Description Little Voices Film Songs brings together five movie favourites specially selected and arranged in two parts for young groups and choirs. The included CD contains complete vocal and piano versions plus piano-only accompaniments to each song. Each themed book in the Little Voices series contains five songs that make a perfect introduction to the part-singing for beginner groups. Songlist Breaking Free (High School Musical) [Houston, Jamie] Hallelujah (Shrek) [Cohen, Leonard] I Believe I Can Fly (Space Jam) [Kelly, R.] My Heart Will Go On (Titanic) [Horner, James] The Best Day Ever (The Spongebob Squarepants Movie) [Kenny, Tom] [Paley, Andy]

63 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey and Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary. / Voix Haute Et Piano

Bob Chilcott And David Blackwell. Carols for Choirs: Book Cinq comprend 50 chants superbes pour fêter les 50 ans des célèbres Chants pour les séries chorales. De nouveaux arrangements de Bob Chilcott et David Blackwell, ainsi que des compositions originales, y compris de nombreux écrite spécialement pour cette collection. Un large éventail de compositeurs sont présentés, y compris Alan Bullard, Bob Chilcott, Gabriel Jackson, Philip Ledger, Jaakko Mantyjarvi, Mathew Martin, Cecilia McDowall, Francis Pott, John Rutter, Carl Rutti, et David Willcocks. Un mélange équilibré d'éléments accompagnés et non accompagnés, y compris l'ordre de service pour un festival de neuf leçons et cantiques de Noël. Les volumes de Carols for Choirs se sont imposés comme les livres carol quintessence de chanteurs carol à travers le monde. Comme ses prédécesseurs, Carols for Choirs 5 présente un large éventail de chants de Noël pour toutes les occasions, allant de la musique classique superbement arrangés pour les meilleures compositions originales. La collection met en valeur les noms très mieux établis et les nouveaux dans la composition chorale d'aujourd'hui, tant dans le Royaume-Uni et dans le monde entier./ Recueil / SATB et Piano

The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)

Soprano solo (5), Mezzo-soprano solo (4), Tenor solo (4), Baritone solo, Bass solo (2), Speaker (2), Mixed choir, Flute (2) (Piccolo flute (2)) Oboe, Clarinet (2), Bassoon, Horn (2), Cornet (2), Trombone, Kettledrum, Bells, Bass drum, Cymbals, Triangle, Strings / Classique / Partition /

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses, however, the barlines are only there to help the singers to keep together, and for convenience in rehearsal: singers should observe their own strong beats, which fall in different places for each part, and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / . The words are a beautiful Victorian translation of a Latin hymn by Prudentius, which meditates on the story of the three wise men. Each verse is set to the same melody, in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Jeremy Thurlow is a composer, writer and pianist. His music has been described as 'seductive, innovative, full of freshness' by Henri Dutilleux. It has been performed by the BBC Philharmonic, the Fitzwilliam String Quartet, Rolf Hind, the BBC Singers, Endymion, Carmen Elektra, Peter Sheppard Skaerved, Matthew Schellhorn and Sequitur (New York), among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in the twentieth century. His book on composer Henri Dutilleux is published in French by Millénaire III, and he has written and broadcast on the music of Messiaen and many other 20th-century composers, frequently appearing on Radio 3's CD Review / Choeur SSATBB Et Orgue

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-Mass was completed on 22 December 1805 and it “corresponds entirely to the strength of the hopeful pupils. ” On New Year’s Eve in 1805 Haydn, who had long been sick and who suffered under the consequences of the invasion of the French, wrote to his friend Father Weringand Rettensteiner: “in spite of all the tragic circumstances, I still wrote aMass for the children’s festival, and I think they enjoyed it. ” / Messe / Répertoire / Solistes SSA, Choeur SSA, 2 ViolonS Basse Continue

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-Mass was completed on 22 December 1805 and it “corresponds entirely to the strength of the hopeful pupils. ” On New Year’s Eve in 1805 Haydn, who had long been sick and who suffered under the consequences of the invasion of the French, wrote to his friend Father Weringand Rettensteiner: “in spite of all the tragic circumstances, I still wrote aMass for the children’s festival, and I think they enjoyed it. ” / Messe / Répertoire / Solistes SSA, Choeur SSA, 2 ViolonS Basse Continue

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-Mass was completed on 22 December 1805 and it “corresponds entirely to the strength of the hopeful pupils. ” On New Year’s Eve in 1805 Haydn, who had long been sick and who suffered under the consequences of the invasion of the French, wrote to his friend Father Weringand Rettensteiner: “in spite of all the tragic circumstances, I still wrote aMass for the children’s festival, and I think they enjoyed it. ” / Messe / Répertoire / Solistes SSA, Choeur SSA, 2 ViolonS Basse Continue

Par BENJAMIN GEORGE. A beguiling 20-minute work for countertenor, women's voices and orchestra, Dream of the Song, George Benjamin's first work since his ground-breaking opera Written on Skin, was premiered in 2015 by the countertenor Bejun Mehta, the Netherlands Chamber Choir and the Royal Concertgebouw Orchestra conducted by the composer. Employing a reduced orchestra (two oboes, four horns, two percussionists and two harps and strings), the work sets verse by three major poets who spent formative years in Granada- two Hebrew poets of mid-11th century, Samuel HaNagid and Solomon Ibn Gabirol (sung by solo countertenor in English versions by Peter Cole), and Gabriel Garcia Lorca (sung by the female chorus in the original Spanish). This inspired pairing of texts creates a rich, melancholy and strange poetic conjunction, expressed most beautifully in the final movement which, overlaying soloist and choir, offers two simultaneous visions of dawn, conceived a millennium apart./ Répertoire / Choeur

Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Ferguson, Faye;Rehm, Wolfgang Binding : hard bound Instrumentation : 3 Soprano solo, Tenor solo, 2 Bass solo, Mixed Choir-SATB, 2 Flute, 2 Oboe, Clarinet (b flat) 1, Clarinet (b flat) 2/ Basset horn, 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo Duration : 180`