| Renaissance and Baroque Guitar Duets. 2 guitars 2 Guitars (duet) Classical guitar [Sheet music + CD] Music Minus One
For Guitar. Classical (chamber). Includes a high-quality printed music score wit...(+)
For Guitar. Classical (chamber). Includes a high-quality printed music score with both primo and secondo guitar parts; and a compact disc containing a complete performance with secondo guitar on the left channel, and primo guitar on the right channel. Either can be easily removed for your performance pleasure. Published by Music Minus One.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Baroque Christmas Concertos For Choir Choral SATB [Sheet music + CD] Helbling Musikverlag
SATB Choir SKU: BT.HBLC7142 10 berühmte Pastoralsätze bearbeitet...(+)
SATB Choir SKU: BT.HBLC7142 10 berühmte Pastoralsätze bearbeitet Für gemischten Chor SATB Orgel ad lib.. Book with CD. Helbling Musikverlag #HBLC7142. Published by Helbling Musikverlag (BT.HBLC7142). ISBN 9783850619837. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Frederick Noads Classical Guitar Treasury: Duets And Ensembles Guitar Ensemble Classical guitar [Sheet music] Chester
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164...(+)
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164 pages. Published by Chester Music.
$33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Music for Guitar Duet 2 Guitars (duet) [Sheet music + Audio access] Hal Leonard
Romantic, Baroque and Renaissance Music for Two Guitars in Standard Notation ...(+)
Romantic, Baroque and
Renaissance Music for Two
Guitars in Standard Notation
and Tablature. Composed by
Various. Guitar Collection.
Classical. Softcover Audio
Online. With guitar
tablature. 272 pages.
Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Voggy's First Recorder (baroque fingering) Voggenreiter
Recorder SKU: M7.VOGG-825 Edited by Voggenreiter. Musical instrument. Bar...(+)
Recorder SKU: M7.VOGG-825 Edited by Voggenreiter. Musical instrument. Barocke Griffweise. Voggenreiter #VOGG 825. Published by Voggenreiter (M7.VOGG-825). Der preisgünstige Einstieg! Mit barocker und deutscher Griffweise! Bunte Sopran-Blockflöte in C (barocke & deutsche Griffweise) aus strapazierfähigem Kunststoff, der ideale Begleiter beim Spielen und Toben! Für die einfache Reinigung kann die abwaschbare Flöte mit einem Handgriff einfach zerlegt werden, so ist sie auch nach heftigem Einsatz schnell wieder sauber und hygienisch einwandfrei. Im Set mit dabei: Mit praktischer Aufbewahrungstasche und Wischerstab zur Reinigung. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Bachaneer String Orchestra [Score and Parts] - Intermediate Belwin
Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; S...(+)
Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. 72 pages. Published by Belwin Music (AP.40496).
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa "Dies sanctificatus" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3069-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU: BR.CHB-3069-02 Urtext. Composed by Giovanni Pierl da Palestrina. Edited by Rudolf Ewerhart. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Renaissance/early Baroque. Choral score. 32 pages. Breitkopf and Haertel #ChB 3069-02. Published by Breitkopf and Haertel (BR.CHB-3069-02). ISBN 9790004403099. 7.5 x 10.5 inches. Palestrinas Missa ,,Dies sanctificatus steht in den ,,Missae ... Liber Sextus, dem sechsten Messenbuch, das 1594 in Rom erstmals gedruckt wurde. Die sechs Messen dieses Druckes sind dem kunstliebenden Kardinal Pietro Aldobrandini gewidmet, dem Neffen des Papstes Clemens VIII.Als Modell fur diese Messe diente Palestrina seine gleichnamige, vierstimmige Weihnachtsmotette, welche er im Jahre 1563 in den ,,Motecta festorum anni hatte veroffentlichen lassen. Die Themen dieser Motette bestimmen das melodische und harmonische Gefuge der Messe: fast alle Satzanfange sind vom Initialthema der Motette gespeist, und der jubelnde Dreiertakt des ,,Exultemus et laetemur beschliesst Gloria und Credo sowie das funfstimmige Agnus Dei, das nach Palestrinas Gewohnheit einen Kanon durchfuhrt, hier im Intervall der Oberquart zwischen Tenor und Alt 2.Bereits vor mehreren Jahrzehnten war die Missa ,,Dies sanctificatus in einer praktischen Ausgabe von Hermann Bauerle im Verlag Breitkopf & Harte! veroffentlicht worden. Unsere Ausgabe geht auf den Druck von 1594 zuruck, der in den Exemplaren des Liceo Musicale in Bologna (Cantus) und der Proske-Bibliothek in Regensburg (Altus, Tenor, Bassus) vorlag. Durch die Transposition des hochgeschlusselten Satzes wird die Ausfuhrung durch einen gemischten Chor moglich. Die Notenwerte wurden auf die Halfte gekurzt; der Dreiertakt ist im Originaldruck durch Schwarzung angezeigt. Einige Druckfehler, so der Schluss des Alt im Credo, wurden verbessert. Die schwungvolle, von der freudigen Grundstimmung der Weihnachtsmotette inspirierte Messe zahlt zu den Werken des romischen Meisters, die auch fur verhaltnismassig einfache Chorverhaltnisse erreichbar, in der Praxis aber weniger bekannt sind. Unsere Neuausgabe, die das Original in einer moglichst getreuen Form ohne Zusatze bietet, mochte dieser Messe in weiteren Kreisen Freunde gewinnen.Rudolf Ewerhart, im Dezember 1959, Munster (Westf.). $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa in C major Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5295-02 Composed by Antonio Lotti. Edited b...(+)
