broadway Choral. 66 pages. Published by Cherry Lane Music
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto No. 1 in G minor Op. 26 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-15133-07 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic; Late-romantic. Study Score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15133-07. Published by Breitkopf and Haertel (BR.PB-15133-07). ISBN 9790004214695. 6.5 x 9 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Jekyll and Hyde (Medley) Choral 3-part SAB Cherry Lane
By Leslie Bricusse, Frank Wildhorn. Arranged by Ed Lojeski. (SAB). Broadway Cho...(+)
By Leslie Bricusse, Frank Wildhorn. Arranged by Ed Lojeski. (SAB). Broadway Choral. Size 6.8x10.5 inches. 32 pages. Published by Cherry Lane.
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-15133 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Study Score. Duration 25'. Breitkopf and Haertel #PB 15133. Published by Breitkopf and Haertel (BR.PB-15133). ISBN 9790004214695. 6.5 x 9 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Viola (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-19 ...(+)
Viola (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-19 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 15132-19. Published by Breitkopf and Haertel (BR.OB-15132-19). ISBN 9790004341964. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Mix 3 Piano solo ABRSM Publishing | | |
| Painted Mountain Concert band - Beginner Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.WB482 Composed by Bruce Pearson. Sc...(+)
Band concert band - Grade 1.5 SKU: KJ.WB482 Composed by Bruce Pearson. Score and parts. Neil A. Kjos Music Company #WB482. Published by Neil A. Kjos Music Company (KJ.WB482). UPC: 8402704791. The grandeur of nature is evident in Painted Mountain. The first theme sets the tone for this colorful composition. Contrasts in meter, dynamics, and instrumentation, while still remaining accessible to the beginning musician, bring to mind images of the purples, blues, and oranges on the mountain's facade that change with the rising and setting of the sun.
COMING SOON... $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violoncello (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-23(+)
Violoncello (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-23 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-23. Published by Breitkopf and Haertel (BR.OB-15132-23). ISBN 9790004341971. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Facade Entertainments (Revised Edition) [Set of Parts] Oxford University Press
By Walton. For Speaker & Ensemble Set of Parts. Published by Oxford University P...(+)
By Walton. For Speaker & Ensemble Set of Parts. Published by Oxford University Press.
$221.50 - See more - Buy online | | |
| Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Double bass (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-27(+)
Double bass (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-27 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-27. Published by Breitkopf and Haertel (BR.OB-15132-27). ISBN 9790004341988. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Violin and Piano Breitkopf & Härtel
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708 Urtext. Composed by Max Bruch. Edited by Michael Kube. Arranged by Johannes Umbreit. Solo instruments; stapled. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Romantic; Late-romantic. Piano reduction. 76 pages. Duration 25'. Breitkopf and Haertel #EB 10708. Published by Breitkopf and Haertel (BR.EB-10708). ISBN 9790201807089. 9.5 x 12 inches. Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
In Cooperation with G. Henle Verlag. $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Duets: 20th Century British Composers 1 Piano, 4 hands [Sheet music] Oxford University Press | | |
| Jekyll and Hyde
Piano, Voice [Sheet music] - Intermediate Cherry Lane
Lyrics by Leslie Bricusse, music by Frank Wildhorn. For voice and piano. From th...(+)
Lyrics by Leslie Bricusse, music by Frank Wildhorn. For voice and piano. From the Broadway musical "Jekyll and Hyde". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, color photos and introductory text. Broadway. 100 pages. 9x12 inches. Published by Cherry Lane Music.
(17)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Painted Mountain - Score Concert band - Beginner Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.WB482F Composed by Bruce Pearson. S...(+)
Band concert band - Grade 1.5 SKU: KJ.WB482F Composed by Bruce Pearson. Score only. Neil A. Kjos Music Company #WB482F. Published by Neil A. Kjos Music Company (KJ.WB482F). UPC: 8402704793. The grandeur of nature is evident in Painted Mountain. The first theme sets the tone for this colorful composition. Contrasts in meter, dynamics, and instrumentation, while still remaining accessible to the beginning musician, bring to mind images of the purples, blues, and oranges on the mountain's facade that change with the rising and setting of the sun.
COMING SOON... $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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