| Baroque For Marimba Marimba Kendor Music Inc.
Arranged by Kristen Shiner McGuire and David McGuire. Published by Kendor Music ...(+)
Arranged by Kristen Shiner McGuire and David McGuire. Published by Kendor Music Inc (KN.13745).
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Last Friday Night (T.G.I.F.) / Edge of Glory Marimba and Wind Ensemble [Score] - Intermediate Alfred Publishing
(A duo of hits by Katy Perry and Lady Gaga). Arranged by Victor Lopez. Orchestra...(+)
(A duo of hits by Katy Perry and Lady Gaga). Arranged by Victor Lopez. Orchestra. Full Orchestra; Score. Pop Intermediate Full Orchestra. Form: Medley. Light Concert; Pop. Grade 3. 28 pages. Published by Alfred Music
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Beatles Suite Marimba and Wind Ensemble [Score and Parts] Alfred Publishing
(Featuring: Do You Want to Know a Secret? / From Me to You / She Loves You). By ...(+)
(Featuring: Do You Want to Know a Secret? / From Me to You / She Loves You). By John Lennon and Paul McCartney [The Beatles]. Arranged by Jack Bullock. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Pop Intermediate Full Orchestra. Form: Suite. Po
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mojave (score) Orchestra [Score] Bill Holab Music
By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 b...(+)
By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 bass clarinet 2 - 2220 - percussion 1 strings). Orchestral Music (Concerti). Score. Duration 16 minutes. Published by Bill Holab Music
$85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Samsara for violin, marimba and orchestra - Soloviolin [solo violin part] Gehrmans Musikforlag
Composed by Tobias Brostrom. For violin, marimba and orchestra (2222-4230-12-0-s...(+)
Composed by Tobias Brostrom. For violin, marimba and orchestra (2222-4230-12-0-strings). Solo violin part. 16 pages. Duration 20 minutes. Published by Gehrmans Musikforlag
$24.15 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Snowblind For Solo Percussion And Strings (pno Reduction) Schott
Percussion and strings (Perc (Marimba, Vibraphone (motor off), Crotales, Temple ...(+)
Percussion and strings (Perc (Marimba, Vibraphone (motor off), Crotales, Temple Blocks) - strings (4.3.2.2.1)) - difficult SKU: HL.49017599 For solo percussion and strings. Composed by Joe Duddell. This edition: Saddle stitching. Sheet music. Percussion. Piano reduction with solo part. Composed 2001. 78 pages. Duration 18'. Schott Music #ED13077. Published by Schott Music (HL.49017599). ISBN 9790220127380. UPC: 884088415983. 9.0x12.0x0.225 inches. One of three works Duddell has written for percussionist Colin Currie, Snowblind highlights the melodic possibilities when writing for percussion. Throughout its three movements, Duddell takes the performers through a modern day Baroque sound-world with both the use of ritornello sections and focussing on unity between the accompaniment and soloist. Snowblind will stretch post Grade-8 students and is ideal for an exam or audition situation. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in A Minor Percussion Ensemble [Sheet music + CD-ROM] - Advanced Tapspace Publications
By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. ...(+)
By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, xylophone, vibraphone, 2 small marimbas (4 octaves), 4.3 octave (low A) marimba. NOTE: Two marimba players can also share a 4.3 octave (low A) marimba if ins. score and parts on CD-ROM.
$35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gate to Heaven (orchestra score) Orchestra C. Alan Publications
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Ar...(+)
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications
$40.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pastoral String Orchestra [full score - large] Theodore Presser Co.
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). Fo...(+)
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). For string orchestra (english horn, marimba, strings). Contemporary. Full score - large. Standard notation. Composed October 31 1987. 30 pages. Duration 10 minutes. Theodore Presser Company #446-41295L. Published by Theodore Presser Company
$45.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pastoral String Orchestra [full score - study] Theodore Presser Co.
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). Fo...(+)
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). For string orchestra (english horn, marimba, strings). Contemporary. Full score - study. Standard notation. Composed October 31 1987. 30 pages. Duration 10 minutes. Theodore Presser Company #446-41295. Published by Theodore Presser Company
$26.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Allegory Theodore Presser Co.
