| 24 Petites Etudes Melodiques Avec Variations (Facile) pour Flute Flute - Easy Leduc, Alphonse
[24 Little Melodic Sudies with Variations (Easy) for Flute]. Composed by Marce...(+)
[24 Little Melodic Sudies
with Variations (Easy) for
Flute]. Composed by Marcel
Mose. Leduc. Etude,
Classical. Softcover. 18
pages. Alphonse Leduc
#AL18025. Published by
Alphonse Leduc
$28.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| MBGU Rock Curriculum: Fluid Pentatonics, Book 2 Guitar notes and tablatures [Sheet music + CD] - Intermediate Mel Bay
(84 Melodic Studies for Guitar). By Tim Quinn. For Guitar (Electric). Improvisat...(+)
(84 Melodic Studies for Guitar). By Tim Quinn. For Guitar (Electric). Improvisation. MBGU. Rock. Intermediate. Book/CD Set. 85 pages. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 26 Melodic Studies for Guitar - Easy Universal Edition
Chamber Music guitar - Easy - Medium SKU: PR.UE021670 Composed by Paul Co...(+)
Chamber Music guitar - Easy - Medium SKU: PR.UE021670 Composed by Paul Coles. Contemporary. Full score (study). With Standard notation. Universal Edition #UE021670. Published by Universal Edition (PR.UE021670). ISBN 9783702472627. UPC: 803452069744. These pleasing little studies are enjoyable to play, with memorable melodies, harmonics, and rhythms. Below the surface, their deeper purpose is to promote a solid, basic technique by keying in on different aspects of classical guitar playing. As a benefit, most of the 26 Melodic Studies are also suited for exams or performance. Progressive studies for beginner to intermediate guitarists. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Little Gavotte, For Alto Saxophone And Piano Leduc, Alphonse
To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers...(+)
To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Little Gavotte for Alto Saxophone with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opera-Comique and became Head of the Conservatoire in Valenciennes, while remaining a prominent composer. Composed in 1964, Bozza's Little Gavotte addresses a variety of features of the Alto Saxophone, suitable for intermediate saxophonists. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.
$14.20 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Melodic Adventures in Bassland for the Accordian
Accordion Alfred Publishing
(A Collection of Popular Melodies Designed to Guide the Accordion Student in the...(+)
(A Collection of Popular Melodies Designed to Guide the Accordion Student in the Study of the Bass Clef) Written by John Caruso. For accordion. Format: instructional book. With introductory text, illustrations, standard notation and fingerings. Technique and Studies. All Exercises and Selections in the Book are for the Study of the Left Hand on the Piano-Accordian. 32 pages. 9x12 inches. Published by Alfred Publishing.
(3)$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Late Elementary Piano Solos Book 1 Little Melodic Etudes Opus 187, Nos. 1-54 Piano solo [Sheet music] - Beginner Belwin
By Cornelius Gurlitt. Edited by Gail Lew. Arranged by Ed. Gail Lew. Classical pi...(+)
By Cornelius Gurlitt. Edited by Gail Lew. Arranged by Ed. Gail Lew. Classical piano (late-elementary piano). Level: late elementary piano solos. Published by Belwin.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 36 Celebrated Studies for the Cornet Carl Fischer
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X). ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches. These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within. IntroductionTips on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Technic - 101 Studies For Beginners Piano solo [Sheet music] - Beginner Lemoine, Henry
By Charles Herve / Jacqueline Pouillard. For piano. Method / Etudes. Grade 1. Sc...(+)
By Charles Herve / Jacqueline Pouillard. For piano. Method / Etudes. Grade 1. Score. 48 pages. Published by Editions Henry Lemoine
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Deux cents Etudes Nouvelles Melodiques et Progressives Pour Cor - Cahier 1: 70 Etudes Tres Faciles French horn Leduc, Alphonse
[200 New Melodic and Gradual Studies for Horn - Book 1: 70 Very Easy Etudes]. ...(+)
[200 New Melodic and Gradual
Studies for Horn - Book 1: 70
Very Easy Etudes]. Composed
by Maxime-Alphonse. Leduc.
Classical. Softcover. 28
pages. Alphonse Leduc
#AL16857. Published by
Alphonse Leduc
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Little Virtuoso Piano solo - Easy Barenreiter
15 Pieces for Piano. Composed by Jakub Metelka. Stapled. Performance score, an...(+)
15 Pieces for Piano. Composed
by Jakub Metelka. Stapled.
Performance score, anthology.
23 pages. Baerenreiter Verlag
#BA11569. Published by
Baerenreiter Verlag
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Noona Comprehensive Piano Complete Performer Level 2 Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Level 2. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano. Level: Level 2. Piano method. Published by Heritage Music Press.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Noona Comprehensive Piano Complete Performer Level 1 Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Music Press.
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Flute Method - Part 1 Flute Leduc, Alphonse
Composed by Giuseppe Gariboldi. Leduc. Classical. Softcover. 58 pages. Alphon...(+)
Composed by Giuseppe
Gariboldi. Leduc. Classical.
Softcover. 58 pages.
Alphonse Leduc #AL5950.
Published by Alphonse Leduc
$34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Faces (piano) Piano solo Leduc, Alphonse
Piano SKU: HL.48186587 Composed by Odette Gartenlaub. Leduc. Classical. S...(+)
Piano SKU: HL.48186587 Composed by Odette Gartenlaub. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #HA009498. Published by Alphonse Leduc (HL.48186587). UPC: 888680884475. 9.0x12.0x0.066 inches. Three Faces is a set of three pieces for Piano written by Odette Gartenlaub. These pieces are considered challenging and difficult and would fit advanced players. Very melodic, each of these three pieces covers 2 pages and they can be played separately. Winner of the Prix de Rome in 1948, Odette Gartenlaub (1922-2014) has written various works for orchestra, chamber ensemble and solo instruments such as 'For the Horn', 'Seven Little studies' or 'Five easy pieces for Flute and Piano' among others.. $16.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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