SKU: BR.EB-9394
ISBN 9790004188682. 9 x 12 inches.
My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-Schmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.World premiere: Frankfurt am Main, September 21, 1993.
SKU: AP.43746
UPC: 038081504827. English. English Folk Song.
The perfect first orchestra experience, this tune is straightforward and beautifully simple. All parts remain in 1st position and include only the most basic rhythms. (1:45).
About Orchestra Expressions
Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.
SKU: HP.9163
UPC: 763628191634. Pepper Choplin.
Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
SKU: HL.424961
ISBN 9781705162200. UPC: 196288061960. 6.75x10.5x0.029 inches. Isaiah 7:14, Luke 2:1-20.
A Christmas classic in a glittering new arrangement! Like twinkling lights on a cloudless night, this octavo captures the spirit of the season with dazzling writing that is both engaging and technically approachable. Score and Parts (3 oct. hndbls, db) available as a digital download.
SKU: BT.1405-07-140-MS
9x12 inches. English-German-French-Dutch.
The Carpenters have become icons of American pop culture and have experienced a global popularity since they first appeared on the music scene in the 1970's. This partnership of Richard Carpenter and his sister Karen had an impressive number of huge hits of which I Need to be In Love is one of the most popular. This new arrangement by Kazuhiro Morita is sure to be a highly popular with your audiences utilising the delicious vocal harmonies for which the Carpenters were famed.I Need to Be in Love ist eine Ballade der amerikanischen Gruppe The Carpenters aus dem Jahr 1976. Der sehnsuchtsvolle Titel war tatsächlich sogar das Lieblingslied der Sängerin Karen Carpenter. Dass der Titel im Jahr 1995 erneut erfolgreich veröffentlicht wurde, beweist die Beliebtheit und Zeitlosigkeit dieses wunderschönen Liedes, das Kazuhiro Morita nun in einer Blasorchesterbearbeitung vorlegt. The Carpenters, monument de la culture pop américaine, ont connu un succès planétaire dans les années 70. Ce duo, né de la collaboration entre Richard Carpenter et sa sœur Karen, a collectionné un nombre impressionnant de succès dont I Need to Be in Love. L’arrangement de Kazuhiro Morita dévoile les délicieuses harmonies vocales qui ont fait la notoriété des Carpenters.
SKU: AP.41218S
UPC: 038081504711. English.
It was always fun to sing this Italian song in elementary school music classes---who could resist the swinging tarantella rhythms, which made you want to sing and dance together? No need to resist, join the fun! (3:10).
SKU: LO.99-2477L
UPC: 000308121452.
This music drama is approximately nine minutes in length and is perfect for incorporation into regular worship on Palm/Passion Sunday. John Parker’s inspired narrative opens the work with shouts of “Hosanna!†as Jesus enters Jerusalem. Mark Hayes’s score enters with growing intensity, and the choir sings a triumphant anthem of praise. The mood changes during the first interlude, as the high priests plot against Jesus, and the music beautifully underscores the scripture-based narrative. The second chorus conveys the scene at the Last Supper with haunting melodies and a lyrically flowing accompaniment. The mood of the following interlude is one of steadfast faith, quoting the hymn “All Hail the Power of Jesus’ Name.†Its narrative is inspired by Philippians 2:5–11. The final chorus is a majestic yet reflective affirmation of faith in praise to Jesus, Who was faithful to His final breath.
SKU: GI.G-5346
UPC: 785147534600. English. Text by Richard Leach. Scripture: Luke 9:57–58, Luke 19:29–40, Luke 23:53, Luke 24:13–35, John 12:1–3.
This ballad-like text traces the journey of Jesus and his followers, a journey that leads to the cross, and then leads on again. Mostly unison with a countermelody for the male voices on the refrain. The verses work well with solo voices or ensemble singing.
SKU: CA.3107607
ISBN 9790007044923. Key: C major / a minor. Language: German/English.
The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.