Chorus a cappella SKU: BR.CHB-5295-02 Composed by Antonio Lotti. Edited by Anton Reinthaler. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Baroque. Choral score. 24 pages. Breitkopf and Haertel #ChB 5295-02. Published by Breitkopf and Haertel (BR.CHB-5295-02). ISBN 9790004412060. 7.5 x 10.5 inches. Lottis sacred music satisfies a demand for easily singable yet rewarding choral music in the classical a cappella polyphony of the stile antico. Anton Reinthaler's new edition takes its place alongside other late-Baroque choral works - Lotti's Missa in A (ChB 5186), for example - listed in our new brochure Source Criticism for Practical Use: Choir. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| St. John Passion SWV 481 Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.CHB-5350 Composed by Heinrich Sc...(+)
Chorus (with soloists) and piano SKU: BR.CHB-5350 Composed by Heinrich Schutz. Arranged by Arnold Mendelssohn. Choir; stapled. Chor-Bibliothek (Choral Library). Oratorio/passion; Renaissance/early Baroque; Baroque. Sheet Music. Breitkopf and Haertel #CHB 5350. Published by Breitkopf and Haertel (BR.CHB-5350). ISBN 9790004412800. 7.5 x 10.5 inches. German. The St. John Passion SWV 481, with its full title History of the Passion and Death of Our Lord and Saviour Jesus Christ According to the Evangelist St. John, is counted among the most frequently performed works of Heinrich Schutz. Other than the later passions by Johann Sebastian Bach, the original scoring does not include instrumental accompaniment. To enable a presentation of the passion by a wider circle of performers, however, the composer and church musician Arnold Mendelssohn (1855-1933) has developed this arrangement with organ or piano accompaniment, being a harmonic framework and new tone color at the same time. The edition also suggests chorales from the Evangelisches Gesangbuch for a possible active participation of the congregation. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Jesu, meine Freude Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5302-02 Motet. Composed by Johann Fr...(+)
Chorus a cappella SKU: BR.CHB-5302-02 Motet. Composed by Johann Friedrich Doles. Edited by Jurgen Neubacher. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Baroque. Choral score. 24 pages. Duration 18'. Breitkopf and Haertel #ChB 5302-02. Published by Breitkopf and Haertel (BR.CHB-5302-02). ISBN 9790004412220. 7.5 x 10.5 inches. Johann Friedrich Doles was the indirect successor of J.S. Bach as Thomaskantor in Leipzig. He must have been familiar with Bachs setting of Jesu, meine Freude BWV 227 when he wrote his Motet on this piece around 1775, since there are several stylistic parallels with its great precursor. Typical for Doless chorale motet is the fifth strophe (see example) with its sleek and elegant alternation between solo and tutti sections, whereby the composer and Thomaskantor probably only had eight able singers for the tutti in Leipzig around 1780, as Doles himself laments. The late 18th century was simply not the golden age of the Thomasschule! Doless motet fell into oblivion and was long held to be lost. This first edition supplements the publications from the late Baroque and early Classical eras (Graun, Bortnyansky a.o.) which were released in recent years in Breitkopfs Choral Library. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 Motets Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful ...(+)
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful Attribution - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Baroque; Renaissance/early Baroque. Sheet Music. Breitkopf and Haertel #CHB 5343. Published by Breitkopf and Haertel (BR.CHB-5343). ISBN 9790004412732. 7.5 x 10.5 inches. German. Johann Kuhnau's extant vocal works will be fully complete in the Breitkopf & Hartel catalogue in coming years. These are cantatas as a rule, but at least works with instrumental accompaniment. The Three Motets in this volume are therefore unique, including in addition to the well known Tristis est anima mea, also the two other extant Kuhnau motets Ach Gott, wie lasst du mich verstarren, as well as Gott hat uns nicht gesetzt zum Zorn. Each one, of five parts (with the tenor or canto part doubled), these masterpieces round out the picture of Johann Kuhnau, Johann Sebastian Bach's predecessor as St. Thomas cantor. Really interesting. Kuhnau shows a real feeling for the texts he is setting, with effective chromaticism in the doleful 'Tristis est anima mea'.(Jeremy Jackman, Choir & Organ). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Unser Leben ist ein Schatten Breitkopf & Härtel
