SKU: HL.14015014
SKU: BA.BA04213-29
ISBN 9790006445684. 32.5 x 25.5 cm inches. Key: D major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA04210-29
ISBN 9790006445486. 32.5 x 25.5 cm inches. Key: F major.
SKU: BA.BA04210-30
ISBN 9790006445493. 32.5 x 25.5 cm inches. Key: F major.
SKU: BA.BA04213-30
ISBN 9790006445691. 32.5 x 25.5 cm inches. Key: D major.
SKU: HL.49007533
ISBN 9790001080989. UPC: 073999265934. 9.25x12.0x0.097 inches. German.
Piano part.
SKU: HL.49007531
ISBN 9790001080965. UPC: 073999713107. 9.25x12.0x0.153 inches. German.
SKU: HL.49007537
ISBN 9790001081016. UPC: 073999576863. 9.0x12.0x0.036 inches. German.
Choral part.
SKU: HL.14017458
UPC: 884088814014. 8.5x11.0x0.065 inches.
Composed in 2004, this concise and compelling work is part of Saariaho's Tempest Songs and is written for Soprano and Baritone soloists with chamber ensemble. Also included in the Tempest Songs cycle are: Ariel's Hall (Soprano) Caliban's Dream (Baritone) Miranda's Lament (Soprano) Prospero's Vision (Baritone)Works may be performed in any order and a full song cycle.
SKU: HL.14017457
UPC: 884088814007. 8.25x11.75x0.052 inches.
SKU: UT.CH-387
ISBN 9790215328235. 9 x 12 inches.
Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.
SKU: UT.ACC-5
ISBN 9790215301474. 9 x 12 inches. Transcribed by Ferdinando Carulli.
SKU: CU.EC11012
SKU: UT.CH-78
ISBN 9790215307308. 9 x 12 inches. Transcribed by Ferdinando Carulli.
SKU: UT.CH-77
ISBN 9790215307292. 9 x 12 inches. Transcribed by Ferdinando Carulli.
SKU: UT.ACC-4
ISBN 9790215301092. 9 x 12 inches. Transcribed by Ferdinando Carulli.
SKU: UT.TME-3
ISBN 9790215319158. 9 x 12 inches.
Cessate, mortis funera. Mottetto a 5 voci (SSATB) con Trombe, Oboi, Cornetti, Archi e Basso Continuo; Benedictus. Cantico a 8 voci (SATB-SATB) con Basso Continuo; Benedictus. Cantico a 5 voci (SSATB) con Archi e Basso Continuo; Canite, cives. Mottetto a 5 voci (SSATB) con Trombe, Cornetto, Archi e Basso Continuo; Alleluia. Mottetto a 8 voci (SATB-SATB) con Oboe, Archi e Basso ContinuoPerformance Material on HireSix grandiose Motets, with rich appendix, and two solemn Benedictus make the opera omnia of the Bolognese Perti for the court of the Florence Grand Duke: the scores, rendered here in the tricentennial of their composition, in that time impressed the Emilian audience as much as the Tuscan one. The second volume volume includes the 3 Motets Cessate, mortis funera, Canite, cives e Alleluia, and the 2 Benedictus, first performed between 1707 and 1709.
SKU: UT.HS-225
ISBN 9790215323476. 9 x 12 inches.
SKU: CU.EC4250
ISBN 9790215901599.
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