SKU: BT.DHP-1064013-120
Why should rock musicians have all the fun? Now your band can experience the thrill of playing a piece in a classic 12-bar blues style. Many players are given the chance to show off their skills as a soloist before the work builds to a grand fortissimo finale with the whole band playin’ the blues! The Mayor’s Blues ist ein klassischer Blues über ein zwölftaktiges Bluesschema. Eine kurze, sehr schnelle Einleitung macht den Weg frei für ein Solo mit dem Bluesthema. Die Begleitung durch die Posaunen mit Dämpfer und das Vibraphon unterstreichen die Atmosphäre. Das Thema wird vom übrigen Blasorchester in einer Art Frage-und-Antwort-Spiel wiederholt. Es folgt eine kurze Fortissimo- Passage; bald darauf dürfen ein paar Solisten in den Vordergrund treten,während die Musik verebbt. Nach den Soli werden die Eingangstakte wiederholt. Dann taucht das komplette Blasorchester mit Begeisterung und im Fortissimo in den Blues ein...The Mayor’s Blues est un blues en douze mesures aux couleurs sonores multiples. Brillant, puissant et mystérieux, la texture offre un vaste espace de jeu pour l’ensemble des pupitres de la formation avant d’entreprendre une plongée enthousiaste, fascinante et corsée dans l’univers du blues… The Mayor’s Blues è un blues in dodici misure dai molteplici colori sonori. Brillante, potente e misterioso, esso offre un vasto spazio di esecuzione per le varie sezioni dell’organico prima di intraprendere un viaggio entusiasmante nell’universo del blues….
SKU: KJ.8827
What Then portrays a strong commitment of faith. Musical tension inherent in the temptations in life precedes a dramatic pianissimo section. Also suitable for any festival celebrating the clergy.
SKU: AP.47566
UPC: 038081542591. English. John Parker.
Expressive choral writing anchors this poetic text that describes the bonds of attachment between people who care for one another. The optional opening solo offers an opportunity to feature a standout singer, but the highlight of the piece comes when the entire choir delivers a sincere message of enduring love in resonant three-part harmony.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: HL.8754706
UPC: 884088651176. 6.75x10.5 inches.
This traditional Appalachian folksong has a haunting, modal tonality and a weaving tapestry of accompaniment for a pleasing and accessible concert feature from high school through adult community choirs. Excellent for a program based around American folk music! Available separately: SATB, SAB, TTB. Duration: ca. 3:20.
SKU: PE.EP73451
ISBN 9790577019321. 190 x 272mm inches. English.
The original version of Snowflakes formed part of the ‘Winter Night’ section of the cantata A Time to Dance for soloists, choir and orchestra (EP 73023), commissioned by the Summer Music Society of Dorset in celebration of its 50th anniversary, and first performed by Ex Cathedra, conducted by Jeffrey Skidmore at Sherborne Abbey, 9 June 2012. This stand-alone version was first sung by the Ex Cathedra Choir with Andrew Fletcher (organ), conducted by Jeffrey Skidmore, at their ‘Christmas Music by Candlelight’ concert at St John’s Smith Square, London, 13 December 2012.
RECORDING: Snowflakes is recorded by Ex Cathedra, conducted by Jeffrey Skidmore, and is available on CD and as a digital download on the album ‘A Time to Dance’ on the Hyperion label (CDA68144).
SKU: HP.8700
UPC: 763628187002. Key: Key of f. 1 Corinthians 15:51, Eccesliastes 3:1, Eccesliastes 3:2, Eccesliastes 3:3, Eccesliastes 3:4, Eccesliastes 3:5, Eccesliastes 3:6, Eccesliastes 3:7, Eccesliastes 3:8, Genesis 1:14, John 12:24, Psalms 1:3, Psalms 30:5.
Original Anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
SKU: AP.30745S
UPC: 038081351414. English.
With a fanfare-style beginning, Jack Bullock's treatment of O Come All Ye Faithful builds upon the text Joyful and Triumphant. In a comfortable range, it's a stunning holiday choice for your beginners' first holiday program. A tremendous opener or closer sure to bring in the holiday season with acclaim! This title is available in MakeMusic Cloud.
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