Par PAUSET BRICE. Les Fantazias de Henry Purcell, comme Die Kunst der Fuge ou les Cinq fugues (elles aussi en ré mineur) de d'Anglebert font partie du genre bien particulier des 'collections' de morceaux fugués. Ecrites par un jeune compositeur d'une vingtaine d'années, ces fantaisies pour violes représentent une spectaculaire démonstration de virtuosité contrapuntique et 'affective' (au sens des affetti rhétoriques). La transcription est un genre particulièrement multiforme. En l'espèce, c'est à travers un travail de décomposition-recomposition que je voudrais faire entendre ces fantaisies, sous un jour entièrement nouveau. Comme toujours, des préoccupations personnelles viennent nourrir le travail d'interprétation propre à la transcription. Le développement chez moi du 'chant non-vocalique', qui peut, je l'ai montré à plusieurs reprises, très bien s'appliquer à la musique instrumentale, et surtout la tentative de pouvoir penser et écrire la musique sans esquisses constituent, pour l'un, le socle de la transcription en tant que démontage, de la décomposition systématique des phénomènes originaux de l'écriture de Purcell pour en faire émerger la face cachée, pour l'autre, une résonance historique, une manière de fraternité distante quant à la nécessité ressentie d'inventer la musique en permanence, ou plutôt d'inventer les conditions permettant à la musique de se développer à travers ses propres inclinations. Brice Pauset / contemporain / Répertoire / Violon et Ensemble Instrumental

based on the march from Henry Purcell's 'Music for the funeral of Queen Mary II'-Cette composition se base sur la marche de la Music for the funeral of Queen Mary II (Musique pour les fun?railles de la reine Mary II) d?Henry Purcell une ?uvre ?crite en 1694. Dans cette fantaisie le th?me principal est suivi de plusieursmouvements encha?n?s ; d?velopp? au travers de ces mouvements il est ?galement mis en contraste. Bien que le mat?riau th?matique d?vie tellement que l??uvre acquiert son propre caract?re le compositeur ne cesse de revenir sur des fragments du th?me.Ce morceau ?tait la pi?ce impos?e ? la 4e division du Championnat National de Brass Band des Pays-Bas (NBK) en 2017.

based on the march from Henry Purcell's Music for the funeral of Queen Mary II-Cette composition se base sur la marche de la Music for the funeral of Queen Mary II (Musique pour les fun?railles de la reine Mary II) d?Henry Purcell une ?uvre ?crite en 1694. Dans cette fantaisie le th?me principal est suivi de plusieursmouvements encha?n?s ; d?velopp? au travers de ces mouvements il est ?galement mis en contraste. Bien que le mat?riau th?matique d?vie tellement que l??uvre acquiert son propre caract?re le compositeur ne cesse de revenir sur des fragments du th?me.

based on the march from Henry Purcell's Music for the funeral of Queen Mary II-Cette composition se base sur la marche de la Music for the funeral of Queen Mary II (Musique pour les fun?railles de la reine Mary II) d?Henry Purcell une ?uvre ?crite en 1694. Dans cette fantaisie le th?me principal est suivi de plusieursmouvements encha?n?s ; d?velopp? au travers de ces mouvements il est ?galement mis en contraste. Bien que le mat?riau th?matique d?vie tellement que l??uvre acquiert son propre caract?re le compositeur ne cesse de revenir sur des fragments du th?me.

Dramatic Music Part 2 (Paperback Edition)-Volume 20 of the ‘Purcell Society’ series Dramatic Music Part 2 contains 16 pieces by Henry Purcell for intermediate/advanced (Grades 6-8) Voice(s) String Instruments and Continuo. The collection includes (among others) At The Close Of The Evening (The Knight Of Malta) If Thou Wilt Give Me Back My Love (A Fool's Preferment) and The Danger Is Over The Battle Is Past (The Fatal Marriage). Edited under the supervision of the Purcell Society by Ian Spink.Henry Purcell was an English composer. Although incorporating Italian and French stylistic elements into his compositions Purcell'slegacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers.The Purcell Society founded in 1876 is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965 scores of all the known works of Purcell were published in 32 volumes.

Opera-A London theatre-goer attending the first performance of Purcell's opera in May 1692 may have expected to see a new and exciting production in which he was promised that the composer 'Mr Purcell [...] joyns Delicacy and Beauty of the Italian way [with] the Graces and Gayety of the French'. Not only would there have been music to attract the ear but the eye too would have been entertained as each successive scene unfolds with a brilliant theatrical transformation. The present edition of Purcell's operatic masterpiece offers the first ever complete and ordered publication of any of Purcell's operas with the inclusion of the complete and performable musical and spoken text insequential order.The editor Michael Burden is Fellow and Dean of New College Oxford University Reader in Opera Studies and Director of New Chamber Opera. His other publications include Performing the Music of Henry Purcell (OUP 1996) and Henry Purcell's Operas: The Complete Texts (OUP 2000).

Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre

Suite Nach Henry Purcell, F. Str.Quart. Od. Str.Orch.. Par TAKACS JENO. 2Vl Va Vc (Strorch)/ Répertoire / Orchestre

Suite Nach Henry Purcell, F. Str.Quart. Od. Str.Orch.. Par TAKACS JENO. 2Vl Va Vc (Strorch)/ Répertoire / Orchestre

Par PURCELL HENRY. Henry Purcell wrote several works in honour of Saint Cecilia, patron saint of church music. The best known of these works probably is Hail! Bright Cecilia (1692) the solo part of which was performed by Purcell himself at the world premiere. Welcome to all the pleasures was composed in 1683 on a text by Christopher Fishburn. The work is now published as piano reduction of the score published by Eulenburg (ETP 1062). Orchestral parts are available at Breitkopf & Härtel./ Répertoire / Solistes, Chœur Mixte SATB et Piano

Par PURCELL HENRY. A compilation of the music composed for and played at the funeral of Queen Mary in Westminster Abbey on March 5th 1695. Edited and reconstructed by Bruce Wood. / Rép Classique / Répertoire / Chant et Piano

Royal Welcome Songs Part 2 (Hardback)-The Purcell Society Volume 18 (Hardback edition) contains the second part of Henry Purcell’s Royal Welcome Songs. The Purcell Society is dedicated to making his vast list of works available many of which are currently out of print or inaccessible. This volume has been edited by Bruce Wood under the supervision of the Purcell Society. These volumes represent not only the most accurate but also the most authoritative version available. With comprehensive appendices detailed commentary and discussion the original setting of the texts and the full score for SATB Choir and String Quartet and Piano this is a must for any Purcell or Baroque musicenthusiast.

Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.One of Purcell’s last pieces Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William Duke of Gloucester in June 1695. The Prince was said to enjoy the brash tone of the Trumpet so the prominent Trumpet part was written especially for him. Unusually Purcell also made use of therecently-introduced Oboe and Bassoon.A real asset to the catalogue A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.