Organ solo

SKU: CA.1805220

Composed by Various. Edited by Helmut Volkl. This edition: Paperbound. Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern. German title: Vorspiele +Begleitsatze. Organ music based on hymns, Advent, End of the church year, Epiphany, Lent and Passiontide, Ascension, Easter and Eastertide, Whitsun, Trinity, Christmas, Eucharist, Communion, Wedding, Confirmation, Morning, midday, evening. Collection. 160 pages. Carus Verlag #CV 18.052/20. Published by Carus Verlag (CA.1805220).

ISBN 9790007100223.

Score available separately - see item CA.1805200.

By Chuck Mangione. Arranged by Victor Lopez. Percussion arr. Anthony M. Falcone. For Marching Band. Marching Band. Diamond Series. Level: 4 (Advanced) (grade 4). Conductor Score. 12 pages. Published by Alfred Publishing.

By Chuck Mangione. Arranged by Victor Lopez. Arr. Victor Lopez. For Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Level: 3 (Medium) (grade 3). Conductor Score. 20 pages. Published by Alfred Publishing.

Jazz Ensemble - Grade 3.5

SKU: KN.43163S

(Give It All You Got). Composed by Mark Lathan. Jazz Ensemble Series. Kendor Music Inc #43163S. Published by Kendor Music Inc (KN.43163S).

UPC: 822795431636.

Commissioned as part of a project to recognize the late Bill Carroll and his contributions to music education, this burning Latin original will be a favorite of musicians and audiences alike. With a strong melodic line, abundant ensemble work and open solo space, this medium advanced chart has it all! Duration 5:38.

Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute, clarinet, F horn, tuba and vibes - Grade 2

SKU: KN.42151S

Composed by George Shutack. First Edition Series. Kendor Music Inc #42151S. Published by Kendor Music Inc (KN.42151S).

UPC: 822795421514.

Many of Count Basie's greatest charts started with him playing the melody with his rhythm section and this accessible chart provides your pianist with that experience. This great blues chart also includes an open solo section (written solos provided).

Grade 2.5

SKU: CL.011-2648-01

Composed by A. Clark. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR324). Extra full score. Composed 1994. C.L. Barnhouse #011-2648-01. Published by C.L. Barnhouse (CL.011-2648-01).

An exciting rock tune that includes an optional section where you can give any of your students a chance to play an improvised solo. Includes parts for Keyboard, Electric Bass and Drum Set and solo sheets to help your young players understand the chords and scales to the solo section. A perfect way to introduce improvisation to all of your students!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Rain Stick, Snare Drum, Suspended Cymbal, Tom-tom, Trombone, Trumpet and more. - Grade 0.5

SKU: CF.PPS57F

Composed by Kevin Hilbun. Pps. Full score. 12 pages. Duration 1:06. Carl Fischer Music #PPS57F. Published by Carl Fischer Music (CF.PPS57F).

ISBN 9781491161814. UPC: 680160920495.

PROGRAM NOTES: While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum. PERFORMANCE NOTES: The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.
PROGRAM NOTES:While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum.PERFORMANCE NOTES:The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.

By Andy Clark. Concert band. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR324). Grade 2.5. Score and set of parts. Composed 1994. Published by C.L. Barnhouse

By Erik Satie (1866-1925). Edited by Jens Rosteck. For piano. This edition: Stapled, Urtext edition. Performance score. Text Language: German/English. 15 pages. Published by Baerenreiter Verlag