SKU: ST.MB103
ISBN 9790220225178.
Music for three violins and bass formed a small yet distinctive corpus of instrumental music at the Restoration court of Charles II and in the Catholic chapel of James II. Introduced to England by the German violinist Thomas Baltzar, the genre was adopted by John Jenkins, whose ten late fantasia-suites for three violins, bass viol and continuo, together with Gottfried Finger's five sonatas for the same group of instruments, constitute the bulk of this volume. Other representative works include Baltzar's own Suite in C major and Bartholomew Isaack's Ground in A minor, all fascinating progenitors of Purcell's crowning contributions to the repertoire, his Pavan in G minor and 'Three Parts upon a Ground'.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.
SKU: HL.14033591
ISBN 9781844490547. UPC: 884088489519. 9.0x12.25x0.102 inches.
Here are 27 easy-intermediate arrangements of familiar melodies in classical, folk and jazz styles. Each tune is presented as a trio, but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the flute, saxophone, brass and violin editions in Junior Book B of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one, two or three clarinets - with or without accompaniment May also be used with matching arrangements in Junior Book B editions of this series for flute, saxophone, brass or violin. Optional piano accompaniment book with guitar chord symbols available, Ideal for individual or classroom use.
SKU: CA.3750149
ISBN 9790007215033. Language: German.
Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and part available separately - see item CA.3750100.
SKU: CA.3750119
ISBN 9790007215026. Language: German.
Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and parts available separately - see item CA.3750100.
SKU: HL.49044524
ISBN 9790220135538. UPC: 841886024687. 9.0x12.0x0.052 inches.
A trumpeter is a cavalry or artillery soldier who gives signals with a trumpet. (Gerald Barry, 1998)This piece may be performed on any of the following instruments in different transpositions. If played by a string instrument, there should be no vibrato. It may be played by Flute, Alto Flute, Bass Flute, Piccolo, Oboe, Cor Anglais, Clarinet, Basset Clarinet, Bass Clarinet, Bassoon, Contrabassoon, Trumpet, Horn, Trombone, Tuba, any other Brass Band instrument, Mouth Organ, Ondes Martenot, Concertina, Bagpipes, Tubular Bells, Violin, Viola, Cello, Double Bass.In thinking of the register in which to play it, thought should be given to the drama and colour of the instrument involved. For example, if it were played by a Contrabassoon, the version in this edition should be transposed down two octaves and a minor 6th, so that the lowest note in the melody is B flat, the lowest note on the Contrabassoon.
SKU: GI.G-MTC
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: CA.3750109
ISBN 9790007214975. Language: German.
SKU: CA.1037105
ISBN 9790007098766. Language: Latin.
In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score available separately - see item CA.1037100.
SKU: CA.3750111
ISBN 9790007214982. Language: German.
SKU: HL.49044189
ISBN 9790001153126. UPC: 841886011809. 9.0x11.75x0.077 inches.
Most well-known and generally popular - that's what the Happy Birthday meals served by Claus-Dieter Ludwig are. Meanwhile, they are available in various instrumentations (for piano solo and piano duet, for accordion duo, string quartet and piano trio). Now, the work has been rearranged by Wolfgang Birtel - and the wind instruments are finally invited to the buffet! The classic trio d'anches with oboe, clarinet and bassoon deals with the epicurean delights of Happy Birthday in five courses to which other music titles have been added as well. Enjoy 'Andante festivo e culinario', 'Lento lasagne e lambrusco', 'Marcia marsala e mozzarella', 'Valzero vongole e vaniglia' and the crowning dessert, a fiery 'Tango tartufo e tagliatelle'!
SKU: CA.5199050
ISBN 9790007188481. Language: German/English. Text: van Swieten, Gottfried.
With this arrangement it is possible to present the work in a performance space of limited size. Haydn's original orchestration is filled with vivid tone painting and this reduced version represents Haydn's score using accurate colors for the obligato melodies and appropriate instrumental voices for the colla parte passages. It follows the format and content of the critical edition by Carus (ed. W. Gersthofer) and may be used together with the other materials from Carus 51.990 (choral and vocal scores, string parts). Modern performances of Creation use sometimes 50-60 players. It is hoped that the present reduction will make this beautiful work available to smaller groups, smaller performance venues, and groups with smaller budgets. Score available separately - see item CA.5199000.
SKU: GI.G-MFH
SKU: HL.49018494
ISBN 9790001176057. UPC: 884088667993. 9.0x12.0x0.056 inches.
SKU: HL.1117984
UPC: 847986000170. 8.0x10.0x4.25 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Maximum clarity for your drum sound The DTP 340 TT accurately captures the sound of your drums and percussion instruments with maximum clarity. This results in authentic instrumental sounds with sonic detail and character. Punch and clarity in a compact mic The DTP 340 TT gives you a well-balanced drum sound, in the studio and on stage. The supercardioid pattern reduces bleed coming from the other parts of your kit. As a result, you get a focused sound with punch and clarity. On top of that, the DTP 340 TT also sounds fantastic on guitar cabinets and its compact size helps to keep things tidy. Durable materials for longevity To assure your beloved microphone survives drops and unintended hits, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing structure-borne noise. Supercardioid pattern The supercardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.
SKU: BR.EB-4323
ISBN 9790004162774. 9 x 12 inches.
Busoni's Bach Advanced SchoolIn October 1909, Breitkopf & Hartel succeeded in winning Ferruccio Busoni for the edition of Johann Sebastian Bach's piano works. Busoni had studied the music of Bach more intensively than almost any other artist of his time had. As a pianist, arranger, theorist and pedagogue, Busoni was instrumental in bringing Bach out of the 19th century and into the 20th century. That same year, Busoni and two collaborators, Bruno Mugellini and Egon Petri, began work on the instructive edition, which was to comprise 25 volumes. The first volumes were published in the spring of 1916, and in May 1923, the Bach Advanced School project was finally completed. This also marked the end of Busoni's thirty-year-long creative involvement with Bach's works, the impact of which still reaches far beyond the Bach-Busoni formula.All alterations and additions pursue the educational intent of affording the student insight into the mechanism of the composition. Moreover, they illustrate and supplement the views presented only in a sketchy manner in the introductions. In several cases, it takes the sum of the comments on the various pieces to constitute the all-encompassing opinion on one and the same question. (Ferruccio Busoni).
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