Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it?s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve Your Aural! Grade 3 are provided on the last page of the physical book. / Methods

Par HARRIS PAUL / LENEHAN JOHN. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. / Niveau : 3 / Répertoire / Tout Instrument

Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute

Par HARRIS PAUL. Does the very thought of the dreaded aural test fill you with fear? Does nothing seem as bad as being put on the spot, having to recognise discordant intervals, and singing back melodies that are simply too long to remember? Having a good ear is vital to becoming a successful musician, and Improve Your Aural! is here to help develop your musicianship in easy graded stages. Through fun listening activities, boxes to fill in and practice exercises, this workbook and CD focus directly on all those key skills you need. You'll be singing, clapping, playing your instrument, writing down music, improvising and composing - as well as securing that vital pass in the aural section of your grade exams. / Niveau : Intermédiaire à Avancé / Autre FM / Test d'Ecoute

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties

Par ARCHER. Une ressource unique accessible et complet pour une utilisation dans les services de l'église et concerts à travers l'année liturgique. 50 Le volume de pièces SATB, tous deux accompagnés et non accompagnés, sont appropriés pour les chorales de toutes tailles et capacités. Fournit un excellent choix de pièces pour les principales fêtes nouveaux champions, accessible, et injustement négligé le répertoire couvrant toutes les périodes et les traditions, tout en évitant la musique largement disponibles ou difficiles comprend de nombreux hymnes inédits ou récemment commandé, les arrangements, et les éditions de compositeurs importants et musiciens d'église contient utiles introductions musicales et liturgiques en plus des index complet, des glossaires d'utilisations supplémentaires pour le répertoire, et des listes d'autres pièces appropriées ne figurent pas dans le livre. John Scott est né en 1956 à Wakefield dans le Yorkshire, où il était un chantre de cathédrale. En 1974, il devient chercheur d'orgue au Collège St-Jean, à Cambridge. En quittant Cambridge, il fut nommé organiste adjoint à Londres deux cathédrales anglicane St-Paul et de Southwark, devenant finalement organiste et directeur de musique de Saint-Paul en 1990. Il est maintenant directeur de musique de St Thomas Church, Fifth Avenue, New York, et bénéficie également d'une longue carrière comme organiste de concert international. Il a été nommé Lieutenant de l'Ordre royal de Victoria (LVO) durant l'année Palmarès 2004 Nouvelle. Malcolm Archer a été instruit à l'école King Edward VII, Lytham, le Royal College of Music, et Jesus College de Cambridge, où il a été chercheur d'organes. Il a étudié l'orgue avec Ralph Downes, Gillian Weir et Nicolas Kynaston, et la composition avec Herbert Sumsion et Alan Ridout. Il est un compositeur prolifique avec plus de 200 ouvrages publiés, qui reçoivent régulièrement des spectacles sur la BBC radio et de télévision. Archer était auparavant organiste et directeur de musique à la cathédrale St Paul et est maintenant directeur de la musique chapelle à Winchester College. / Niveau : Facile à Moyennement Difficile / Recueil / Chant

Par BARDEN CHRISTINE H. / KOWALCHYK GAYLE / LANCASTER . The Rhythm Speller Book 3 reinforces rhythm skills based on the concepts introduced in the Music Lesson Book 3. Each page of the Rhythm Speller Book has two activities---a rhythm-writing activity and a rhythm-reading activity. The written activities reinforce note values and counting through coloring, circling, drawing, or matching. The rhythm-reading activities help students practice clapping or tapping rhythm patterns while counting aloud, playing rhythms on rhythm instruments or keys on the keyboard, and chanting words based on rhythm patterns. / Niveau : 3 / Etudes et exercices / Etude / Piano

Par BARDEN CHRISTINE H. / KOWALCHYK GAYLE / LANCASTER . The Rhythm Speller Book 4 reinforces rhythm skills based on the concepts introduced in the Music Lesson Book 4. Each page of the Rhythm Speller Book has two activities---a rhythm-writing activity and a rhythm-reading activity. The written activities reinforce note values and counting through coloring, circling, drawing, or matching. The rhythm-reading activities help students practice clapping or tapping rhythm patterns while counting aloud, playing rhythms on rhythm instruments or keys on the keyboard, and chanting words based on rhythm patterns. / Niveau : 4 / Etudes et exercices / Etude / Piano

