SATB with ATB Soli (German, English Language Edition). Composed by Johann Sebastian Bach (1685-1750). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Baroque; Masterwork; Sacred. Book. 48 pages. Kalmus Classic Edition #00-K06623. Published by Kalmus Classic Edition

ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo

SKU: CA.3118257

First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Study score. BWV 182. 60 pages. Duration 30 minutes. Carus Verlag #CV 31.182/57. Published by Carus Verlag (CA.3118257).

ISBN 9790007142872. Key: G major. Text language: German/English.

Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118219

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/19. Published by Carus Verlag (CA.3118219).

ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118213

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/13. Published by Carus Verlag (CA.3118213).

ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo - Level 3

SKU: CA.3118207

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 182. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/07. Published by Carus Verlag (CA.3118207).

ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

(Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkundigung). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo. This edition: paperbound. BWV 182. Cantatas; Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide, Holy Week. Level 3. Score. Language: German/English. Composed 1714. 104 pages. Duration 30 min

Violin (solos: ATB - choir: SATB - 0.rec.0.0.0 - 0.0.0.0 - str: vl(solo u rip).2va.vc/db - bc)

SKU: BR.OB-4682-15

Palm Sunday - Annunciation of the Blessed Virgin Mary. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 8 pages. Duration 30'. Breitkopf and Haertel #OB 4682-15. Published by Breitkopf and Haertel (BR.OB-4682-15).

ISBN 9790004318607. 9 x 12 inches.

Basso (cello/double bass) (solos: ATB - choir: SATB - 0.rec.0.0.0 - 0.0.0.0 - str: vl(solo u rip).2va.vc/db - bc)

SKU: BR.OB-4682-26

Palm Sunday - Annunciation of the Blessed Virgin Mary. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 14 pages. Duration 30'. Breitkopf and Haertel #OB 4682-26. Published by Breitkopf and Haertel (BR.OB-4682-26).

ISBN 9790004318638. 9 x 12 inches.

Viola 2 (solos: ATB - choir: SATB - 0.rec.0.0.0 - 0.0.0.0 - str: vl(solo u rip).2va.vc/db - bc)

SKU: BR.OB-4682-20

Palm Sunday - Annunciation of the Blessed Virgin Mary. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 8 pages. Duration 30'. Breitkopf and Haertel #OB 4682-20. Published by Breitkopf and Haertel (BR.OB-4682-20).

ISBN 9790004318621. 9 x 12 inches.

ATB vocal soli, SATB choir, oboe, bassoon, trumpet, 2 violins, 2 violas, basso continuo

SKU: CA.3101211

Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Single Part, Violin 1. Composed 1714. BWV 12. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.012/11. Published by Carus Verlag (CA.3101211).

ISBN 9790007204594. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

ATB vocal soli, SATB choir, oboe, bassoon, trumpet, 2 violins, 2 violas, basso continuo

SKU: CA.3101212

Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Single Part, Violin 2. Composed 1714. BWV 12. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.012/12. Published by Carus Verlag (CA.3101212).

ISBN 9790007204600. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

ATB vocal soli, SATB choir, oboe, bassoon, trumpet, 2 violins, 2 violas, basso continuo

SKU: CA.3101209

Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.012/21 oboe, 1x 31.012/22 bassoon, 1x 31.012/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen 3. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Set of Orchestra Parts. Composed 1714. BWV 12. 10 pages. Duration 26 minutes. Carus Verlag #CV 31.012/09. Published by Carus Verlag (CA.3101209).

ISBN 9790007204587. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and parts available separately - see item CA.3101200.