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| Yonder Come Day Choral SSATB SSATB A Cappella [Octavo] Schirmer
Composed by Paul John Rudoi. For soprano voice solo, SATB choir unaccompanied. N...(+)
Composed by Paul John Rudoi. For soprano voice solo, SATB choir unaccompanied. National Collegiate Choral Organization Choral Series. General, Spiritual, 21st Century. Medium. Octavo. Published by E.C. Schirmer Publishing
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| World Music Songbook Piano, Vocal and Guitar [Sheet music] Hal Leonard
(More Than 100 Folk Songs from Countries Across the Globe). By Various. Pian...(+)
(More Than 100 Folk Songs from
Countries Across the Globe).
By Various. Piano/Vocal/Guitar
Songbook. Softcover. 248
pages. Published by Hal
Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hush A Ba, Birdie Choral SATB SATB A Cappella Boosey and Hawkes
Arranged by Lee R. Kesselman. (SATB A Cappella). This edition: M051478545. Celt...(+)
Arranged by Lee R. Kesselman. (SATB A Cappella). This edition: M051478545. Celtic Voices. 8 pages. Published by Boosey and Hawkes.
$1.80 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hush! Somebody's Callin' My Name Choral 2-part 2-part - Easy Hal Leonard
(Discovery Level 2). Arranged by Rollo Dilworth. 2-Part. Discovery Choral. 12 pa...(+)
(Discovery Level 2). Arranged by Rollo Dilworth. 2-Part. Discovery Choral. 12 pages. Published by Hal Leonard
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 150 American Folk Songs Voice solo [Sheet music] Boosey and Hawkes
To Sing, Read and Play. By Katalin Komlos. Arranged by Peter Erdei. (JOS Elemen...(+)
To Sing, Read and Play. By Katalin Komlos. Arranged by Peter Erdei. (JOS Elementary Edition). Boosey and Hawkes Kodaly. Softcover. Size 7x10.5 inches. 136 pages. Published by Boosey and Hawkes.
(1)$23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool is the Valley Now. Composed by Paul David Thomas. Sws. Performance Score. 16 pages. Carl Fischer Music #CM9576. Published by Carl Fischer Music (CF.CM9576). ISBN 9781491153987. UPC: 680160912483. 6.875 x 10.5 inches. Key: G minor. English. Emily Dickinson (1830-1886) , Walt Whitman (1819-1892). The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsons poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees behalf, who would do such a thing? Whitman ponders a trees silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 712. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 3953). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modes lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 910, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, “Who Robbed the Woods?†and “O Cool is the Valley Now,†combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us.The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson’s poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees’ behalf, who would do such a thing? Whitman ponders a tree’s silent majesty and power and its ability to be “yet say nothing at all.â€The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7–12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39–53).O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode’s lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9–10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. Set of Score and Parts. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505. Published by Theodore Presser Company (PR.114405050). UPC: 680160008377. 11 x 14 inches. Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique efffect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water , disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorlines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluch the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against the sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in spae. Here, the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement , two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue among the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of 'psycho-rhythmics contributes to an on-rush of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions. $130.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S). UPC: 680160008391. 11 x 14 inches. Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions. $75.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Lullaby Songbook [Sheet music + CD] Amsco Wise Publications
Voice SKU: BT.MUSAM993861 Hardback. By Ann Barkway. Book with CD. ...(+)
Voice SKU: BT.MUSAM993861 Hardback. By Ann Barkway. Book with CD. Wise Publications #MUSAM993861. Published by Wise Publications (BT.MUSAM993861). ISBN 9781847725820. A beautifully presented, full-colour illustrated collection of songs to soothe and calm. Lyrics to all songs are included, in addition to a CD that contains performances of every song to help you and your child tounwindand relax. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Wee Sing for Baby Children choir [Sheet music + CD] Alfred Publishing
For Children's Voices. This edition: Paperback. General Music and Classroom Publ...(+)
For Children's Voices. This edition: Paperback. General Music and Classroom Publications. Wee Sing. 65 musical games and lullabies. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wee Sing Nursery Rhymes and Lullabies Children choir [Sheet music + CD] Alfred Publishing
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. Gener...(+)
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. General Music and Classroom Publications. Wee Sing. 77 classic nursery rhymes and lullabies. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Haiku Set Theodore Presser Co.
