| La Strada IV: Viottolo di campagna - Gelsomina vaga sola Flute and Piano Ricordi
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Fl...(+)
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142175. Published by Ricordi (HL.50603659). ISBN 9781705127803. UPC: 840126952261. This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli). $12.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I Go to the Rock Choral SATB SATB A Cappella Gentry Publications
Choral (SATB ACAPPEL) SKU: HL.1247357 Composed by Dottie Rambo. Arranged ...(+)
Choral (SATB ACAPPEL) SKU: HL.1247357 Composed by Dottie Rambo. Arranged by Stacey V. Gibbs. Gentry Publications. Concert, General Worship, Gospel. Octavo. 16 pages. Gentry Publications #JG2620. Published by Gentry Publications (HL.1247357). UPC: 196288152934. 6.75x10.5x0.036 inches. Looking for an arrangement to feature a great soloist while still highlighting your choir? Look no further. Stacey Gibbs' arrangement of Dottie Rambo's classic hit “I Go to the Rock†is full of rhythmic energy, while exploring many harmonic shifts that will keep your singers and the audience completely engaged from beginning to end. This is what an a cappella gospel arrangement with a smooth jazz vibe is all about, and we give it our highest recommendation! $3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ostinati Marching band De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-020 Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Set (Score & Parts). De Haske Publications #DHP 1115084-020. Published by De Haske Publications (BT.DHP-1115084-020). 9x12 inches. English-German-French-Dutch. It may be surprising to see a fanfare piece commissioned by a Japanese ensemble, since fanfare orchestras are typically found in Belgium, Holland and Luxembourg, and also France and Switzerland. Senzoku Gakuen is one of the largest and mostprestigious music universities in Japan, and home to a wide variety of ensembles and orchestras. Since 2006 they have had a fanfare orchestra, which was started by Sotaru Fukaishi, a euphonium teacher who felt further performance opportunity wasneeded for saxhorn instruments. Fukaishi had loved the sound of fanfare orchestras ever since visiting the World Music Contest in Kerkrade (Holland) several years earlier. Jan Van der Roost was involved with this new initiative from the beginning,and they were also joined by Manu Mellaerts for certain projects. The Dean of the music department, Professor Kazuo Tomioka, fully supports the ensemble and commissioned Ostinati. The première took place on June 11th at Maeda Hall inMizonokuchi (Kawasaki) where Senzoku Gakuen is based. The piece opens with an impressive timpani solo, followed by brass and saxophone. The rhythmical pulse remains constant and the music is fiery and assertive in character. A pentatonic melodygradually emerges and the music loses its vehemency and softens. The initial percussion ostinati subsequently recurs and the first section of the piece concludes in a similar mood to the opening. The second movement is sweet and melodic, opening witha long passage for the saxophone family in a minor key. The same theme then appears in the major and is developed upon; the music builds to a majestic orchestral forte, reminiscent of a pipe organ in its sonority. The theme returns in the originalminor key with a change in instrumentation leading the movement to a quiet and peaceful end on a soft E minor chord. The finale starts with percussion: a four-bar pattern is repeated several times over which the movement’s melodic themes areintroduced. These melodic elements are varied and used in different versions and the ostinato idea, which characterizes the entire piece, is highlighted. The theme travels through the orchestra, appearing on various instruments and in variousregisters. It captures the listener’s attention and displays the full range of sound and colour within the fanfare orchestra.
Het is misschien verrassend dat dit fanfarewerk is geschreven in opdracht van een Japans ensemble, aangezien fanfareorkesten vooral te vinden zijn in België, Nederland en Luxemburg, en ook wel in Frankrijk en Zwitserland. SenzokuGakuen is een van de grootste en meest prestigieuze muziekopleidingen van Japan, en de thuisbasis van een grote verscheidenheid van ensembles en orkesten. In 2006 is er een fanfareorkest opgericht, en wel door Sotaru Fukaishi, eeneuphoniumdocent die vond dat er meer mogelijkheden moesten komen voor optredens met saxhoorninstrumenten. Fukaishi had enkele jaren daarvoor genoten van de fanfareklank toen hij het Wereld Muziek Concours in Kerkrade bezocht. DeBelgische componist Jan Van der Roost was van het begin af aan betrokken bij dit nieuwe initiatief, en ook Manu Mellaerts werd voor een aantal projecten aangetrokken. Het hoofd van de muziekfaculteit, professor Kazuo Tomioka, staatgeheel achter het ensemble en gaf de opdracht tot het schrijven van Ostinati. De première vond plaats op 11 juni in de Maeda Hall in Mizonokuchi (Kawasaki), waar Senzoku Gakuen is gevestigd. Het werk begint met een indrukwekkendepaukensolo, gevolgd door koper en saxofoon. De ritmische puls blijft constant, en de aard van de muziek is vurig en krachtig. Geleidelijk komt er een pentatonische melodie naar voren en wordt de muziek minder heftig, ze wordtzachter van karakter. De aanvankelijke ostinati in het slagwerk verschijnen dan opnieuw, waarna het eerste deel van het werk eindigt in dezelfde sfeer als waarmee het begon. Het tweede deel is lieflijk en melodisch. Het opentmet een lange passage voor de saxofoons in een mineurtoonsoort. Dan klinkt hetzelfde thema in majeur en daar wordt op voortgeborduurd: de muziek ontwikkelt zich tot een majestueus orkestraal forte, dat qua sonoriteit doet denken
Es mag überraschen, dass dieses Fanfareorchesterwerk ausgerechnet von einem japanischen Ensemble in Auftrag gegeben wurde, da Fanfareorchester doch eher in Belgien, den Niederlanden oder Luxemburg oder auch in Frankreich oder Schweiz zu finden sind. Senzoku Gakuen ist eine der größten und renommiertesten Musikschulen Japans und Heimstätte einer Vielfalt an Ensembles und Orchestern. Im Jahr 2006 wurde ein Fanfareorchester gegründet. Den Anstoß gab Sotaru Fukaishi, ein Euphoniumlehrer, der den Instrumenten der Saxhorn-Familie mehr Spielmöglichkeiten bieten wollte. Fukaishi hatte sich einige Jahre zuvor bei der Weltmeisterschaft in Kerkrade (Holland) in den Klang vonFanfareorchestern verliebt. Jan Van der Roost war von Beginn an in die Entwicklung dieser Idee involviert und, einige Projekte betreffend, ebenso Manu Mellaerts. Der Dekan des Musik-Colleges, Professor Kazuo Tomioka, steht voll und ganz hinter dem Ensemble und gab Ostinati in Auftrag. Die Premiere fand am 11. Juni 2011 in der Maeda Hall in Mizonokuchi statt, dem Heimatort der Schule Senzoku Gakuen. Das Stück beginnt mit einem eindrucksvollen Paukensolo, bevor Blechbläser und Saxophon einsetzen. Der rhythmische Puls bleibt konstant unter einer feurigen, nachdrücklichen Musik. Eine pentatonische Melodie bildet sich nach und nach heraus, während die Musik an Heftigkeit verliert und sanfter wird. Die anfänglichen Ostinati im Schlagwerk kehren zurück und so endet der erste Satz des Werkes in einer der Eröffnung ähnlichen Stimmung. Der zweite Satz ist lieblich und melodiös. Er beginnt mit einem langen Abschnitt für die Saxophone in Moll. Dann erscheint das gleiche Thema in Dur und durchläuft eine Entwicklung; die Musik baut sich zu einem majestätischen orchestralen Forte auf, das in seiner Klangfülle an eine Orgel erinnert. Dann kehrt das Thema in seiner ursprünglichen Moll-Tonart und in veränderter Instrumentierung zurück, um den Satz ruhig und friedvoll in einem e-Moll-Akkord enden zu lassen.
Il pourrait paraître surprenant qu’un ensemble japonais puisse commander une pièce pour orchestre de fanfare, puisque l’on rencontre surtout ce type de formation en Belgique, aux Pays-Bas et au Luxembourg, ainsi qu’en France et en Suisse. Senzoku Gakuen, l’une des plus grandes et plus prestigieuses académies de musique du Japon, compte une grande variété d’ensembles et d’orchestres. En 2006 s’y est ajouté un orchestre de fanfare fondé par Sotaru Fukaishi, un professeur d’euphonium qui pensait qu’il était nécessaire d’offrir de plus larges possibilités aux cuivres de la région. Depuis qu’il avait assisté au World Music Contest de Kerkrade (Pays-Bas), plusieurs années auparavant,Fukaishi se prit de passion pour le son chaud et généreux de l’orchestre de fanfare, une formation atypique au Japon. Jan Van der Roost a favorablement adhéré cette nouvelle initiative, tandis que Manu Mellaerts collabora avec les deux hommes afin de concrétiser certains projets. Le professeur Kazuo Tomioka, doyen du collège de musique, soutint vigoureusement l’orchestre et commanda Ostinati. La création de l’oeuvre fut donnée le 11 juin 2011 au Maeda Hall de Mizonokuchi (Kawasaki), où se trouve Senzoku Gakuen. La pièce débute avec un impressionnant solo de timbales précédant l’entrée des cuivres et des saxophones. La pulsion rythmique est constante, la musique est énergique et de caractère affirmé. Une mélodie pentatonique émerge graduellement, alors que la trame musicale diminue d’intensité et s’adoucit. L’ostinato la percussion revient fréquemment et la première partie de l’oeuvre se termine dans un climat semblable celui du début. Le deuxième mouvement, doux et romancé, débute avec un long passage en mode mineur joué par les saxophones. Le même thème apparaît alors en mode majeur et se développe peu peu ; la musique s’intensifie pour arriver un majestueux et orchestral forte dont les sonorités rappellent celles d’un orgue d’église. Puis le thème revient sa tonalité mineure d’origine avec un changement d’instrumentation qui mène. $478.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Arabeske en Scherzo for Flute and Piano Flute and Piano Metropolis Music Publishers
Flute and Piano SKU: IS.FP4052EM Composed by Jef Maes. Woodwinds - Flute....(+)
Flute and Piano SKU: IS.FP4052EM Composed by Jef Maes. Woodwinds - Flute. Metropolis Music Publishers #FP4052EM. Published by Metropolis Music Publishers (IS.FP4052EM). ISBN 9790365040520. Belgian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| LYRE OF ORPHEUS Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2 SKU: PR.114414290 For String Sextet. Composed by Shulamit Ran. Contemporary. Set of Score and Parts. With Standard notation. Composed December 16 2008. 22+8+8+7+8+8+8 pages. Duration 15 minutes. Theodore Presser Company #114-41429. Published by Theodore Presser Company (PR.114414290). UPC: 680160594030. Written for Concertante, a string sextet which has commissioned six different works, each highlighting one of its players. In Ran's new work, the second cellist, Zvi Plesser, was spotlighted with an outgoing, intensely lyrical opening theme, according to a New York Times review. Yet, Lyre of Orpheus never overlooks the collaborative, conversational essence of the ensemble. Read the full review here: http://www.nytimes.com/2009/03/18/arts/music/18conc.html?