Chorus a cappella (SSATTB ATB - org ad lib.) SKU: BR.CHB-3533-02 Chora...(+)
Chorus a cappella (SSATTB ATB - org ad lib.) SKU: BR.CHB-3533-02 Chorale Motet. Composed by Johann Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Renaissance/early Baroque; Baroque. Choral score. 8 pages. Breitkopf and Haertel #ChB 3533-02. Published by Breitkopf and Haertel (BR.CHB-3533-02). ISBN 9790004404652. 7.5 x 10.5 inches. There can be no doubt about it: The Bachs were a family of musicians. One of them was Johann Bach, who lived from 1604 to 1673 and experienced the turbulent times of the Thirty Years' War. When he - as the first in the family - found joy and fulfillment not only as an organist, but also as a composer, he would certainly never have imagined what historically great steps his successors were to take, especially his great nephew Johann Sebastian.Johann Bach's motet Unser Leben ist ein Schatten was published in 1821, but was erroneously attributed to Johann Michael Bach. Unusual is the scoring with one six-part main chorus and one three-part off-stage chorus (Chorus latens) which gives the piece a spatial sound depth and thus a very particular atmosphere. $4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| St. John Passion SWV 481 Choral Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.CHB-5350-00 Composed by Heinrich...(+)
Chorus (with soloists) and piano SKU: BR.CHB-5350-00 Composed by Heinrich Schutz. Arranged by Arnold Mendelssohn. Choir; stapled. Chor-Bibliothek (Choral Library). Oratorio/passion; Renaissance/early Baroque; Baroque. Score. 60 pages. Breitkopf and Haertel #ChB 5350-00. Published by Breitkopf and Haertel (BR.CHB-5350-00). ISBN 9790004412800. 7.5 x 10.5 inches. German. The St. John Passion SWV 481, with its full title History of the Passion and Death of Our Lord and Saviour Jesus Christ According to the Evangelist St. John, is counted among the most frequently performed works of Heinrich Schutz. Other than the later passions by Johann Sebastian Bach, the original scoring does not include instrumental accompaniment. To enable a presentation of the passion by a wider circle of performers, however, the composer and church musician Arnold Mendelssohn (1855-1933) has developed this arrangement with organ or piano accompaniment, being a harmonic framework and new tone color at the same time. The edition also suggests chorales from the Evangelisches Gesangbuch for a possible active participation of the congregation. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Die Kunst des Kuessens Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5060-02 Composed by Andreas Hammerschmidt. ...(+)
Chorus a cappella SKU: BR.CHB-5060-02 Composed by Andreas Hammerschmidt. Choir. Chor-Bibliothek (Choral Library). Renaissance/early Baroque; Baroque. Choral score. 4 pages. Breitkopf and Haertel #ChB 5060-02. Published by Breitkopf and Haertel (BR.CHB-5060-02). ISBN 9790004409961. 6.5 x 9.5 inches. $3.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.ED-12658 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softbound. Mass; Requiem; Baroque. Piano/Vocal Score. 70 pages. Duration 55'. Breitkopf and Haertel #ED 12658. Published by Breitkopf and Haertel (BR.ED-12658). ISBN 9790220121760. 7.5 x 11 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-20 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-20. Published by Breitkopf and Haertel (BR.EOS-8047-20). ISBN 9790004789759. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Choral SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-15 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softcover. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 24 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-15. Published by Breitkopf and Haertel (BR.EOS-8047-15). ISBN 9790004789735. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 400 Years of Recorder Music Recorder [Sheet music] - Intermediate Mel Bay
by Dr. William Weiss. For soprano recorder. Classic, ensembles. Level: Intermedi...(+)
by Dr. William Weiss. For soprano recorder. Classic, ensembles. Level: Intermediate. Book. Solos. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.
