By Johannes Brahms (1833-1897). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks. First Philharmonic. Masterwork Arrangement; Romantic. Conductor Score and Parts. 204 pages. Published by Alfred Music Publishing

Arranged by Nancy Faber, Randall Faber. For Piano. PreTime to BigTime Piano Supplementary Library - Sacred. This collection of favorite hymns and songs of faith provides the earliest level of reading for the beginning pianist. No eighth notes are used and the hands remain in Middle C Position throughout the book. Special care has been taken in selecting joyful songs that are easily accessible at the primer level. Contents include: God Is So Good; The B.I.B.L.E; Rejoice in the Lord Always; Whisper a Prayer; I've Got the Joy, Joy, Joy; O, How I Love Jesus; Deep and Wide; Jesus Wants Me for a Sunbeam; Praise God from Whom All Blessings Flow. Hymns. Level: Primer. Book. Published by The FJH Music Company, Inc.

By Gail Smith. For Piano. Theory and harmony. Complete. All Styles. Level: Intermediate. Book. Size 8.75x11.75. 228 pages. Published by Mel Bay Publications, Inc.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

(8 Graded Solutions for Early Intermediate Pianists). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Current Hits for Teens. Pop. Early Intermediate. 28 pages. Published by Alfred Music Publishing

By Hal H. Hopson. Edited by Various authors. Arranged by Various Authors. Author's Collections. Sacred. Book. 96 pages. Published by Hope Publishing Company

(7 Late Intermediate Piano Solos). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Current Hits for Teens. Pop. Late Intermediate. 28 pages. Published by Alfred Music Publishing

(Preludes and Fugues from The Well-Tempered Clavier). By Johann Sebastian Bach (1685-1750). Edited by Frederic Zigante. Arranged by Ida Presti and Alexandre Lagoya. For two guitars. Score and parts. Published by Berben

Orchestra Soli ATB, SATB Choir, Flute, 2 Oboes, (Violin), Strings, Organ

SKU: CA.3110207

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 102. Sacred vocal music, Cantatas. Study score. Composed 1726. BWV 102. 84 pages. Duration 24 minutes. Carus Verlag #CV 31.102/07. Published by Carus Verlag (CA.3110207).

ISBN 9790007047382. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.

Piano, Vocal and Guitar

SKU: HL.14047758

Composed by John Lennon. CARISCH - MUSIC SALES. General Merchandise. Hal Leonard #ML99028. Published by Hal Leonard (HL.14047758).

ISBN 9788850727391.

John Lennon Complete contains 15 of Lennon's songs, arranged for Piano, Voice and Guitar. It would make the perfect gift for any budding singer, or any Lennon fan.

John Lennon (1940-1980) is arguably the most famous musician of all time. As a singer-songwriter, he rose to fame as a founding member of the Beatles, and later established a highly successful solo career after the band broke up in 1969. His contribution to Western culture in the 1960s and 70s, both musically and politically, is impossible to fully express, and his countless fans have remained faithful right to the present day.

ATB vocal soli, SATB choir, flute (violino piccolo), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3110213

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Herr, deine Augen sehen. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1726. BWV 102. 8 pages. Duration 24 minutes. Carus Verlag #CV 31.102/13. Published by Carus Verlag (CA.3110213).

ISBN 9790007047429. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.

ATB vocal soli, SATB choir, flute (violino piccolo), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3110212

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Herr, deine Augen sehen. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1726. BWV 102. 8 pages. Duration 24 minutes. Carus Verlag #CV 31.102/12. Published by Carus Verlag (CA.3110212).

ISBN 9790007047412. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.

Oboe - intermediate to advanced

SKU: HL.49019042

Oboe and Piano. Composed by Kurt Hessenberg. This edition: Saddle stitching. Sheet music. Edition Schott. Das 1958 entstandene Capriccio ist ein spielfreudiges und dankbares Stuck - in einem neoklassizistischen, von erweiterter Tonalitat gepragten Stil. Eine willkommene Erweiterung des Oboen-Repertoire. Classical. Softcover. Op. 71/2. 12 pages. Duration 4'. Schott Music #OBB48. Published by Schott Music (HL.49019042).

ISBN 9790001170345.

Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music - his motet 'O Herr, mache mich zum Werkzeug deines Friedens' forms part of the repertoire of every good choir - his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon.Created in 1958, 'Capriccio' Op. 71 No. 2 is dedicated to the oboe. It is an enjoyable and rewarding piece in a neoclassical style characterized by an extended tonality. This 'Capriccio' gives the oboist the possibility to play in an effective virtuoso, yet cantabile way and, in addition, uses piano accompaniment in a rewarding manner - a welcome addition to the oboe repertoire.