_r=1&adxnnl=1&partner=rssnyt&emc=rss&adxnnlx=1286200920-wRrt7MJ416+FpOYAUe/IOQ For advanced performers. Lyre of Orpheus was composed for Concertante, the New York-based string sextet, for its One Plus Five Project, a three-year, six-composer commissioning project designed to create six string sextets, each featuring one of Concertante’s core players.This particular commission was made with the goal of giving center-stage to the ensemble’s first cello, a choice I was especially grateful for, not only because it features Zvi Plesser, the outstanding Israeli cellist, but also because it gave ma an opportunity to highlight an instrument for which, from a very early stage in my life, I have felt a special affinity. The cell’s “soulâ€, so naturally combining passion and lyricism, has always touched me in a special way.As sometimes happens, naming the piece was the final act in the process of creation. Once titled, though, I found myself looking through the piece with a mixture of delight and astonishment – the narrative of the almost iconic mythological story of love and loss seems as one entirely plausible, and to my mind convincing, way to tract the unfolding of the musical events. Of course, the music was written with no such tale (or any tale, for that matter) in mind. But perhaps some stories are emblematic of so much that is part of our lives and psyches, of our desires, fears and wishes. Orpheus, whose longing for Eurydice recognizes no boundaries of heaven and hell… Love regained, then forever lost… Orpheus’ lyre intoning his sorrowful yearning…Lyre of Orpheus, approximately fifteen minutes in length, composed in late 2008, is intermittently songful, caressing, passionate, pained, ferocious, longing. The instrumentation consists of 2 violins, 2 violas, 2 cellos, the first of which is the soloist/protagonist, the second notable for having its lowest string tuned down a third to achieve extra lower notes.This commission has been made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Improvise Microjazz Flute and Piano Boosey and Hawkes
For Flute and Piano. By Christopher Norton. (Flute). Boosey and Hawkes Chamber ...(+)
For Flute and Piano. By Christopher Norton. (Flute). Boosey and Hawkes Chamber Music. 40 pages. Published by Boosey and Hawkes.
$30.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Therapeutic Guitar Guitar [Book + CD] Alfred Publishing
(A Powerful Resource for Therapists and Guitar Teachers of Students with Special...(+)
(A Powerful Resource for Therapists and Guitar Teachers of Students with Special Learning Needs). By Robert Krout. For Guitar. Book; CD; Guitar Reference; Method/Instruction; Reference Textbooks. 72 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Strada VII: Movimento dei vari artisti Flute and Piano Ricordi
VII: Movimento dei vari artisti SKU: HL.50603662 For Flute and Piano(+)
VII: Movimento dei vari artisti SKU: HL.50603662 For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142178. Published by Ricordi (HL.50603662). ISBN 9781705127834. UPC: 840126952292. This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli). $12.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Courage of the Cossacks Concert band - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Tambourine and more. - Grade 4 SKU: CF.SPS74 Composed by Ed Kiefer. SWS FS. Carl Fischer Symphonic Performance Series. Set of Score and Parts. With Standard notation. 2+8+8+4+8+8+8+4+4+4+4+4+4+6+6+6+4+4+6+6+6+4+6+8+2+1+4+4+24 pages. Duration 3 minutes, 56 seconds. Carl Fischer Music #SPS74. Published by Carl Fischer Music (CF.SPS74). ISBN 9781491147696. UPC: 680160905195. 9 x 12 inches. Key: F minor. Courage of the Cossacks is a refreshing march in the style of Russian folk music, offering a break from the standard American march style for festival performance. Composer Ed Kiefer has scored this piece to sound sonorous throughout while highlighting all sections of the band. Directors looking for a unique march need look no further. Courage of the Cossacks was written for my friends in Union County, NC . Based on several Cossack folk tunes it is a very dark sounding march which features almost every section of the band . The trio is one of the most beautiful oppressive melodies I have ever heard, and it is set in stark contrast to the upbeat, Russian sounding opening strains . After the trio comes to a halt, the piece restarts slowly, gradually accelerating to the final strain, much like many Cossack dances . A combination of March and Dance, this piece is not too difficult to perform and is very rewarding for both students and audiences . Courage of the Cossacks is a great piece to begin or end any concert and a perfect march for showing off your group at festival . $125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Todd Sucherman - Methods and Mechanics Drums [Sheet music + CD] Hudson Music
(For Useful Musical Drumming). Percussion. Book with CD. 128 pages. Published by...(+)
(For Useful Musical Drumming). Percussion. Book with CD. 128 pages. Published by Hudson Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| God So Loved Hope Publishing Company
Instrumental Parts SKU: HP.9165 Composed by Pepper Choplin. Instrumental ...(+)
Instrumental Parts SKU: HP.9165 Composed by Pepper Choplin. Instrumental parts. Hope Publishing Company #9165. Published by Hope Publishing Company (HP.9165). UPC: 763628191658. Pepper Choplin. Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.
Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction. $250.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| God So Loved Hope Publishing Company
Preview Pack (book & listening CD) SKU: HP.9168 Composed by Pepper Chopli...(+)
Preview Pack (book & listening CD) SKU: HP.9168 Composed by Pepper Choplin. Preview pack - book & listening CD. Hope Publishing Company #9168. Published by Hope Publishing Company (HP.9168). UPC: 763628191689. Pepper Choplin. Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.
Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| God So Loved Choral CD Hope Publishing Company
Split-Track Accomp CD SKU: HP.9164 Composed by Pepper Choplin. Accompanim...(+)
Split-Track Accomp CD SKU: HP.9164 Composed by Pepper Choplin. Accompaniment CD. Hope Publishing Company #9164. Published by Hope Publishing Company (HP.9164). UPC: 763628191641. Pepper Choplin. Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.
Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction. $94.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Undercurrents Concert band - Advanced Hal Leonard
Concert Band (Score & Parts) - Grade 5 SKU: HL.4004646 Composed by Robert...(+)
Concert Band (Score & Parts) - Grade 5 SKU: HL.4004646 Composed by Robert Buckley. MusicWorks Grade 5. Festival. Softcover. Published by Hal Leonard (HL.4004646). UPC: 888680604578. 9x12 inches. Undercurrents provides an electrifying, virtuosic showcase for the whole ensemble – featuring a series of solos, duets and trios, as well as highlighting the various chamber sections within the band. The music was inspired by watching schools of fish and flocks of birds perpetually moving with the ocean currents and air currents. Every once in a while a single solo shape will appear – or two or three – they dance apart for a moment and then are drawn back into the ensemble. Commissioned by the Naden Band of the Royal Canadian Navy, Victoria, BC, this is a powerful tour-de-force from beginning to end. Duration: c. 6:30. $115.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Archrival - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS168 Composed by Peter Terry. SWS FS. Set of Score and Parts. With Standard notation. 12+12+6+12+12+12+6+6+6+6+4+6+8+8+8+6+6+9+9+9+6+12+4+3+6+10+32 pages. Duration 5 minutes, 17 seconds. Carl Fischer Music #CPS168. Published by Carl Fischer Music (CF.CPS168). ISBN 9781491140178. UPC: 680160628230. 9 x 12 inches. Archrival is a rhythmically driven piece with lots of cinematic excitement. You will hear the mysterious opening followed by angular themes and rhythmic drive that builds up to sweeping majestic moments. A stunning new piece from composer Peter Terry, this is quality sophisticated musical material for highlighting your band at contest or festival. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Improvise Microjazz Piano solo Boosey and Hawkes
Piano Solo. By Christopher Norton. (Piano). Boosey and Hawkes Piano. Book only....(+)
Piano Solo. By Christopher Norton. (Piano). Boosey and Hawkes Piano. Book only. Size 9x12 inches. 48 pages. Published by Boosey and Hawkes.
$22.99 - See more - Buy online | | |
| Allegro Maestoso Handbells - Intermediate Hope Publishing Company
3-5 octave handbell choir; brass; organ - Level 3 SKU: HP.2063 Composed b...(+)
3-5 octave handbell choir; brass; organ - Level 3 SKU: HP.2063 Composed by Mcfadden. Arranged by Jane McFadden and Janet Linker. General Worship, Sacred. Brass Parts. 15 pages. Hope Publishing Company #2063. Published by Hope Publishing Company (HP.2063). UPC: 763628120634. Piece from Water Music by G.F. Handel G. F. Handel's masterpiece resounds in this setting for bells and organ or brass. Full chordal ringing with various techniques call for precision throughout the work. A more flowing section for bells only occurs highlighted by thumb damps in upper and lower registers. Brass ensemble consists of 2 trumpets, French Horn, Trombone, Tuba and Timpani. Set in the keys of D Major and b minor, this work is 76 measures without repeats. $34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Ostinati Marching band De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-120 Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Score Only. Composed 2012. 99 pages. De Haske Publications #DHP 1115084-120. Published by De Haske Publications (BT.DHP-1115084-120). 9x12 inches. English-German-French-Dutch. It may be surprising to see a fanfare piece commissioned by a Japanese ensemble, since fanfare orchestras are typically found in Belgium, Holland and Luxembourg, and also France and Switzerland. Senzoku Gakuen is one of the largest and mostprestigious music universities in Japan, and home to a wide variety of ensembles and orchestras. Since 2006 they have had a fanfare orchestra, which was started by Sotaru Fukaishi, a euphonium teacher who felt further performance opportunity wasneeded for saxhorn instruments. Fukaishi had loved the sound of fanfare orchestras ever since visiting the World Music Contest in Kerkrade (Holland) several years earlier. Jan Van der Roost was involved with this new initiative from the beginning,and they were also joined by Manu Mellaerts for certain projects. The Dean of the music department, Professor Kazuo Tomioka, fully supports the ensemble and commissioned Ostinati. The première took place on June 11th at Maeda Hall inMizonokuchi (Kawasaki) where Senzoku Gakuen is based. The piece opens with an impressive timpani solo, followed by brass and saxophone. The rhythmical pulse remains constant and the music is fiery and assertive in character. A pentatonic melodygradually emerges and the music loses its vehemency and softens. The initial percussion ostinati subsequently recurs and the first section of the piece concludes in a similar mood to the opening. The second movement is sweet and melodic, opening witha long passage for the saxophone family in a minor key. The same theme then appears in the major and is developed upon; the music builds to a majestic orchestral forte, reminiscent of a pipe organ in its sonority. The theme returns in the originalminor key with a change in instrumentation leading the movement to a quiet and peaceful end on a soft E minor chord. The finale starts with percussion: a four-bar pattern is repeated several times over which the movement’s melodic themes areintroduced. These melodic elements are varied and used in different versions and the ostinato idea, which characterizes the entire piece, is highlighted. The theme travels through the orchestra, appearing on various instruments and in variousregisters. It captures the listener’s attention and displays the full range of sound and colour within the fanfare orchestra.