Par KING ROBERT / RUTTER JOHN. Oxford Choral Classics: anglais Church Music rassemble en deux volumes d'environ 100 des plus beaux exemples de l'anglais la musique chorale sacrée des cinq derniers siècles. Le premier volume, consacré aux hymnes et motets, présente à la fois favoris et des Oeuvres moins connues, de la polyphonie de la Renaissance exceptionnelle Taverner, Tallis, Byrd et, à travers la restauration dirigée par Purcell, les Oeuvres glorieuses de la grande XIXe et XXe siècles compositeurs-siècle, y compris Wesley, Elgar, Stanford, Vaughan Williams, et Howells. Le volume contient un certain nombre d'Oeuvres plus importantes, y compris de Mendelssohn Ecoute ma prière, Stainer, je vis le Seigneur, et dicentis Naylor Vox: Clama, ainsi qu'une belle sélection de pièces plus courtes, de Gibbons O Seigneur, dans ta colère pour définir Walton moi comme un sceau sur ton cOeur. Avec le volume second compagnon de cantiques et de réponses, cette collection présente bipartite une enquête approfondie de la musique sacrée anglaise à son meilleur. / Recueil / Chant

Par WEDGWOOD PAM. RecorderWorld de PAM Wedgwood est la nouvelle façon passionnante et créative d'apprendre l'enregistreur et de plus, c'est aussi la ressource de la classe ultime - donc assurez-vous que chaque élève peut tirer le maximum de leur aventure, Faber Music ont créé le Pack de l'école de RecorderWorld. Méthode d'enseignement étape par étape du RecorderWorld contient le plaisir des pièces originales, qui sont complétés par des airs connus de partout dans le monde dans un style enfants amour. Morceaux de concert offrent des possibilités pour la performance tout de suite, et il y a beaucoup de possibilités pour travail de groupe avec les duos, des tours et des boîtes de percussions. Le monde de l'improvisation et la composition est exploré, bien que les points de départ imaginatives et fichiers fait introduisent de nouvelles informations sur les battements, les marquages musicales et les signatures de temps. Tout au long du livre, il y a des jeux Clapping d'inculquer un fort sens du rythme et Quizzes rapide pour aider à réviser et renforcer les nouveaux concepts. Disponible en rouge, bleu ou vert chaque paquet contient une copie de RecorderWorl.../ Recueil / Flûte à Bec

Par APOSTOLIDIS KATHARINA. A coloring and activity book to help children between 5 and 11 years to learn notes and rests. Included are small learning steps and various creative works, puzzles and games of dice with several possibilities to repeat. Beginning with quarters, there are two possible directions: either to the slower notes (half, dotted half and whole notes) or to the faster notes (eighth and sixteenth notes). Both methodic ways are equal. Chapters for the rests have a similar structure. The presentation of new notes and rests combines little vivid tales with moving experiences of the children themselves (clapping, walking, and singing). The volume is suitable for instrumental classes in single lessons as well as in groups and also for foundation classes. A well-devised, and at the same time, very versatile method, which can be used as a permanent assistant to fun and easy success. / Niveau : Débutant / Children's - Theory and Harmony / Recueil / Tout Instrument

Par WEDGWOOD PAM. UNE EXCELLENTE OCCASION DE COMMANDER PLUSIEURS EXEMPLAIRES EN A CONSIDERABLEMENT REDUIT LES PRIX. RecorderWorld est une façon excitante et créative pour apprendre l'enregistreur ! C'est une méthode d'enseignement étape par étape avec plus de 40 pièces dans cet deuxième livre, à la suite des notes appris dans le livre premier. Morceaux de concert offrent des possibilités pour la performance tout de suite, et il y a beaucoup de possibilités pour travail de groupe avec les duos, des tours et des boîtes de percussions. Explorez le monde de l'improvisation et la composition si imaginative points de départ. ' Fichiers fait ' introduisent de nouvelles informations sur les battements, les marquages musicales et les signatures de temps, alors que ' Clapping Games ' insuffler un fort sens du rythme. ' Quick Quizzes ' aider à revoir et à renforcer les nouveaux concepts tout en dessins animés et des autocollants colorés rendent tellement amusement ! Ce livre présente les notes faible fa dièse, D faible, si bémol, faible F, C sharp, haut E, F haut, C faible, haut fa dièse et haut g. Un CD d'accompagnement est également disponible./ Recueil / Flûte à Bec

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano