This collection of original, contemporary, concert-style compositions for plectrum or flatpicked guitar includes 15 preludes, 4 sonatas with multiple movements, and 12 nocturnes. The solos present a colorful spectrum of tonality, harmony, rhythms and moods ideal for concert or recital performance. All solos are written in standard notation only with appropriate fingering and string markings./ Recueil / Guitare Fingerpicking

The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue

C'était à Madrid en 1771 que deux compositeurs simultanément 'découvert' et invente le quatuor à cordes comme genre musical nouveau: Luigi Boccherini et Gaetano Brunetti. Les quatuors à cordes du compositeur italien Antonio Capuzzi, d'autre part, sont probablement les seuls qui ont tous été créés en Italie. Comme les contributions de Mozart à ce genre, le Quintette en sol majeur est écrite pour deux violons, deux altos et violoncelle. Rédigé sous forme concertante, le travail permet à tous les joueurs ont leur mot à dire musicale, offrant à la fois solistes virtuoses chiffres et de nombreux solos mélodiques. Le travail montre Capuzzi du style personnel de musique de chambre, un vrai cinq volets de réglage qui semble parfois orchestre. Un atout précieux pour le répertoire quintette pour cordes - bon divertissement en jouant et en écoutant garanti! / 2 Violons, 2 Alto Et Violoncelle

The Schott Recorder Library anthology is a varied compilation of the most beautiful Baroque sonatas for treble recorder and continuous bass. This volume contains several beautiful sonatas of major composers like Georg Philipp Telemann or Georg Friedrich Handel, among others. It provides comprehensive material for lessons or concerts, ranging from musically charming pieces of moderate difficulty to demanding compositions of tonal splendour. The compositions contained in this anthology are the most popular works from the successful 'Originalmusik für Blockflöte' (OFB) series published by Schott for more than 50 years. / Flûte A Bec Et Basse Continue

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Les plus grandes ?uvres pour Piano de la période Baroque, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /

Concerto for Bassoon in B-flat Major, K.191 Allegro Andante ma Adagio Rondo. Tempo di Menuetto Concerto for Flute and Harp in C Major, K.299 Allegro Andantino Rondo. Allegro Concerto for Flute in G Major, K.313 Allegro maestoso Adagio non troppo Rondo. Tempo di Menuetto Concerto for Flute in D Major, K.314 (probably an arrangement of an oboe concerto) Allegro aperto Andante ma non troppo Allegro Andante for Flute and Orchestra in C Major, K.315 (perhaps a simpler slow movement for K.313) Concerto for Horn in D Major, K. 412 (left incomplete by Mozart) (Allegro) Allegro Concerto for Horn in E-flat Major, K.417 Allegro maestoso Andante Rondo Concerto for Horn in E-flat Major, K.447 Allegro Romanze. Larghetto Allegro Concerto for Horn in E-flat Major, K.495 Allegro moderato Romanza. Andante Rondo. Allegro vivace Concerto for Clarinet in A Major, K.622 Allegro Adagio Rondo. Allegro

Par MOURAT JEAN-MAURICE / COTTIN GUY. Ce 3ème volume des Classiques pour flûte et guitare présente aux intéressés une évolution sensible quant à la difficulté du répertoire proposé. Les jeunes musiciens ayant suivi la progression des précédents volumes trouveront dans celui-ci 'matière' à travailler sur un répertoire varié, adapté techniquement et musicalement à leurs compétences de duettistes. Nous avons apporté, dans cet ouvrage, un soin tout particulier à l'élaboration du phrasé de la flûte afin de guider l'étudiant dans une meilleure assimilation de ces Oeuvres. A de rares exceptions près, les tournes de pages sont évitées. Comme dans les volumes précédents, les musiciens seront solidaires, c'est-à-dire que, tout en jouant la partie qui leur correspond, flûtiste et guitariste liront la portée de l'autre... Il leur est vivement conseillé d'acquérir cette double lecture. La majorité des pièces proposées dans ce volume pourront être interprétées par tout instrument mélodique dont la sonorité se marie avec celle de la guitare. / Niveau : Elémentaire / classique / Répertoire / Flûte Traversière et Guitare

Memorable tribute from one musical genius to another, reproduced from authoritative editions, reveals Liszt's remarkable capacity for translating orchestral effects into pianistic terms. An astonishing, brilliant, and sensitive tribute to the master by the 19th-century's greatest piano virtuoso. Content : Preface: Liszt's handwritten note Preface: English translation Introduction Glossary Symphony No. 1 in C Major, Op. 21 I. Adagio molto-Allegro con brio II. Andante cantabile con moto III. Menuetto: Allegro molto e vivace IV. Adagio-Allegro molto vivace Symphony No. 2 in D Major, Op. 36 I. Adagio molto-Allegro con brio II. Larghetto III. Scherzo: Allegro IV. Allegro molto Symphony No. 3 in E-flat Major (Eroica), Op. 55 I. Allego con brio II. Marche funèbre: Adagio assai III. Scherzo: Allegro vivace IV. Finale: Allegro molto Symphony No. 4 in B-flat Major, Op. 60 I. Adagio-Allegro vivace II. Adagio III. Allegro vivace IV. Allegro, ma non troppo Symphony No. 5 in C Minor, Op. 67 I. Allegro con brio II. Andante con moto III. Scherzo: Allegro IV. Allegro

Content : Sonata No. 30 in A Major I. Allegro II. Adagio III. Tempo di Menuetto, con Variazioni Sonata No. 31 in E Major I. Moderato II. Allegretto III. Finale. Presto Sonata No. 32 in B Minor I. Allegro moderato II. Menuet III. Finale. Presto Sonata No. 33 in D Major I. Allegro II. Adagio III. Tempo di Menuetto Sonata No. 34 in E Minor I. Presto II. Adagio III. Finale. Molto vivace Sonata No. 35 in C Major I. Allegro con brio II. Adagio III. Finale. Allegro Sonata No. 36 in C-sharp Minor I. Moderato II. Scherzando. Allegro con brio III. Menuetto. Moderato Sonata No. 37 in D Major I. Allegro con brio II. Largo e sostenuto III. Finale. Presto, ma non troppo Sonata No. 38 in E-flat Major I. Allegro moderato II. Adagio III. Finale. Allegro Sonata No. 39 in G Major I. Allegro con brio II. Adagio III. Prestissimo Sonata No. 40 in G Major I. Allegretto innöcente II. Presto Sonata No. 41 in B-flat Major I. Allegro II. Allegro di molto Sonata No. 42 in D Major I. Andante con espressione II. Vivace assai Sonata No. 43 in A-flat Major I. Moderato II. Menuetto 1 & 2 III. Rondo. Presto Sonata No. 44 in G Minor I. Moderato II. Allegretto Sonata No. 45 in E-flat Major I. Moderato II. Andante III. Finale. Allegro di molto Sonata No. 46 in A-flat Major I. Allegro moderato II. Adagio III. Finale. Presto Sonata No. 47 in F Major I. Moderato II. Larghetto III. Allegro Sonata No. 48 in C Major I. Andante con espressione II. Rondo. Presto Sonata No. 49 in E-flat Major I. Allegro non troppo II. Adagio cantabile III. Final: Tempo di Minuet Sonata No. 50 in C Major I. Allegro II. Adagio III. Allegro molto Sonata No. 51 in D Major I. Andante II. Finale. Presto Sonata No. 52 in E-flat Major I. Allegro moderato II. A III. Finale. Presto

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.