Het is misschien verrassend dat dit fanfarewerk is geschreven in opdracht van een Japans ensemble, aangezien fanfareorkesten vooral te vinden zijn in België, Nederland en Luxemburg, en ook wel in Frankrijk en Zwitserland. SenzokuGakuen is een van de grootste en meest prestigieuze muziekopleidingen van Japan, en de thuisbasis van een grote verscheidenheid van ensembles en orkesten. In 2006 is er een fanfareorkest opgericht, en wel door Sotaru Fukaishi, eeneuphoniumdocent die vond dat er meer mogelijkheden moesten komen voor optredens met saxhoorninstrumenten. Fukaishi had enkele jaren daarvoor genoten van de fanfareklank toen hij het Wereld Muziek Concours in Kerkrade bezocht. DeBelgische componist Jan Van der Roost was van het begin af aan betrokken bij dit nieuwe initiatief, en ook Manu Mellaerts werd voor een aantal projecten aangetrokken. Het hoofd van de muziekfaculteit, professor Kazuo Tomioka, staatgeheel achter het ensemble en gaf de opdracht tot het schrijven van Ostinati. De première vond plaats op 11 juni in de Maeda Hall in Mizonokuchi (Kawasaki), waar Senzoku Gakuen is gevestigd. Het werk begint met een indrukwekkendepaukensolo, gevolgd door koper en saxofoon. De ritmische puls blijft constant, en de aard van de muziek is vurig en krachtig. Geleidelijk komt er een pentatonische melodie naar voren en wordt de muziek minder heftig, ze wordtzachter van karakter. De aanvankelijke ostinati in het slagwerk verschijnen dan opnieuw, waarna het eerste deel van het werk eindigt in dezelfde sfeer als waarmee het begon. Het tweede deel is lieflijk en melodisch. Het opentmet een lange passage voor de saxofoons in een mineurtoonsoort. Dan klinkt hetzelfde thema in majeur en daar wordt op voortgeborduurd: de muziek ontwikkelt zich tot een majestueus orkestraal forte, dat qua sonoriteit doet denken
Es mag überraschen, dass dieses Fanfareorchesterwerk ausgerechnet von einem japanischen Ensemble in Auftrag gegeben wurde, da Fanfareorchester doch eher in Belgien, den Niederlanden oder Luxemburg oder auch in Frankreich oder Schweiz zu finden sind. Senzoku Gakuen ist eine der größten und renommiertesten Musikschulen Japans und Heimstätte einer Vielfalt an Ensembles und Orchestern. Im Jahr 2006 wurde ein Fanfareorchester gegründet. Den Anstoß gab Sotaru Fukaishi, ein Euphoniumlehrer, der den Instrumenten der Saxhorn-Familie mehr Spielmöglichkeiten bieten wollte. Fukaishi hatte sich einige Jahre zuvor bei der Weltmeisterschaft in Kerkrade (Holland) in den Klang vonFanfareorchestern verliebt. Jan Van der Roost war von Beginn an in die Entwicklung dieser Idee involviert und, einige Projekte betreffend, ebenso Manu Mellaerts. Der Dekan des Musik-Colleges, Professor Kazuo Tomioka, steht voll und ganz hinter dem Ensemble und gab Ostinati in Auftrag. Die Premiere fand am 11. Juni 2011 in der Maeda Hall in Mizonokuchi statt, dem Heimatort der Schule Senzoku Gakuen. Das Stück beginnt mit einem eindrucksvollen Paukensolo, bevor Blechbläser und Saxophon einsetzen. Der rhythmische Puls bleibt konstant unter einer feurigen, nachdrücklichen Musik. Eine pentatonische Melodie bildet sich nach und nach heraus, während die Musik an Heftigkeit verliert und sanfter wird. Die anfänglichen Ostinati im Schlagwerk kehren zurück und so endet der erste Satz des Werkes in einer der Eröffnung ähnlichen Stimmung. Der zweite Satz ist lieblich und melodiös. Er beginnt mit einem langen Abschnitt für die Saxophone in Moll. Dann erscheint das gleiche Thema in Dur und durchläuft eine Entwicklung; die Musik baut sich zu einem majestätischen orchestralen Forte auf, das in seiner Klangfülle an eine Orgel erinnert. Dann kehrt das Thema in seiner ursprünglichen Moll-Tonart und in veränderter Instrumentierung zurück, um den Satz ruhig und friedvoll in einem e-Moll-Akkord enden zu lassen.