Orchestra Contrabass, Flute 1, Flute 2, Marimba, Viola, Violin 1, Violin 2, Viol...(+)
Orchestra Contrabass, Flute 1, Flute 2, Marimba, Viola, Violin 1, Violin 2, Violoncello SKU: PR.416410530 For Two Flutes, Marimba, and Strings - Score. Composed by Bernard Rogers. Study Score. With Standard notation. Theodore Presser Company #416-41053. Published by Theodore Presser Company (PR.416410530). UPC: 680160090570. $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Illuminations Concert band Theodore Presser Co.
Orchestra Concert Band SKU: PR.41641483L For Orchestra. Composed b...(+)
Orchestra Concert Band SKU: PR.41641483L For Orchestra. Composed by Narong Prangcharoen. Premiered at the National Centre for Performing Arts by the NCPA Symphony Orchestra, LV Jia, conductor, s part of the opening concert of the Beijing Modern Music Festival, 2012. Contemporary. Large Score. With Standard notation. Composed 2012. 42 pages. Duration 12 minutes. Theodore Presser Company #416-41483L. Published by Theodore Presser Company (PR.41641483L). UPC: 680160616206. 3 Flutes (3rd double Piccolo), 3 Oboes, 2 Clarinets, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion:, I: Glockenspiel, Xylophone, Marimba, Sand Block, II: Vibraphone, Large Wind Gong, Bass Drum, Woodblock, III: Whip, 5 Tom-toms, Sus. Cymbal, Strings. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Heartland Symphony Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trom...(+)
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trombones, 3 Trumpets in Bb, 4 Horns in F, Bass Trombone, Marimba, Piccolo, Strings, Timpani, Tuba, Vibraphone SKU: PR.41641499L For Orchestra. Composed by Eric Ewazen. Contemporary. Large Score. With Standard notation. Theodore Presser Company #416-41499L. Published by Theodore Presser Company (PR.41641499L). UPC: 680160619009. 11 x 17 inches. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Heartland Symphony Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trom...(+)
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trombones, 3 Trumpets in Bb, 4 Horns in F, Bass Trombone, Marimba, Piccolo, Strings, Timpani, Tuba, Vibraphone SKU: PR.416414990 For Orchestra. Composed by Eric Ewazen. Contemporary. Full score. With Standard notation. Theodore Presser Company #416-41499. Published by Theodore Presser Company (PR.416414990). UPC: 680160618996. 8.5 x 11 inches. $41.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Marimba & Orchestra, Op. 148 Orchestra [Study Score / Miniature] Thomas C. Stangland Co.
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/...(+)
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/Strings.. Pocket score. Composed 1994. 98 pages. Duration 26 minutes. Published by Thomas C. Stangland Co.
$17.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Marimba & Orchestra, Op. 148 Orchestra [Score] Thomas C. Stangland Co.
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/...(+)
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/Strings. Full score. Size 8.5x12. Composed 1994. 98 pages. Duration 26 minutes. Published by Thomas C. Stangland Co.
$51.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Focus [Complete Set] String Orchestra [Score and Parts] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Anitra's Dance Percussion Ensemble [Sheet music + CD-ROM] Tapspace Publications
(from Peer Gynt Suite No. 1 arranged for percussion ensemble). Composed by Edvar...(+)
(from Peer Gynt Suite No. 1 arranged for percussion ensemble). Composed by Edvard Grieg (1843-1907). Arranged by Brian Blume. Percussion Ensembles. For Glockenspiel, xylophone, bell tree, chimes, 2 vibraphones, 2 low-A marimbas, 1 low-C marimba, 4 timpani, double bass (optional), triangle, 3 suspended cymbals, windchimes, bass drum, ride cymbal, and finger cymbals (12-13 players). Difficulty: Medium-Advanced. Folio and CD-ROM. 10 pages. Duration 3:15. Published by Tapspace Publications
$40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Scherzo Percussion Ensemble [Sheet music + CD-ROM] - Intermediate Tapspace Publications
(Mvt. 3 from Symphony No. 4 arranged for percussion ensemble). Composed by Peter...(+)
(Mvt. 3 from Symphony No. 4 arranged for percussion ensemble). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Eric Rath. Percussion Ensemble. For crotales, chimes, glockenspiel, two vibraphones, five marimbas (two 4 octave, two 4.3 octave, and one 5 octave)*, piano, two timpani (26 , 29 ) *Three marimbas (two 4.3 octave and one 5 octave) can be used in place of five. Also, in the absence of a 5 oct (12 players). Concert Percussion Ensembles. Medium. Score and parts on CD-ROM. 30 pages. Duration 4'30 - 5'30 . Published by Tapspace Publications
$35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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