(1)$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quartets for All Flexible Instrumentation [Sheet music] Alfred Publishing
By Albert Stoutamire and Kenneth Henderson. For C Instruments. Mixed Instruments...(+)
By Albert Stoutamire and Kenneth Henderson. For C Instruments. Mixed Instruments - Flexible Instrumentation. 24 pages. Published by Alfred Publishing.
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-19 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-19. Published by Breitkopf and Haertel (BR.EOS-8047-19). ISBN 9790004789742. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. -...(+)
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-26 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 16 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-26. Published by Breitkopf and Haertel (BR.EOS-8047-26). ISBN 9790004789766. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 Chants Breitkopf & Härtel
SKU: BR.CHB-5356 Composed by Siegfried Thiele. Stapled. Chor-Bibliothek (...(+)
SKU: BR.CHB-5356 Composed by Siegfried Thiele. Stapled. Chor-Bibliothek (Choral Library). Motet; New music (post-2000). Sheet Music. Composed 2017. Breitkopf and Haertel #CHB 5356. Published by Breitkopf and Haertel (BR.CHB-5356). ISBN 9790004412862. 7.5 x 10.5 inches. German. EnlighteningSiegfried Thiele's Three Chants are short, easy-to-learn yet harmonically intriguing pieces for three equal voices. They are thus suitable for small ensembles as well as female and male choirs if the violin clef is read an octave lower. In here, Thiele uses short poems by the Silesian mystic and theologian Angelus Silesius (1624-1677) whose epigrams belong to the most important lyrical works of Baroque literature. His works have been regularly set to choral music in recent times, for instance by Johann Nepomuk David (Three Settings from Cherubinischer Wandersmann, CHB 4810, and Mensch werde wesentlich, CHB 2856, both for male choir). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Das Weihnachtsliederbuch Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in ...(+)
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in der Zwickauer Ratsschulbibliothek. Composed by Cornelius Freundt. Choir; Softbound. Chor-Bibliothek (Choral Library). Following Arnold Mendelssohn's edition of the 'Altdeutsche Weihnachtslieder', this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. For this work we offer sample pages of the choral score for download. Song; Renaissance/early Baroque. Choral score. 64 pages. Breitkopf and Haertel #ChB 2950-02. Published by Breitkopf and Haertel (BR.CHB-2950-02). ISBN 9790004411865. 7.5 x 10.5 inches. German. Following Arnold Mendelssohns edition of the ,,Altdeutsche Weihnachtslieder (ChB 2782), this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. Freundt himself is the main composer in this 64-page collection, which also features pieces by his contemporaries, including some well-known composers.
New edition by Diethard Hellmann. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mass in A Op. 1 Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5366 Composed by Kurt Thomas. Choir; staple...(+)
Chorus a cappella SKU: BR.CHB-5366 Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Sheet Music. Composed 1925. Breitkopf and Haertel #CHB 5366. Published by Breitkopf and Haertel (BR.CHB-5366). ISBN 9790004412961. 7.5 x 10.5 inches. Latin. Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (CHB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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