Il pourrait paraître surprenant qu’un ensemble japonais puisse commander une pièce pour orchestre de fanfare, puisque l’on rencontre surtout ce type de formation en Belgique, aux Pays-Bas et au Luxembourg, ainsi qu’en France et en Suisse. Senzoku Gakuen, l’une des plus grandes et plus prestigieuses académies de musique du Japon, compte une grande variété d’ensembles et d’orchestres. En 2006 s’y est ajouté un orchestre de fanfare fondé par Sotaru Fukaishi, un professeur d’euphonium qui pensait qu’il était nécessaire d’offrir de plus larges possibilités aux cuivres de la région. Depuis qu’il avait assisté au World Music Contest de Kerkrade (Pays-Bas), plusieurs années auparavant,Fukaishi se prit de passion pour le son chaud et généreux de l’orchestre de fanfare, une formation atypique au Japon. Jan Van der Roost a favorablement adhéré cette nouvelle initiative, tandis que Manu Mellaerts collabora avec les deux hommes afin de concrétiser certains projets. Le professeur Kazuo Tomioka, doyen du collège de musique, soutint vigoureusement l’orchestre et commanda Ostinati. La création de l’oeuvre fut donnée le 11 juin 2011 au Maeda Hall de Mizonokuchi (Kawasaki), où se trouve Senzoku Gakuen. La pièce débute avec un impressionnant solo de timbales précédant l’entrée des cuivres et des saxophones. La pulsion rythmique est constante, la musique est énergique et de caractère affirmé. Une mélodie pentatonique émerge graduellement, alors que la trame musicale diminue d’intensité et s’adoucit. L’ostinato la percussion revient fréquemment et la première partie de l’oeuvre se termine dans un climat semblable celui du début. Le deuxième mouvement, doux et romancé, débute avec un long passage en mode mineur joué par les saxophones. Le même thème apparaît alors en mode majeur et se développe peu peu ; la musique s’intensifie pour arriver un majestueux et orchestral forte dont les sonorités rappellent celles d’un orgue d’église. Puis le thème revient sa tonalité mineure d’origine avec un changement d’instrumentation qui mène. $115.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Silent Night and Gaudete Choral SSAA Boosey and Hawkes
Female Voices; Tambourine (SSAA a cappella) SKU: HL.48025426 SSAA a ca...(+)
Female Voices; Tambourine (SSAA a cappella) SKU: HL.48025426 SSAA a cappella with Optional Tambourine. Composed by Anna Lapwood. BH Secular Choral. Carol, Christmas, Christmas/Advent Sacred, Classical. Octavo. 12 pages. Duration 330 seconds. Boosey and Hawkes #M060150173. Published by Boosey and Hawkes (HL.48025426). ISBN 9781835680032. UPC: 196288207559. Silent night: This arrangement of the traditional carol by Franz Gruber and Joseph Muhr (translated into English by John Freeman Young) was written by Anna Lapwood and the Pembroke College GirlsÂ? Choir for their end of term party for the families of the choristers. The aim was to produce an arrangement manageable for the youngest choristers whilst stretching the older ones with some slightly jazzy harmonies. It was written in one 75-minute rehearsal, and performed to the parents straight after. The choir has written a new pieceat the end of every term since. Gaudete: This arrangement of the 16th-century carol was written during a full weekend of group composition with Anna Lapwood and the Pembroke College Girls' Choir, a process with which they had experimented previously. The choir decided to create rhythmic impetus and drive, which is delivered from the outset in the introductory material. This figure is repeated under the refrain for the first three verses, while the verses themselves are presented in simple unison. The final verse is harmonised and crescendos towards the uplifting key change for the final refrain, giving a sense of climax, which may be highlighted further with an optional tambourine. $4.50 - See more - Buy online | | |
| We're Glad You Came - Bulk CD (10-pak) Choral SATB SATB, Piano - Easy Word Music
SATB choir, piano accompaniment - Easy SKU: WD.080689804724 A Musical ...(+)
SATB choir, piano accompaniment - Easy SKU: WD.080689804724 A Musical Celebration of the Savior's Birth. Composed by David Wise. Arranged by David Wise and David Shipps. Choral, cantatas. Simply Word. Christmas, Eastertide. Bulk CD (10-pak). Duration ca. 45 minutes. Word Music #080689804724. Published by Word Music (WD.080689804724). UPC: 080689804724. From the Dove Award-winning songwriting team of Joel Lindsey and Jeff Bumgardner comes this inspiring, heartfelt musical for Christmas, full of gratitude and expressions of joy, called We're Glad You Came! Grateful voices join together proclaiming powerful praise and thanksgiving to the Son of God, born that we may know Him as our Savior and King, and experience the joy of His presence in our lives. Featuring stellar new songs and narration, along with some of our most cherished Christmas carols, We're Glad You Came delivers the joy of the season in a fresh, new package of creativity and ministry potential that is guaranteed to make this one of your choir's most memorable presentations ever. Highlighted by the arranging prowess of Wise and Shipps, and enhanced by a powerfully-emotive DVD Accompaniment Track, We're Glad You Came is destined to become a classic that choirs and congregations alike will enjoy for years to come! $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| LYRE OF ORPHEUS Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2 SKU: PR.11441429S For String Sextet. Composed by Shulamit Ran. Contemporary. Full score. With Standard notation. Composed December 16 2008. 22 pages. Duration 15 minutes. Theodore Presser Company #114-41429S. Published by Theodore Presser Company (PR.11441429S). UPC: 680160594054. 9.5 x 13 inches. Written for Concertante, a string sextet which has commissioned six different works, each highlighting one of its players. In Ran's new work, the second cellist, Zvi Plesser, was spotlighted with an outgoing, intensely lyrical opening theme, according to a New York Times review. Yet, Lyre of Orpheus never overlooks the collaborative, conversational essence of the ensemble. Read the full review here: http://www.nytimes.com/2009/03/18/arts/music/18conc.html?