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viol...(+)
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viola and cello. Composed by Herbert Haslam. Peter Pauper Press, Shoha, Basho, Gonsui, Anonymous, Basko, Shushiko, Joso, Roka. Score. With Standard notation. 12 pages. Theodore Presser Company #114-40084. Published by Theodore Presser Company (PR.114400840). UPC: 680160004225. Peter Pauper Press, Basko, Joso, Roka, Gonsui, Basho, Shoha, Anonymous, Shushiko. $19.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Voggy's Recorder Songbook-the Most Popular Children Songs for Recorder Voggenreiter
Recorder (all) - beginning SKU: MB.3802404658 Composed by Martina Holtz. ...(+)
Recorder (all) - beginning SKU: MB.3802404658 Composed by Martina Holtz. Style, Wire bound, Tunebook, CLEARANCE: OTHER, Children and Young Beginner, Folk, Method, Saddle-stitched. Children. Book. 112 pages. Voggenreiter #3802404658. Published by Voggenreiter (MB.3802404658). ISBN 9783802404658. 8.5X5.75 inches. This book features some of the most popular childrens songs and folksongs for the descant recorder in the key of C. All songs have been arranged for the beginning recorder player and -if necessary- slightly simplified to make playing them even more fun. There are even fingering diagrams for the recorder in the appendix. $9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flute Magic - An Introduction to the Native American Flute Recorder [Sheet music] - Easy Mel Bay
by Tim R. Crawford edited by Dr. Kathleen Joyce-Grendahl. For Flute. method. Nat...(+)
by Tim R. Crawford edited by Dr. Kathleen Joyce-Grendahl. For Flute. method. Native American. Level: Beginning. Book. Size 8.75x11.75. 176 pages. Published by Mel Bay Publications, Inc.
(2)$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Daily Ukulele - Baritone Edition Baritone Ukulele Hal Leonard
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcove...(+)
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The ABRSM Songbook Grade 3 Piano, Voice [Sheet music + CD] - Intermediate ABRSM Publishing
By Various. For Voice, Piano. Level: Grade 3. CD/DVD. Published by ABRSM (Associ...(+)
By Various. For Voice, Piano. Level: Grade 3. CD/DVD. Published by ABRSM (Associated Board of the Royal Schools of Music).
$33.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Best Early Rock'N'Roll Songs Ever Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 248 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Celtic Music For Flute
Flute [Sheet music + CD] - Intermediate ADG productions
By Jessica Walsh. For Flute. This edition: Flute. Celtic. Level: Intermediate. B...(+)
By Jessica Walsh. For Flute. This edition: Flute. Celtic. Level: Intermediate. Book With Cd. 38 pages. Published by ADG productions.
(31)$21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Big Book of Nursery Rhymes and Children's Songs Guitar notes and tablatures [Sheet music] - Easy Hal Leonard
(Easy Guitar with Notes and Tab). By Various. For Guitar. Easy Guitar. Softcover...(+)
(Easy Guitar with Notes and Tab). By Various. For Guitar. Easy Guitar. Softcover. Guitar tablature. 216 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Big Book of Nursery Rhymes and Children's Songs Piano, Vocal and Guitar [Sheet music] - Beginner Music Sales
Music Sales. Children's. Composed 11-1-2004. 208 pages. Published by Music Sales...(+)
Music Sales. Children's. Composed 11-1-2004. 208 pages. Published by Music Sales.
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Lullaby Choirbook - Intermediate Schott
Choral; Voice (SATB) - intermediate to advanced SKU: HL.49013528 Book ...(+)
Choral; Voice (SATB) - intermediate to advanced SKU: HL.49013528 Book Only. Composed by Various. Arranged by Carsten Gerlitz and Ulrich Kaiser. This edition: Saddle stitching. Sheet music. Vocal Ensemble. Classical. 64 pages. Schott Music #ED9836. Published by Schott Music (HL.49013528). ISBN 9783795757779. UPC: 841886004719. 6.25x9.5x0.204 inches. German - English - French. A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arrangements comprise Spanish, Swedish, Scottish, French, and Indian tunes, among others. The pieces are suited for concerts, services, celebrations, or as encore pieces. $15.99 - See more - Buy online | | |
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