Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists  Les Méandres De Viviane is made up of four sections which tell the story of the fairy Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around three minutes.Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances.

This volume presents the Sonata for flute and harpsichord BWV 1031 in E flat Major by Johann Sebastian Bach. This edition with solo part Piano reduction and Dowani 3 Tempi Play Along CD allows you to work through the piece with a professional harpsichord accompaniment.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Harp by Christian Lardé and Marie-Claire Jamet contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Harp accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Flute and Harp repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde.A new instrumentation restores this linked pair of dances from Davies's second full-length ballet Caroline Mathilde based on the story ofthe eighteenth-century British princess sent in marriage to Denmark to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance a gigue at the start of the second -are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role but it comes forward alone in the second movement which ends with bravura from both instruments.These two dances were firstperformed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce.Score and flute part. Duration c. 5mins.Harp part edited by Elune Pierce.

Kaija Saariaho's Tocar for Flute and Harp. This version of Kaija Saariaho’s Tocar was written for Camilla Hoitenga (Flute) and Héloïse Dautry (Harp) who gave the first performance on 14 February 2014 in Clermont-Ferrand at La Comédie de Clermont. The original version of Tocar for Violin and Piano (CH76703) was commissioned by the InternationalJean Sibelius Violin Competition of the Sibelius Society and Sibelius Academy as a test piece for the 2010 competition. Duration: 6–8 minutes.

These are the instrumental parts for John Tavener's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems byW.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind?was commissioned by the Little Missenden Festival and firstperformed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtlysacred sources. The ?frailty tenderness and spiritual transparency of Yeats? poetry? inspired this song-cycle from 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to hispoems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener?s first wife VictoriaMaragopoulou.