_r=1&adxnnl=1&partner=rssnyt&emc=rss&adxnnlx=1286200920-wRrt7MJ416+FpOYAUe/IOQ For advanced performers. Lyre of Orpheus was composed for Concertante, the New York-based string sextet, for its One Plus Five Project, a three-year, six-composer commissioning project designed to create six string sextets, each featuring one of Concertante’s core players. This particular commission was made with the goal of giving center-stage to the ensemble’s first cello, a choice I was especially grateful for, not only because it features Zvi Plesser, the outstanding Israeli cellist, but also because it gave ma an opportunity to highlight an instrument for which, from a very early stage in my life, I have felt a special affinity. The cell’s “soulâ€, so naturally combining passion and lyricism, has always touched me in a special way. As sometimes happens, naming the piece was the final act in the process of creation. Once titled, though, I found myself looking through the piece with a mixture of delight and astonishment – the narrative of the almost iconic mythological story of love and loss seems as one entirely plausible, and to my mind convincing, way to tract the unfolding of the musical events. Of course, the music was written with no such tale (or any tale, for that matter) in mind. But perhaps some stories are emblematic of so much that is part of our lives and psyches, of our desires, fears and wishes. Orpheus, whose longing for Eurydice recognizes no boundaries of heaven and hell… Love regained, then forever lost… Orpheus’ lyre intoning his sorrowful yearning… Lyre of Orpheus, approximately fifteen minutes in length, composed in late 2008, is intermittently songful, caressing, passionate, pained, ferocious, longing. The instrumentation consists of 2 violins, 2 violas, 2 cellos, the first of which is the soloist/protagonist, the second notable for having its lowest string tuned down a third to achieve extra lower notes. This commission has been made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.—Shulamit Ran. $37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Strada VI: Numero del matto sul filo Flute and Piano Ricordi
VI: Numero del matto sul filo SKU: HL.50603661 For Flute and Piano...(+)
VI: Numero del matto sul filo SKU: HL.50603661 For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142177. Published by Ricordi (HL.50603661). ISBN 9781705127827. UPC: 840126952285. This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli). $12.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grade by Grade - Piano Grade 3 Piano solo [Sheet music + Audio access] - Intermediate Boosey and Hawkes
Piano SKU: HL.48025152 Edition with Audio Online. Edited by Iain F...(+)
Piano SKU: HL.48025152 Edition with Audio Online. Edited by Iain Farrington. BH Piano. Classical, Instruction. Softcover Audio Online. 36 pages. Boosey & Hawkes #M060139864. Published by Boosey & Hawkes (HL.48025152). UPC: 196288096863. The Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Iain Farrington, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 pianist and creates the perfect package for teaching, exam preparation and performance. Each volume contains: -a diverse collection of pieces, each complemented by a useful practice and performance tip-grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises-brand new sight-reading and improvisation activities-newly-commissioned aural awareness tasks Full performance demonstrations and grade-appropriate aural awareness resources available to stream or download. Iain Farrington has an exceptionally busy and diverse career as a pianist, organist, composer and arranger. He has performed across the world, notably at the opening ceremony of the London 2012 Olympics, and has worked with many leading musicians, including Bryn Terfel and Sir Paul McCartney. As a composer, Iains music has been performed, recorded and broadcast worldwide, and his. $21.99 - See more - Buy online | | |
| Jekyll and Hyde Concert band [Score and Parts] - Advanced Molenaar Edition
Concert Band; Trumpet - Grade 5 SKU: ML.013723090 For 2 Trumpets and W...(+)
Concert Band; Trumpet - Grade 5 SKU: ML.013723090 For 2 Trumpets and Wind Orchestra. Composed by Alex Poelman. Full set. Molenaar Edition #013723090. Published by Molenaar Edition (ML.013723090). Dr Jekyll researches the evil in man and succeeds in creating a potion that transforms him into his alter ego, Hyde. However, Jekyll loses control and fights an inner battle with Hyde. He loses this battle when Hyde commits murder. Understanding that there is only one way to resolve this, Jekyll kills himself and thus Hyde. In this solo concert the main characters Jekyll and Hyde are played by two solo trumpeters. The different sides of the trumpet are highlighted in this story: from the lyrical passages (Jekyll) to the sharp, mean and dark passages (Hyde). A challenging adventure for orchestra and soloists.
This is rental music. Please contact us at office@molenaar.com
Dr. Jekyll onderzoekt het kwaad in de mens en slaagt erin een drankje te maken dat hem verandert in zijn alter ego, Hyde. Jekyll verliest echter de controle en voert een innerlijke strijd met Hyde. Hij verliest deze strijd wanneer Hyde een moord pleegt. In het besef dat er maar één manier is om dit op te lossen, doodt Jekyll zichzelf en daarmee Hyde. In dit soloconcert worden de hoofdpersonen Jekyll en Hyde gespeeld door twee solotrompettisten. De verschillende kanten van de trompet worden in dit verhaal belicht: van de lyrische passages (Jekyll) tot de scherpe, gemene en donkere passages (Hyde). Een uitdagend avontuur voor orkest en solisten.
Dit is huurmuziek. Neem contact met ons op via office@molenaar.com
Le Dr Jekyll recherche le mal dans l'homme et réussit à créer une potion qui le transforme en son alter ego, Hyde. Cependant, Jekyll perd le contrôle et mène une bataille intérieure avec Hyde. Il perd cette bataille lorsque Hyde commet un meurtre. Comprenant qu'il n'y a qu'une seule façon de résoudre ce problème, Jekyll se tue et tue ainsi Hyde. Dans ce concert solo, les personnages principaux Jekyll et Hyde sont interprétés par deux trompettistes solistes. Les différentes facettes de la trompette sont mises en évidence dans cette histoire : des passages lyriques (Jekyll) aux passages aigus, méchants et sombres (Hyde). Une aventure stimulante pour l'orchestre et les solistes.
