A Must-Have Collection of Well-Known Songs, Including Several Tuba Features. If you've been learning to play the tuba for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Tuba includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which originally featured tuba! / Pop and rock / Date parution : 2020-04-11/ Recueil / Tuba

Film Themes: The Piano Collection brings together favourite themes and songs from such films as Star Wars, Frozen, Hunger Games, How To Train Your Dragon and Twilight, plus several pieces from the Harry Potter film series, all arranged for the intermediate pianist./ Recueil / Piano

12 pièces pour marimba solo. Basées sur le style de 'Choral' elles ont été spécialement composées pour développer la pratique du roulement dans l'interprétation des trémolos dans les premières études au marimba.Since Lin Chin Cheng starts his music journey from Taiwan to Australia and from Australia to Belgium, he has represented several important concerts such as performances in Australia and performed for culture exchange with China and Singapore group. He played his first debut recital in Taipei 2002, joined the 'BA-DA Boom percussion group' and was a training ship of 'KARAK percussion duo'. He participated in the Queensland Conservatorium Symphony Orchestra touring in Queensland. He was invited to play a showcase concert at the 'Australian Percussion Symposium 2003'.Lin became the European Soloist 2007 at the '4th European Soloist Competition' in Birmingham 2007, and he has received extra both the 'performance choice award' and the 'best marimba award'. He is gaining International recognition since he became at the age of 19 years a laureate of the International Marimba Competition Belgium 2004. Praised for his outstanding musicality and remarkable presentation at that age, he also received the 'Young Talent Prize' award. He also received the 'Third prize' of the International Competition of Contemporary Chamber Music in Poland, the 'Talent Prize' of the Universal Marimba Competition Belgium 2007, the 'Culture Outstanding Award' in the Taiwanese Artist Festival 2006, the 'second prize' of solo marimba and the 'First prize' of marimba duo in APSandE 2003, and the 'First prize' of solo marimba and the young encouragement prize award at the Australian Percussion Eisteddfod 2002.Lin has been invited for master classes and several international festivals in more then 15 countries such as: the International Film Festival in Brussels, the Festival der Voorkempen, the 7th Valencia International Percussion Festival, the 6th International Festival Marimbistas in Chiapas, the International Percussion Ensemble Week, the Universal Marimba Festival Belgium and many European percussion days. In addition, he has taught in several universities - Griffith University Queensland Conservatorium, University of Chiapas, University of Patagonia, La Corunna Professional Conservatory and Hasselt Conservatorium. His composition 'Back to the time? has received the 'Originality Prize? at the Universal Marimba Competition Belgium 2007 and his works became a standard repertoire of international Marimba Competitions. Lin has studied marimba and percussion with Huang Kun-Yan, Guo Guang-Yuan, Gary France, Vanessa Tomlinson, Kevin Man, Eric Sammut and Leo Ouderits. He completed his study specialization marimba with Ludwig Albert and composition with Alain Craens at the Royal Conservatorium Antwerp, Belgium.Nowadays, Lin Chin Cheng is a concert artist from Marimba Projects in Belgium and New Art Inc. in Taiwan and endorser of Resta mallets in France. He has released his first marimba solo album 'Silk Road? and cooperated as a guest artist in several international CD- and concert productions. / Marimba Solo

Back in Print! If you want to infuse your keyboard playing with modern, up-to-the-minute sounds used by Andy LaVerne, Chick Corea, Herbie Hancock, McCoy Tyner, John Coltrane, Miles Davis, John Abercrombie and the cutting edge musicians of tomorrow, this book will be invaluable. Written by jazz pianist Andy LaVerne, who is celebrated for his interesting sense of harmony and sophisticated style, it shows you hundreds of keyboard runs - the streams of notes jazz artists use to glide across the keyboard with interesting melodic touches and chord colors. These runs are shown with the chords and chord progressions that make them work best - on seventh chords, diminished chords, minor chords, altered chords, and more. Some are written to work with the most common chord progressions, and some are designed to fit just one chord. Some will work with almost any chord at all - and Andy tells you which ones. Youll get each run in several keys, with chord applications and appropriate fingering tips. Practice them slowly for developing great jazz-style finger dexterity. Then, bring them up to speed so you can insert them into your own improvisations. Youll discover exactly how contemporary musicians get those great, unusual sounds. Every page is a learning experience and youll gain a whole new repertoire on runs, licks, and fills - remarkable sounds and colors to make your playing richer than ever. As a teacher and a workshop leader, Andy LaVerne has helped thousands of students become better at performing. With this first-of-a-kind guide to contemporary piano runs and riffs, he will help you too!

