1. I Wish I Knew What It Was To Be Free-Jazz Ensemble (Score & parts). Garland/Taylor.

Complete – Full Score-Epitaph written for a 31-piece ensemble was the masterwork of composer/bassist Charles Mingus. The extended suite is comprised of multiple movements reflecting a wealth of compositional styles (not just jazz) thatdemonstrate Mingus' invaluable contribution to 20th-century American music. Since its last performance 15 years ago additional movements have been discovered that were originally intended to be a part of the work. This unique500-page score includes these “missing movements” along with historical and program notes. Prepared and edited under the guidance of Gunther Schuller and Sue Mingus it provides a monumental resource for study andanalysis. The first jazz composition of such magnitude ever to be published it is presented in this edition as he left it: a summary work a portrait for all time of his life in music. “I wrote it for my tombstone.”- Charles Mingus

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.

Klezmer the secular Jewish music from Eastern Europe continues to weave its magic spell.This volume offers all the material you need for authentic performances of new and familiar pieces. Henner Diederich a teacher of folk music and arrangement at the Cologne Musikhochschule has gained a reputation with his many publications especially in the klezmer field. Here he presents twelve klezmer arrangements for variable ensemble: melody counter-melody guitar chords and bass line.The twelve pieces are arranged for an ?open scoring ? i.e. you can choose the instruments add octave doublings leave out voices or improvise your own ideas to suit yourtaste. They offer a glimpse into the typically bittersweet melody and harmony of Yiddish music which emerged from a mixture of Yid-dish Slavic Rumanian and German stylistic elements and is currently undergoing a revival in the folk music scene.Includes C and B Flat parts for melodies 1 2 and 3 and a bass part. The pianist plays from the score.?If you ever wanted to try Klezmer Latin American or Viennese coffee-house music here is your opportunity.?(Strings 5/2005)?I am a grateful to Bärenreiter for producing not only a practical means of performing real Klezmer music but a valuable way in which this unique and characteristic music is sure to be preserved.?(Pan 12/2004)

Includes score and parts for: Satin Doll I Let a Song Go Out of My Heart It Don't Mean a Thing Mood Indigo Includes: Satin Doll I Let a Song Go Out of My Heart It Don't Mean a Thing Mood Indigo. Please note that the CD includes the songs from Pak #2 and #3.Instrumentation:BASS: Number of Parts 1; Pages Per Part 4DRUMS: Number of Parts 1; Pages Per Part 4PIANO/CONDUCTOR: Number of Parts 2; Pages Per Part 8GUITAR: Number of Parts 1; Pages Per Part 4BB INSTRUMENTS: Number of Parts 1; Pages Per Part 8EB INSTRUMENTS: Number of Parts 1; Pages Per Part 8C INSTRUMENTS: Number of Parts 1;Pages Per Part 8