(0.3.0.1/0.0+2.0.0,org,str,chorus)

SKU: TM.12277SET

Composed by Johann Sebastian Bach. Edited by Schneider. Set Type: A. Set of parts. Lucks Music Library #A8916. Published by Lucks Music Library (TM.12277SET).

Ed. by Schneider. Motet. Can also be played: 0.1+1.0.2/0.0+2.0.0,org,str,chs.

Organ

SKU: CA.1822000

17 new compositions for organ solo. Carus digital: Extra digital products. Collection. Published by Carus Verlag (CA.1822000).

ISBN 9790007294441.

Edited by the Deutscher Musikrat (German Music Council) with Richard Mailander and Kord Michaelis

Catholic and Protestant churches are familiar with the tradition that in times of crisis, new works are composed to comfort the faithful, and are performed in worship. Following in this tradition, the project Orgelmusik in Zeiten von Corona (Organ Music in Times of Corona) was devised. 17 new compositions were commissioned which reflect Corona times, creatively confront the past and the present, and will enrich the repertoire of organ music in a lasting way.
The 17 compositions depict a wide range of styles including avant-garde, jazz and classical, and some refer to music from previous eras and church music traditions. They are conceived for different levels of difficulty, are for 2 or 3-manual organs, and last between four and ten minutes. They are particularly suitable for concerts, but can also be played in church services.
* 17 thematic reflections on the Corona pandemic: on the horsemen of the apocalypse, the Coeur bleu, the thunder of time, timelines, trust and confidence, and many more
* compositions by Timo Bocking, Kathrin A. Denner, Barbara Dennerlein, Dorothee Hahne, Peter Michael Hamel, Frank Heckel, Dorothea Hofmann, Nicole Johanntgen, Anna Korsun, Roland Kunz, Eckhart Kuper, Johannes M. Michel, Iris Rieg, Maximilian Schnaus, Enjott Schneider, Dominik Susteck, and Maximilian Wallrath
* stylistic variety and breadth - from classically-influenced compositions, through jazz and pop, to avant-garde and experimental sounds
* different levels of difficulty, for 2 or 3-manual organ, 4 to 10 minutes' duration
* suitable for concerts and church services.

Brass Band - Grade 6

SKU: BT.DHP-1145577-030

For Brass Band. Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2014. De Haske Publications #DHP 1145577-030. Published by De Haske Publications (BT.DHP-1145577-030).

English-German-French-Dutch.

The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.
A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme.
Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.
The source of inspiration for Metamorphosis Three is the so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continuesto evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.

An impressive contest piece commissioned by Brass Band Schoonhoven, performed at the 2014 European Brass Band Championships.

In de opening van deze driedelige compositie wordt het thematische materiaal gepresenteerd dat verderop in het werk in allerlei transformaties voorkomt. De ‘kleine secunde’ dient daarbij als leidmotief.
In het levendige en flitsende Metamorphosis One wordt volop gevarieerd met de thematiek. Het deel wordt onderbroken door een sfeervol meno mosso met daarin melodische passages die teruggrijpen op het beginthema.
In Metamorhosis Two treden veel veranderingen op in het tempo en het muzikale karakter. Zeven verschillende solisten transformeren ieder op hun eigen wijze het thematische materiaal. Uiteindelijk resulteert dat in een gepassioneerd, tuttigespeeld gedeelte.
De inspiratiebron voor Metamorphosis Three is het zogenaamde BACH-motief, een muzikale handtekening met de noten Bes, A, C en B. Dit karakteristieke motief ontstaat vanuit het leidmotief (in dit geval een dalende kleine secunde) en verandert voortdurend van gedaante door allerlei transposities en omvormingen. De componist beschouwt dit spectaculaire laatste deel als een eerbetoon aan een van de grootste en invloedrijkste componisten uit de geschiedenis van de muziek: Johann SebastianBach.

In der Eröffnung dieses dreisätzigen Werkes wird zum ersten Mal das thematische Material präsentiert, das im weiteren Verlauf in diversen Gewändern wiederkehrt. Kern des Leitmotivs ist eine kleine Sekunde.
Eine Reihe von thematischen Variationen ist in der lebhaften und energiereichen Metamorphosis One zu hören. Der Satz wird von einem stimmungsvollen Meno mosso aus melodischen Passagen, die zum Eröffnungsthema zurückführen, unterbrochen.
Metamorphosis Two ist von mehreren Wechseln im Tempo und im musikalischen Charakter geprägt. Sieben verschiedene Solisten verwandeln das thematische Material jedes auf seine eigene Weise. Das Ganze steigert sich schließlich zu einemfulminanten Tutti.
Quelle der Inspiration für Metamorphosis Three ist das so genannte BACH-Motiv, eine musikalische Signatur aus den Tönen B, A, C und H. Dieses ausgeprägte Motiv geht aus dem Leitmotiv hervor (hier ist es eine absteigende kleine Sekunde),welches fortwährend durch verschiedene Transpositionen und Transformationen weiterentwickelt wird. Für den Komponisten ist dieser spektakuläre letzte Satz eine Hommage an einen der größten und einflussreichsten Komponisten der Musikgeschichte: JohannSebastian Bach.