An outstanding collectíon of ukulele duets. Par MANSELL PAUL / MIZEN TONY. 22 outstanding classical and contemporary ukulele duets arranged for both high and low G ukulele written by professional ukulele players Paul Mansell and Tony Mizen. Mixing famous pieces by classical composers such as Mozart and Schumann with some beautiful but less-known pieces by Dowland and Carulli, the book also features two contemporary pieces written by Paul and Tony themselves. All of the arrangements include both ukulele tablature and music notation and a CD of all the pieces, played by Paul and Tony, is included. Paul Mansell began studying the classical guitar at the age of 15 and went on to gain Grade 8 with distinction. In 2015 he achieved an Honours Diploma(AVCM) on the ukulele from the Victoria College of Music. Paul earns his living from playing, performing and teaching both classical guitar and ukulele. Tony Mizen is a well-respected ukulele player, teacher and composer. Tony was the first ukulele player in England to pass the AVCM Diploma on the ukulele. He has published several ukulele books and recently edited the successful book Play Guitar with Milos./ Recueil / 2 Ukulélés

Par STACY PHILLIPS. Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. This book achieves the following objectives: 1. To present an in-depth survey of the styles in which well-rounded lap guitarist should be competent. 2. To examine the playing styles and techniques of some of the world's greatest Resonator guitarists. 3. To catalog many of the licks that are lingua franca in the world of Resonator guitarists. 4. To indicate some of the underlying relationships between notes, keys, and chords by introducing some basic music theory as it relates specifically to the six-string guitar in G tuning. 5. To gain insights into the world of Resophonic guitar stylings and performance through interviews with some of the top players. 6. To demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. Tablature included. The double-CD set presents more than 90 minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on guitar. Play-along tracks are included for several of the tunes. / Niveau : Tous Niveaux / All Styles - Solos / Tablatures / Guitare Tablatures Résonateur

ransport yourself to the magical world of Harry Potter with this stunning collector?s edition piano anthology. Featuring an exclusive, bespoke cover by MinaLima, the graphic design studio behind the Wizarding World, with special gold foiling and a treasure trove of magical illustrations. This ultimate collection of Harry Potter piano music makes the perfect gift for pianists and Potterheads alike! The Harry Potter Piano Anthology contains 56 of the biggest and best musical themes from the Harry Potter and Fantastic Beasts films, arranged for intermediate level piano. From the best-loved John Williams tunes Hedwig?s Theme and Harry?s Wondrous World to The Crimes of Grindelwald and Dumbledore?s Theme from the Fantastic Beasts films, this book has been created for pianists to enjoy and return to again and again.Contents Harry?s Wondrous World Diagon Alley Nimbus 2000 Voldemort Leaving Hogwarts Hedwig?s Theme The Chamber of Secrets Fawkes the Phoenix The Spiders Buckbeak?s Flight A Window to the Past Hagrid the Professor The Quidditch World Cup (The Irish) Neville?s Waltz Harry in Winter Potter Waltz Death of Cedric Hogwarts? March Hogwarts? Hymn Fireworks Professor Umbridge Dumbledore?s Army The Room of Requirement The Ministry of Magic Loved Ones and Leaving Harry and Hermione In Noctem Ginny Wizard Wheezes Farewell Aragog When Ginny Kissed Harry Slughorn?s Confession Dumbledore?s Farewell The Weasley Stomp Obliviate Snape to Malfoy Manor At the Burrow Godric?s Hollow Graveyard Harry and Ginny Farewell to Dobby Statues Lily?s Theme Courtyard Apocalypse Severus and Lily The Resurrection Stone A New Beginning A Man and His Beasts End Titles, Pt.2 Kowalski Rag Newt Says Goodbye to Tina/Jacob?s Bakery Salamander Eyes Fantastic Beasts: The Crimes of Grindelwald Dumbledore?s Theme Leta?s Theme Fantastic Beasts Theme The Ceremony / Musique films - comédies musicales / Faber Music

Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano

Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre

Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre