The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

100 Hymns for Violin and Guitar is a collection of all-time favorite hymns arranged for violin solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year./ Recueil / Violon et Guitare

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri?s Lyric Interlude: ?A Study in Pastoral Style?. When, in 2008, the composer received the commission for a piece with English Horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the Oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the ?Scène aux champs?, making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 in its original version for English Horn, Violin and Cello, the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer?s Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute, Clarinet or Viola), Violin and Cello, Op.110a (AL 30 751)

Par SHEPPARD JOHN. Edited by David Chadd The music of John Sheppard, who was about ten years younger than Tallis, dates from the uncertain times of the Reformation and the reigns of Edward VI and Mary. Perhaps his most impressive work is to be found in his cantus firmus responds, which reflect the considerable musical importance that some choral foundations attached to Matins and Vespers on special feast-days in the last decades of the Sarum rite./ Recueil / Chorale

Partition piano, chant et guitare (diagrammes d'accords) de la BO de 'The Gospel'. / Piano/Vocal/Guitare (PVG) / Partition

Arrangeur: Stan Pethel. Winds of Worship is a uniquely flexible collection of 12 hymn arrangements for solos, duets, trios, quartets, quintets, sextets...and more! Each arrangement can be performed by a brass quartet unaccompanied, or accompanied using the fully orchestrateioTrax CD or piano accompaniment book. Mix and match instrumentation according to your needs in any given situation, all year long in a variety of settings: worship services, Sunday School or at home. Stan Pethel's signature style of accessible, fresngements shines through in each hymn making Winds of Worship an essential addition to your library...for the advanced or beginning player alike. This is the Flute part, which can also be used for Oboe or Violin. / Musique religieuse / Recueil / Flûte Traversière