Le titre Metamorphosis décrit une transformation musicale – autrement dit, le processus qui commence avec nos origines (Initium), puis progresse à travers l’évolution du corps et de l’ me (Corpus, Animus) et enfin, gr ceà l’expérience de la vie (Virtus, Invidia), se développe en une personnalité adulte (Estasi).
Les musiciens connaîtront des états d’esprit changeants, entretenant la conscience de ce qui a été et de ce qui sera (le présent et l’avenir) tout en jouant. Les passages d’improvisation ont été délibérément laissés vierges –sans notation – afin de permettre à l’instrumentiste d’évoluer sans contraintes dans ce style musical et de laisser libre cours à son imagination.

Soir?e de Vienne, Op. 56 (A Concert Paraphrase of Johann Strauss's Waltz Motives from Fledermaus). By Alfred Grunfeld (1852-1924). Edited by F. H. Schneider. BH Piano. Book only. 14 pages. Bote and Bock #M202500316. Published by Bote and Bock (

By Johann Sebastian Bach. Edited by Straube, Schneider. For soprano, piano. (Ger). Published by C.F. Peters.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Joachim F. W. Schneider. For solo cello, string orchestra and basso continuo. Stapled. Nach BWV 593. Single part. 7 pages. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr; Max Schneider. For choir 2/organ 2. This edition: Stapled, Urtext edition. Stapled. Single part. Language: German/English. BWV 244. 76 pages. Published by Baerenreiter Verlag single part

SAM choir - Level 2

SKU: CA.316720

Composed by Johann Christian Heinrich Rinck. Arranged by Matthias Schneider-Hollek. Separate edition with choral collection. Peace and justice. Full score. Duration 2 minutes. Carus Verlag #CV 03.167/20. Published by Carus Verlag (CA.316720).

ISBN 9790007154493. Key: F minor. Language: German. Text: von Fallersleben, Hoffmann. Text: Hoffmann von Fallersleben.

(for Violoncello, Strings and Basso continuo after BWV 593). Composed by Johann Sebastian Bach (1685-1750). Arranged by Joachim F. W. Schneider. For solo cello, string orchestra and basso continuo. Stapled. Nach BWV 593. Score. 20 pages. Published by Baerenreiter Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Joachim F. W. Schneider. For solo cello, string orchestra and basso continuo. Stapled. Nach BWV 593. Single part. 7 pages. Published by Baerenreiter Verlag

By Johann Sebastian Bach. Edited by Alfred Durr; Max Schneider. For Choir 1, Choir 2, Organ. Single Part (paperbound). BWV 244. Published by Baerenreiter-Ausgaben (German import). (BA5038 67)

SATB choir

SKU: CA.7010023

Composed by Johann Christian Friedrich Schneider. Lent and Passiontide. German title: Ach, bis zum Tod am Kreuz. Lent and Passiontide. Full score. 2 pages. Carus Verlag #CV 70.100/23. Published by Carus Verlag (CA.7010023).

ISBN 9790007228590. Key: F minor. Language: German.

Score available separately - see item CA.7010000.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3000112

Composed by Johann Ludwig Bach. Edited by Hans Hornung, Martin Gotthard Schneider. German title: Die mit Tranen saen. Sacred vocal music, Psalms, German, Peace and justice, Mourning, death. Single Part, Violin 2. 4 pages. Duration 18 minutes. Carus Verlag #CV 30.001/12. Published by Carus Verlag (CA.3000112).

ISBN 9790007039394. Language: German/English.

Score available separately - see item CA.3000100.

3Vl(Va)/Va/Vc(Cb)

SKU: HG.GH-8799

Fur funf Streichinstrumente. Composed by Bantz Johann Andrea. Spielpartituren (Set). Hug Musikverlage #GH 8799. Published by Hug Musikverlage (HG.GH-8799).

Bearbeitet und herausgegeben von Peter Otto Schneider.

Composed by Johann Christoph Bach. Edited by Max Schneider. For alto voice, strings, basso continuo. Partitur-Bibliothek (Score Library). Score. 8 pages. Published by Breitkopf and Haertel