By Dave Brubeck. For Choir. (SATB). Choral Octavo. Dave Brubeck Choral Series. Sacred. Choral Octavo. 16 pages. Published by Alfred Publishing.

By Austin C. Lovelace. For SATB Choir, a cappella (SATB A Cappella). Shawnee Press. 10 pages

By Pavel Chesnokov, words by Donald Moore. Arranged by Donald Moore. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Winter. Choral Octavo. 8 pages

By Mark Hayes. For SATB choir and piano (with optional orchestra (brass quintet, timpani)). Sacred Anthem. Choral octavo. Published by Lorenz Publishing Company

Edited by Bob Dingley, composed by Ernst Toch (1887-1964). Octavo for speaking chorus. Series: Educational choral octavo (SATB). 16 pages. Published by Alfred Publishing.

By Antonio Vivaldi (1678-1741). For SATB Choir, 2 Violins, Viola, Basso continuo. This edition: Paperbound. Stuttgart Urtext editions. Score available separately - see item CA.4000400. Mass sections. Level 3. Vocal score. Language: Latin/English. RV 591. 24 pages. Duration 10 min. Published by Carus Verlag

SATB divisi choir, a cappella - Early Intermediate

SKU: AU.9781506495279

Composed by Walter L. Pelz. Reformation, Confirmation. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506495279. Published by Augsburg Fortress (AU.9781506495279).

ISBN 9781506495279. 7 x 10.25 inches.

A master of choral writing, Walter L. Pelz has lovingly set his own confirmation verse, John 8:31-32, in a well-crafted anthem that is a joy to sing. The anthem is laid out in three sections, opening with an expressive chordal section, followed by a bold and festive choral fugue, and concluding with a majestic homophonic coda. Ideally suited for confirmation, Reformation Sunday, festivals, and other church celebrations.

Composed by Antonio Vivaldi (1678-1741). This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Mass Sections. Complete orchestral parts. RV 591. Duration 10 minutes. Published by Carus Verlag (CA.4000419).

Composed by Yoni Rechter and Alexander Kantsberg. Arranged by Alexander Kantsberg. Octavo. With Text Language: Hebrew. Published by OR-TAV Music Publications (OT.28073).

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49019927

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Softcover. 12 pages. Schott Music #ED21773-01. Published by Schott Music (HL.49019927).

ISBN 9790001196956. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. This edition: paperbound. BWV 25. Cantatas; Use during church year: Trinity. Score. Language: German/English. Composed 1723. 40 pages. Duration 16 min

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048311

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violin 1. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Violin 1. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/11. Published by Carus Verlag (CA.4048311).

ISBN 9790007218768. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.