| The Real Book - Volume VI C Instruments [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed by
Various. Fake Book.
Softcover. Published by Hal
Leonard
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| The Real Book - Volume VI Bb Instruments Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).
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| The Best of Irish Music Piano, Vocal and Guitar Creative Concepts
By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published...(+)
By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published by Creative Concepts.
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| Schul-Songbook Schott
Voice SKU: HL.49047298 German and Enlgish Unison Voices. Edited by...(+)
Voice SKU: HL.49047298 German and Enlgish Unison Voices. Edited by Friedrich Neumann and Syliva Silvery. Edition Schott. Classroom Resources. Softcover. Schott Music #ED23701. Published by Schott Music (HL.49047298). UPC: 196288194491. With songs from... Adele, Billie Eilish, Camila Cabello, Ed Sheeran, Harry Styles, Imagine Dragons, Johannes Oerding, Joris, Kraftklub, Namika, P!nk, The Weeknd, Tones and I and many, many others. This school songbook offers a wealth of recent and recent chart hits. There are also timeless classics from Abba, the Beatles, Sting, Michael Jackson and Elton John. The school songbook is the perfect pop update and an ideal addition to any songbook. Class music movements, accompaniment patterns, body percussions and background information enrich the lead sheets and offer further perspectives for teaching. $29.99 - See more - Buy online | | |
| Partch H Even Wild Horses Schott
Ensemble (P) SKU: HL.49033015 Dance Music for an Absent Drama. Com...(+)
Ensemble (P) SKU: HL.49033015 Dance Music for an Absent Drama. Composed by Harry Partch. This edition: Saddle stitching. Sheet music. Edition Schott. Study score, Faksimile-Edition. 74 pages. Duration 25'. Schott Music #ED9337. Published by Schott Music (HL.49033015). ISBN 9790001130387. UPC: 888680630560. 8.25x11.75x0.245 inches. $40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chicago: The Chicago Fake Book Fake Book [Fake Book] - Intermediate Hal Leonard
(C Edition) Performed by Chicago. For C instrument. Format: fakebook. With leads...(+)
(C Edition) Performed by Chicago. For C instrument. Format: fakebook. With leadsheet notation (includes melody line and chords) and lyrics. Pop rock and soft rock. Series: Hal Leonard Fake Books. 232 pages. 9x12 inches. Published by Hal Leonard.
(2)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beyond the Stage. Musical Theatre and Performing Arts between ‘fin de siècle’ and the ‘années folles’ Ut Orpheus
Books and Journals SKU: UT.APS-10 Edited by Giuseppe Montemagno and Miche...(+)
Books and Journals SKU: UT.APS-10 Edited by Giuseppe Montemagno and Michela Niccolai. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 10. Published by Ut Orpheus (UT.APS-10). ISBN 9788881095056. 6.5 x 9.5 inches. Essays by Marie-Helene Benoit-Otis, Jean-Christophe Branger, Michel Duchesneau, Stephan Etcharry, Sarah Gutsche-Miller, Jacinthe Harbec, Karen Henson, Mara Lacche, Ralph P. Locke, Anne Monjaret, Michela Niccolai, Luca Levi Sala
The crisis of dramaturgical systems in the age of European modernism, between the end of the nineteenth century and the First World War, provoked the creation of a range of original artistic solutions until the 1930s which broke apart traditional musical genres. The quest for new forms of expression thus becomes a defining feature in modernist art. Composers, riding the wave of momentum built first in literature and the fine arts, blurred the boundaries between high and low styles, and it is in this co-existence, inherent to the new forms, that musical production found new life. Theatre studies have pinpointed this desire for artistic experimentation with Paris at its centre, the city of light, that cultural meeting ground and formidable catalyst of artistic trends. The visual spectacle produced during the forty years (approximately 1890-1930) covered in this volume has therefore been analysed in a number of different ways, deriving from the vast panorama of cultural history, interrogating theatrical materials not only from the standpoint of the <>, but also by investigating the links between high and low, mediatised culture. Musicological research applied to high art genres (song, opera, all genres of instrumental music) does not yet seem to have taken these hybrid spectacles which modify forms and genres in search of new musical and dramatic solutions into consideration, except in a few rare cases. On the other hand, new impetus has been given by a renewed interest in popular chanson and ballet. In this current volume, we have chosen to interrogate the spectacular element, that is to say the performance, as 'a text', equal in status to the music and the literary text. Therefore, the different subject areas proposed in the following chapters reveal a lesser importance of the subject material set to music by composers but a greater willingness, at the centre of this aesthetic renewal, to try out new musical forms or to adapt traditional structures to new dramatic ends. $104.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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