Violin and Piano

SKU: BT.ALHE28763

Composed by Germaine Tailleferre. Classical. Score Only. Heugel & Cie #ALHE28763. Published by Heugel & Cie (BT.ALHE28763).

French.

from the Piano Concerto

Composed by Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc, and Germaine Tailleferre. Edited by Carl Simpson. For Piano. Book; Masterworks; Piano Collection. Dover Edition. 20th Century; Masterwork. Advanced; Early Advanced; Intermediate; Late Intermediate. Published by Dover Publications

Piano - Grade 2

SKU: FA.MFGT055

Composed by Germaine Tailleferre. Piano Music by Tailleferre. Classical : Modern. Score. Musik Fabrik #MFGT055. Published by Musik Fabrik (FA.MFGT055).

8.27 x 11.69 inches.

Germaine Tailleferre first met Charlie Chaplin when she was living in New York City with her first husband Ralph Barton. Tailleferre and Chaplin spent a great deal of time improvising at the piano and Tailleferre convinced him to write his own themes for the music he used in his films. After her divorce from Ralph Barton, she did not see Chaplin until the early 1950s during a visit he made to Paris. At that time, she wrote this attractive waltz in Chaplin’s own style to give to him as a gift.

Piano - Grade 3

SKU: FA.MFGT056

Composed by Germaine Tailleferre. Piano Music by Tailleferre. Classical : Modern. Score. Musik Fabrik #MFGT056. Published by Musik Fabrik (FA.MFGT056).

8.27 x 11.69 inches.

In 1959, Germaine Tailleferre wrote incidental music for a radio drama based on Philippe Jullian’s « Mémoire d’une bergère » or « Autobiography of an armchair » which traced the owners of this armchair from the court of Louis XV to England after the French Revolution, back to Paris and through the hands of various foreign owners (Arabian, American, German etc.). In illustrating this story Tailleferre used her great knowledge of musical styles to evoke these different settings, from the classical styles of French music of the XVIIIth century to classical, romantic, popular French styles as well as two evocations of American Blues/Ragtime music. These short pieces are interesting in and of themselves, in addition to illustrating Jullian’s story. The first piece may be repeated at the end, as it was in the original radio drama.

Tuba or bass trombone with piano accompaniment - moderately advanced

SKU: CY.CC2900

Composed by Germaine Tailleferre. Arranged by Ralph Sauer. French 20th century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2900).

Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Tuba or Bass Trombone and Piano. Tailleferre was the only female composer of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Together they are total about 5 minutes in length and are appropriate for advanced performers.

Chamber Music & Piano Accompaniment 1 Bb Clarinet 1 Piano - Grade 4

SKU: FL.FX072392-1

Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072392-1. Published by FLEX Editions (FL.FX072392-1).

This piece is an evocation of the musical atmosphere of the Roaring Twenties where the swing was sweeping in smoky cellars of Saint-Germain-des-Pres quarter in Paris. - Patrice BERNARD ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 4; Duration: 1 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Patrice BERNARD;.

Composed by Germaine Tailleferre (1892-1983). For oboe. Published by Musik Fabrik

Piano - Level 2-3

SKU: LM.P02408

Composed by Germaine Coulpied-Sevestre. Classical. Score. Editions Combre #P02408. Published by Editions Combre (LM.P02408).

ISBN 9790230324083.

La joie du depart - Camping - Baignade - Repas sur l'herbe - La sieste - Promenade - Retour.

Piano - Level 3

SKU: LM.P02847

Composed by Germaine Coulpied-Sevestre. Method, studies. Score. Editions Combre #P02847. Published by Editions Combre (LM.P02847).

ISBN 9790230328470.

13 Pieces for Flute and Piano. By Various. This edition: ED9947. Woodwind. Book only. 112 pages. Published by Schott.

(A Contemporary Anthology for Flute and Piano). By Melinda Wagner Germaine Tailleferre. Solo instrument with accompaniment. For Flute, Piano. Contemporary. Solo part with piano reduction. Standard notation. Published by Theodore Presser Company

Chamber Music for Mixed Ensembles

SKU: UT.BCE-12

Composed by Luigi Boccherini. Edited by Rudolf Rasch. Luigi Boccherini Opera Omnia. Classical. Score. Ut Orpheus #BCE 12. Published by Ut Orpheus (UT.BCE-12).

ISBN 9790215328211. 9 x 12 inches.

In all, Boccherini wrote three sets of six flute quintets. The first two are the Opp. 17 and 19 already mentioned. They were complemented by a third set more than twenty years later, his Op. 55, composed in 1797 and first published in 1799. All three sets are ‘opere piccole’, that is, they contain works consisting of two movements only. This is in contrast with the cello quintets and the trios with viola, which are for the larger part ‘opere grandi’, that is, works consisting of four movements.
According to Boccherini’s own catalogue, the Flute Quintets Op. 19 were composed in 1774, and, so far, there is no reason to doubt that. The works have come down to us in four eighteenth-century sources, an autograph manuscript score, two non-autograph manuscripts in parts, and an edition in parts. The autograph score, acquired in the early 1960s by Germaine de Rothschildt and now in the possession of her heirs, belongs to a group of seven extant autograph scores, written from 1772 to 1777, which contain works that were all published by the Parisian publishers Louis-Balthazard de La Chevardière and Jean-Georges Sieber. As it appears, these manuscripts are the scores sent by Boccherini to Paris for publication. Several of them contain explicit indications for the engraver and several of them contain lines in red pencil that mark the division of the notes over the staves as found in the Parisian editions.