Il s'agit de musique de location. Veuillez nous contacter à l'adresse suivante : office@molenaar.com
Dr. Jekyll erforscht das Böse im Menschen und schafft es, einen Trank herzustellen, der ihn in sein Alter Ego Hyde verwandelt. Doch Jekyll verliert die Kontrolle und kämpft einen inneren Kampf mit Hyde. Er verliert diesen Kampf, als Hyde einen Mord begeht. Jekyll erkennt, dass es nur einen Weg gibt, um das Problem zu lösen, und tötet sich selbst und damit auch Hyde. In diesem Solokonzert werden die Hauptfiguren Jekyll und Hyde von zwei Solotrompetern gespielt. Die verschiedenen Seiten der Trompete werden in dieser Geschichte hervorgehoben: von den lyrischen Passagen (Jekyll) bis zu den scharfen, gemeinen und dunklen Passagen (Hyde). Ein anspruchsvolles Abenteuer für Orchester und Solisten.
Dies ist Leihmusik. Bitte kontaktieren Sie uns unter office@molenaar.com. $321.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bel Canto Vocalises for Bass Trombone (Tuba) Bass Trombone [Score and Parts] Carl Fischer
Progressive Etudes for Study and Performance. Edited by Alan Raph. Arrang...(+)
Progressive Etudes for Study and Performance. Edited by Alan Raph. Arranged by Alan Raph. Contemporary. Score and part(s). With Standard notation. 32 pages. Carl Fischer #WF00203. Published by Carl Fischer (CF.WF203).
$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come with a Grateful Heart Choral Unison [Octavo] Choristers Guild
Composed by Lynn Shaw Bailer and Becki Slagle Mayo. Rote to Note. Sacred Anthem....(+)
Composed by Lynn Shaw Bailer and Becki Slagle Mayo. Rote to Note. Sacred Anthem. Octavo. Published by Chorister's Guild (LO.CGA1507).
$2.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Salentin Concert band - Intermediate Hal Leonard
Concert Band (Score) SKU: HL.4008815 March for Concert Band, Grade 3 3...(+)
Concert Band (Score) SKU: HL.4008815 March for Concert Band, Grade 3 3:30 Score. Composed by Gauthier Dupertuis. FC Music Publishing. Concert Band, March. Softcover. Duration 210 seconds. Hal Leonard #FCMP008-SC. Published by Hal Leonard (HL.4008815). UPC: 196288209867. Salentin is Gauthier Dupertuis' tribute to the Valais, the Swiss Canton where he was born. Salentin is a mountain from which there is a spectacular view of Vernayaz, the composer's village of origin. This piece is structured in such a way that all registers of the band are highlighted. It is suitable for performance in parade, but also as a concert march. Salentin is dedicated to the Concert Band of Martigny (Valais/Switzerland) and its conductor, Dany Rossier, who premiered Salentin during a concert on 3rd December, 2023. $21.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alpinia. 3 Pieces for 5 Guitars or Guitar Ensemble (2011) Guitar Ut Orpheus
Guitar; Methods and Music for Children SKU: UT.CH-157 Composed by Giorgio...(+)
Guitar; Methods and Music for Children SKU: UT.CH-157 Composed by Giorgio Signorile. Saddle stitching. Classical. Score and Parts. 40 pages. Ut Orpheus #CH 157. Published by Ut Orpheus (UT.CH-157). ISBN 9790215320369. 9 x 12 inches. Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee
The Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861. The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls... The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution. (G. Signorile). $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Easier Together – Recorders 2 2 Recorders (duet) EMB (Editio Musica Budapest)
Recorder Duet SKU: HL.50605471 Short and Easy Duos for Two or More Rec...(+)
Recorder Duet SKU: HL.50605471 Short and Easy Duos for Two or More Recorders. Composed by Various. Edited by Peter Peré and nyi. EMB. Children, Classical, Folk, Hungarian. Softcover. 68 pages. Editio Musica Budapest #Z20102. Published by Editio Musica Budapest (HL.50605471). ISBN 9781705189450. UPC: 196288125204. Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practicing is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. Trombone and recorder teacher Péter Perényi (b. 1954) was for many years the head of the wind department at the Bence Szabolcsi Music School in Budapest. He has held several training courses for recorder teachers, and the recorder gatherings he organized in Budapest gave rise to the National László Czidra Recorder Competition. He is the author and editor of several publications on wind pedagogy, including methods for trombone and recorder. $29.45 - See more - Buy online | | |
| Pentecost Sequence Choral 3-part 3-Part Equal Voices - Beginner GIA Publications
3-part equal voices, cantor, assembly, keyboard accompaniment - Beginning SKU...(+)
3-part equal voices, cantor, assembly, keyboard accompaniment - Beginning SKU: GI.G-007889 Composed by Ed Bolduc. Pentecost. Tune Name: Veni, Sancte Spiritus. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #007889. Published by GIA Publications (GI.G-007889). UPC: 641151078892. Ed has written a cantor, choir, and assembly-friendly setting of the Sequence for Pentecost using the approved text from The Roman Missal. The stepwise motion of the lyrical melody facilitates a quick learn. The piece begins in D major for the first four verses, modulates to E for the next three verses, moves to F for verses 8 and 9, and concludes with the final verse in G. The interval relationships are the same with each modulation, highlighting the words and adding a sense of urgency. The octavo includes a keyboard part, but you will note that this can be performed with just a simple guitar accompaniment. And, guitar pages are included in the octavo. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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